Review: THE GUIDE TO BEING FABULOUS at Soulpepper
Sandra Caldwell is, indeed, fabulous.
The latest reviews and critic recommendations from Toronto.
Sandra Caldwell is, indeed, fabulous.
Tapestry Opera’s production of Gareth Williams and Anna Chatterton’s ROCKING HORSE WINNER uses a son’s desperate attempts to provide for his mother’s desire for wealth as a cautionary tale about the perils of a hunger that is never satisfied.
Alanis Morissette's album Jagged Little Pill defined a generation of teens and young adults growing up in the 90s.
In Nikki Shaffeeullah’s A POEM FOR RABIA, three centuries of women come together to explore the currents of change that shape their lives.
Soulpepper Theatre presents the latest addition to their Her Words festival with Kat Sandler's scandalous and hilarious romp Wildwoman.
If you call to book a ticket to Coal Mine’s brilliant production of Branden Jacobs-Jenkins’ APPROPRIATE, you might stumble over the pronunciation.
Arbery’s play is a fascinating and multifaceted look into the unexamined front of a burgeoning culture war.
Walter Borden at 81 is a powerhouse of a Shakespearean actor.
By focusing on the slower, more structured rounds of boxing over the fast-paced hustle of a card sharp, M’Carthy’s production invites us to watch the hands when we really should be watching the eyes.
Roy Orbison's legendary music become the touching soundtrack for In Dreams - a moving new musical from writer David West Read and director Luke Sheppard, the masterminds behind the smash hit musical & Juliet - about cherishing loved ones and the life you have, on stage at the Ed Mirvish Theatre unti
Divorced, beheaded, died.
From its initial roll call of types of audience members, Ellis’ thought experiment becomes a sort of interactive poem that comes both to satirize work and to praise it, a funny sort of feel-good cooperative enterprise that is surprising and delightful.
Choosing to attend asses.
Spaciousness welcomes the audience to experience Toronto’s historic Fort York in a unique and interactive way.
Unearthing a hidden gem is always intriguing- whether it be a true fossil, pirates booty, discarded musical manuscript, or perhaps a virtually unknown play.
This year, the Fringe Festival returned more than half a million dollars to its talented, hardworking artists.
In a small, intimate office space near Queen and Dufferin, Riot King’s production of one of Tennessee Williams’ lesser-performed plays, SUDDENLY LAST SUMMER, feels like you’ve been invited into someone’s Southern Gothic living room.
A good story often bears repeating.
The perennial festival favorite BLITHE SPIRIT is making a welcome to return to the Shaw Festival stage after 30 years.
In asking the persistent questions of how much of what we consider love, the personality, and even the soul is of our own making, and how much is just chemical, Mitchell Cushman’s searing production immediately gets under your skin, and it’s no placebo.
Before heading to Oshawa’s Regent Theatre for Mansfield Entertainment’s SPONGEBOB: THE MUSICAL, I had never seen a single episode of the cartoon series featuring the ubiquitous bright yellow sea creature with square pants that lives in a pineapple under the sea.
Reviews of Fatal Charade, Levels: The Play, Danielle Tea's Infernal Latte, Mail Ordered, All That Remains, and B-Max and the Re-Revolution at the Toronto Fringe Festival
Reviews of Frankenstein(esque), Paz, Featherhead, Our Little Secret, All of Our Parents are Asian, and Constellation Prize at the Toronto Fringe Festival
Four years after its Broadway premiere, Anaïs Mitchell’s Tony-winning musical HADESTOWN, developed with and directed by Rachel Chavkin, has finally made its way down to Toronto.
Reviews of BUNNY!, MAGGIE CHUN'S FIRST LOVE AND LAST WEDDING, and THE FAMILY CROW
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