Review: SINEMATIC, Emerald Theatre
by Franco Milazzo - Feb 27, 2026
It appears Tosca Rivola is back for a sequel of sorts. After last year’s debacle that was Diamonds and Dust - a production she co-created with Dita Von Teese that promised the moon, delivered a pebble, was 'paused' shortly after its press night and then, two months later, quietly cancelled - the American cabaret producer has returned to Aaron Mellor’s Emerald Theatre with her long running concept show Sinematic.
Review: SOPHIE'S SURPRISE PARTY, Underbelly Boulevard
by Franco Milazzo - Nov 21, 2025
If you only see one circus show this year, you should try and get out more but Sophie's Surprise Party at Underbelly Boulevard is an excellent choice for people who don't mind having their jaws occasionally scrape the ground.
Review: SABRAGE, Lafayette
by Franco Milazzo - Mar 27, 2025
Australian masters of variety extravaganzas Strut & Fret return to the UK with their unashamedly adult and savagely sexy new show Sabrage. Just don’t forget the first rule of cabaret.
Review: THE LITTLE PRINCE, London Coliseum
by Franco Milazzo - Mar 13, 2025
Turning one of the world’s most famous children’s works into a lively stage adventure populated with quirky characters and illustrated by marvellous sights sounds like a money-making machine. So how does this production get it so wrong?
BroadwayWorld's 40 Immersive Shows to Experience in 2025
by Franco Milazzo - Jan 11, 2025
There's no doubt that 2025 will another fascinating year for immersive theatre, the fastest-growing art form around. There's more choice than ever to jump into a different world, whether it is diving into the Titanic, joining the crew of a spaceship, meeting the crazy characters of a cyberpunk Wild West town or solving a puzzling murder aboard a moving train.
Review: LA CLIQUE, Leicester Square Spiegeltent
by Franco Milazzo - Nov 13, 2024
Returning to the West End La Clique is back with a new cast. After two decades of presenting some of the finest vaudeville talent around, is this the beginning of the end or the end of the beginning for this cabaret institution?