The latest reviews and critic recommendations from Sydney, Australia.
Tom Holloway's AS WE FORGIVE asks the audience to re-evaluate their perceptions of vengeance, hatred and the extent of forgiveness through three separate stories, presented by sole performer Robert Jarman.
If there is anything an audience can relate to in contemporary theatre, it is the concept of struggling to forge ahead with one's own individual passions whilst navigating the traditions of the past and the expectations of those who, having grown up in more desperate times, had only such traditions
![BWW Review: DAFFODILS [INSPIRED BY TRUE EVENTS] Is A Beautifully Presented Story Of](https://cloudimages2.broadwayworld.com/columnpic7/200200A9F5FEFA-0E7C-FCF8-BAD017AE8CC444F7.jpg?format=auto&width=220)
New Zealand's Rochelle Bright's tribute to her parents plays out in the poignant cabaret DAFFODILS [INSPIRED BY TRUE EVENTS].
Sport for Jove's interpretation of William Shakespeare's THE TAMING OF THE SHREW highlights that society hasn't come that far since the 16th Century.
Ben Elton (Writer and Director) has delivered a new incarnation of WE WILL ROCK YOU for Australian audiences to multiple standing ovations.
In a partnership that proved you can teach an old dog new tricks, Squabbalogic and Sydney Philarmonia Choirs paired choral force with vaudeville vibes to reinvent Leonard Bernstein's classic Wonderful Town.
Mother's Day gives the most important women in our lives a chance to be celebrated, treated to a little breakfast in bed, and for some, a nice day at the opera! Pacific Opera, a company developing Australia's emerging talent, presented Sounds Like Heaven yesterday to standing ovation, a showcase of
SPRING AWAKENING proves that the issues of sexuality, relationships and the need for knowledge that challenged teenagers in the 19th Century are still as relevant in the 21st Century.
The rich old world sound of the Australian Brandenburg Orchestra and Brandenburg Choir is given a new youthful dimension with the Brandenburg Young Voices Choir for MOZART REQUIEM: 100 VOICES concert.
They say it's never one moment that turns paradise into peril, but a series of small, indiscernible hairline fractures that suddenly at the most innocent of moments cause a shattering from which no hope of rebuilding can be drawn.
Exposing the complacency of an aristocratic family in a changing world, David Mamet's adaptation of Anton Chekov's farcical tragedy, THE CHERRY ORCHARD unfolds at New Theatre.
When the theatre-going Sydneysider is hunting for a story unlike any other, set amongst the most powerful of creatures and the most notable moments in modern history, told with passion and humour and dulcet sublimity, where else but the White House?!
The latest offering at Hayes Theatre, THE DETECTIVE'S HANDBOOK is a well crafted parody of 1950's crime movies, filled with beat poetry, musical pastiche and slapstick comedy.
Beg, borrow, or steal a ticket to this show.
Stef Smith's SWALLOW is a confronting examination of the physical manifestation of human emotions as three women deal with life, loss, isolation and identity.
David Geary's A MAN WALKS INTO A BAR is glimpse at the woven tapestry of a couple and the other people that enter a bar.
Imara Savage's (Director) staging of Noel Coward's HAY FEVER for Sydney Theatre Company proves the farcical comedy of manners, written in 1925, is truly timeless.
The Great Fire takes place in the all-too-familiar Australian disaster zone: mum and dad's place at Christmas.
Shut Up and Drive; or Sex, Liberty and the Automobile.
Monkey Baa Theatre Company has created another wonderful work for children with their interpretation of Li Cunxin's children's book THE PEASANT PRINCE.
On stage, a very promising triad of stripper poles to set the scene where we meet the camp and cavalier characters.
Squabbalogic captures Jim Jacobs and Warren Casey's (Book, Music and Lyrics) original vision of the iconic story in THE ORIGINAL GREASE.
Patricia Cornelius' SAVAGES is a timely analysis of the aggression and self-entitlement that bubbles beneath the surface of a scary portion of the male population.
Hit songs of the 60's are recreated in GEORGY GIRL – THE SEEKERS MUSICAL as the scandal free history of The Seekers is recounted.
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Captain Corelli's Mandolin Genesian Theatre (9/04-10/10) |
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Cirque Alice Sydney Lyric Theatre (9/25-10/11) VIDEOS |
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I Love Your Faces: The Don Lane Story Jetty Memorial Theatre (9/05-9/05) |
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Saltwater Girls EASH Erskineville (9/08-9/12) |
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Mum Club Griffin Theatre Company (8/22-9/20) |
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Cicada Wollongong Art Gallery (8/27-8/29) |
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A Beautiful Noise Sydney Lyric Theatre (11/14-12/20) |
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Top Silk Ensemble Theatre (7/31-9/12) |
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Morning Melodies: Christmas with Lucy Durack Kingston City Hall (12/08-12/08) |
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Britten's War Requiem Sydney Opera House (10/17-10/17) |
