BWW Review: Camp, Comic, Sugary Fluff, XANADU THE MUSICAL Is A Retro Feel-Good Night Of Nostalgia.
Douglas Carter Beane's (Book) Award Winning stage adaptation of XANADU THE MUSICAL comes alive at Hayes in a bright, shiny explosion of high camp colour....
BWW Review: AS WE FORGIVE Challenges Our Views On Vengeance, Hatred and Forgiveness
Tom Holloway's AS WE FORGIVE asks the audience to re-evaluate their perceptions of vengeance, hatred and the extent of forgiveness through three separate stories, presented by sole performer Robert Jarman....
BWW Review: MY NAME IS ASHER LEV Speaks to our Hearts and our Arts at Eternity Playhouse
If there is anything an audience can relate to in contemporary theatre, it is the concept of struggling to forge ahead with one's own individual passions whilst navigating the traditions of the past and the expectations of those who, having grown up in more desperate times, had only such traditions ...
BWW Review: DAFFODILS [INSPIRED BY TRUE EVENTS] Is A Beautifully Presented Story Of Love, Life And Family Secrets
New Zealand's Rochelle Bright's tribute to her parents plays out in the poignant cabaret DAFFODILS [INSPIRED BY TRUE EVENTS]....
BWW Review: Sport For Jove's Production Of THE TAMING OF THE SHREW Continues To Question Society's Views On Women
Sport for Jove's interpretation of William Shakespeare's THE TAMING OF THE SHREW highlights that society hasn't come that far since the 16th Century....
BWW Review: WE WILL ROCK YOU: Part Rock Concert, Part Homage to Queen, Part Warning Of The Dependence On Technology And Part Rediscovery Of Free Expression
Ben Elton (Writer and Director) has delivered a new incarnation of WE WILL ROCK YOU for Australian audiences to multiple standing ovations....
BWW Review: WONDERFUL TOWN BREATHES NEW LIFE INTO BROADWAY CLASSIC at Sydney Opera House
In a partnership that proved you can teach an old dog new tricks, Squabbalogic and Sydney Philarmonia Choirs paired choral force with vaudeville vibes to reinvent Leonard Bernstein's classic Wonderful Town. This tale of two sisters trying to make it in 1950s New York has contributed to the blue prin...
BWW Review: SOUNDS LIKE HEAVEN A DIVINE MOTHER'S DAY OUT at Independent Theatre
Mother's Day gives the most important women in our lives a chance to be celebrated, treated to a little breakfast in bed, and for some, a nice day at the opera! Pacific Opera, a company developing Australia's emerging talent, presented Sounds Like Heaven yesterday to standing ovation, a showcase of ...
BWW Review: Teenage Thirst for Knowledge About Sex, Love And Relationships Plays Out In SPRING AWAKENING
SPRING AWAKENING proves that the issues of sexuality, relationships and the need for knowledge that challenged teenagers in the 19th Century are still as relevant in the 21st Century....
BWW Review: Australian Brandenburg Orchestra's MOZART REQUIEM: 100 VOICES Brings Baroque Music To A New Generation
The rich old world sound of the Australian Brandenburg Orchestra and Brandenburg Choir is given a new youthful dimension with the Brandenburg Young Voices Choir for MOZART REQUIEM: 100 VOICES concert....
BWW Review: BELLEVILLE POLISHES OFF PARIS at Old Fitz Theatre
They say it's never one moment that turns paradise into peril, but a series of small, indiscernible hairline fractures that suddenly at the most innocent of moments cause a shattering from which no hope of rebuilding can be drawn. Although the events that transpire in Belleville bear a little more d...
BWW Review: THE CHERRY ORCHARD Is A Window Into The End Of A Era For The Affluent
Exposing the complacency of an aristocratic family in a changing world, David Mamet's adaptation of Anton Chekov's farcical tragedy, THE CHERRY ORCHARD unfolds at New Theatre....
BWW Review: PENNSYLVANIA AVENUE AN ENCHANTING WALK DOWN MEMORY LANE at Sydney Opera House
When the theatre-going Sydneysider is hunting for a story unlike any other, set amongst the most powerful of creatures and the most notable moments in modern history, told with passion and humour and dulcet sublimity, where else but the White House?!...
BWW Review: The Comedy Of 1950's Murder Mystery Movies Comes To The Stage With New Australian Musical, THE DETECTIVE'S HANDBOOK
The latest offering at Hayes Theatre, THE DETECTIVE'S HANDBOOK is a well crafted parody of 1950's crime movies, filled with beat poetry, musical pastiche and slapstick comedy....
BWW Review: DISGRACED Faces Your Fears at Sydney Theatre Company
Beg, borrow, or steal a ticket to this show. It is peerless in the present landscape of Sydney theatre, a razor-sharp scintillation that remarks most precisely on current culture. It is what this reviewer has long been waiting for, and prays becomes a zeitgeist for contemporary Australian narratives...
BWW Review: SWALLOW Peeks Into Three Lives As They Struggle To Cope With Fear, Pain And Isolation.
Stef Smith's SWALLOW is a confronting examination of the physical manifestation of human emotions as three women deal with life, loss, isolation and identity....
BWW Review: A MAN WALKS INTO A BAR Blends Standup Comedy, Social Analysis And A Lot Of Vodka
David Geary's A MAN WALKS INTO A BAR is glimpse at the woven tapestry of a couple and the other people that enter a bar....
BWW Review: HAY FEVER Is A Hilarious Look At When Bohemia Meets High Society
Imara Savage's (Director) staging of Noel Coward's HAY FEVER for Sydney Theatre Company proves the farcical comedy of manners, written in 1925, is truly timeless....
BWW Review: THE GREAT FIRE TAKES YOU BACK HOME at Belvoir St Theatre
The Great Fire takes place in the all-too-familiar Australian disaster zone: mum and dad's place at Christmas. On an idyllic Adelaide Hills property, a family gathers to decide the next phase of their lives as part of the ever-gentrifying arts industry in this domestic drama written by Kit Brookman....
BWW Review: SHUT UP AND DRIVE DELIVERS LOCOMOTIVE INSIGHTS at Kings Cross Theatre
Shut Up and Drive; or Sex, Liberty and the Automobile. I wonder if Milennials: The Musical was also considered for this vibrating take on 20th-century disease zeroed-in on the global symbol of independence and consumerism. A series of stories that weaves into itself as the play progresses, subtlenua...
BWW Review: THE PEASANT PRINCE Brings The Story Of Mao's Last Dancer To Life For The Young And Young At Heart In A Beautiful, Moving Expression
Monkey Baa Theatre Company has created another wonderful work for children with their interpretation of Li Cunxin's children's book THE PEASANT PRINCE....
BWW Review: THE NAKED TRUTH Gives You Heart and Body at Blood Moon Theatre
On stage, a very promising triad of stripper poles to set the scene where we meet the camp and cavalier characters. The body confident Bev, a perfect fit for Melinda Ryan who drove every moment home, is finding her way toward a loving relationship. Trisha, enthusiastically played by Hayley Flowers, ...
BWW Review: THE ORIGINAL GREASE Is A Gritty, Honest Return To The Darker Side Of 1959 Working Class Chicago
Squabbalogic captures Jim Jacobs and Warren Casey's (Book, Music and Lyrics) original vision of the iconic story in THE ORIGINAL GREASE....
BWW Review: SAVAGES Is Brutal, Confronting, And Downright Terrifying In Its Honest Portrayal Of A Large Sector Of Australian Society.
Patricia Cornelius' SAVAGES is a timely analysis of the aggression and self-entitlement that bubbles beneath the surface of a scary portion of the male population....
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