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Don’t miss Tony Award winner Faith Prince in her first St. Louis solo appearance in over eight years.“Prince reminds us how musicals can kidnap an...
Marilyn Maye is a legendary vocalist who has returned to St. Louis nearly 20 times over the past 15 years—her audiences coming back again and...
Hailed by The Wall Street Journal as “the gold standard of open mic nights,” Jim Caruso’s Cast Party has been a New York institution for...
Singers from across the country take the stage after a week of mentorship with Marilyn Maye and Faith Prince. Accompanied by some of the finest...
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by James Lindhorst - April 20, 2026
Director Kathryn Bentley has built an infectious production of Colin McLaughlin and Ryan Marquez’s new groove heavy musical. She inspired and evoked vibrant performances from a high-octane cast who enthrall the audience with lively storytelling. Bentley delivers Eleventh Hour Radio’s ‘save the...
by Steve Callahan - April 20, 2026
'The End of the World Cabaret' at Upstream:
THIS IS A PLAY YOU MUST SEE!
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by James Lindhorst - April 17, 2026
Rebekah Scallet has once again brought St. Louis audiences a newer work to the NJT Wool Studio Stage with resounding success. Her production of Prayer for the French Republic is a gripping story with cataclysmic force. The Salomon and Benhamou Families face paralyzing fear steeped in the long histor...
by Rob Levy - April 15, 2026
Filled with moments of solidarity and sleaze, 9 to 5 is dazzling. There’s something for everyone here, (even an unexpected cameo to bring the house down) in a well-paced battle of the sexes that rages, sings, dances and laughs from the moment you clock in to the moment you clock out....
by James Lindhorst - April 13, 2026
The surreal script can best be described as oddly bizarre. Dead Man’s Cellphone is a fantasy that explores human obsession with digital technology and the effects it has on our relationships. But it goes beyond the plot device to connect the protagonist to a dead man’s family. It examines how we...
by James Lindhorst - April 11, 2026
Chorus of Fools swung for the fences taking on Romeo & Juliet. While they didn’t hit a home run, it was certainly a quality at bat. Director Eric Satterfield staged an emotionally satisfying production led by the outstanding performances of Zach Pierson, Tia René Williams, Celeste Genevieve Gardn...
by James Lindhorst - April 04, 2026
The Orange Girls and St. Louis Actors’ Studio’s The Half-Life of Marie Curie is a beautiful work. The production brings together all the design elements of a play into an artistic expression of friendship and feminism through intelligent story telling. It is flawlessly directed, convincingly act...
by James Lindhorst - March 28, 2026
Rosencrantz and Guildenstern may be dead, but the St. Louis Shakespeare Festival is very much alive. Those lucky enough to have secured a ticket to Rosencrantz and Guildenstern are Dead won’t be disappointed by this chaotically lively production of what Director Tom Ridgley calls “Tom Stoppard�...
by Rob Levy - March 23, 2026
This jukebox musical, directed by Augustin Family Artistic Director Kate Bergstrom, offers a condensed biography of Cash’s life, told through his music. From his early childhood in Arkansas to his rise to fame at Sun Records, addiction battles, and his advocacy, there’s a lot to cram into two ho...
by James Lindhorst - March 21, 2026
Robbin, From the Hood has ambitious intent. Playwright Marlow Wyatt has crafted several potentially compelling scenarios about those living in impoverished and marginalized communities and how the conditions effect their population. But in its current iteration, Robbin, From the Hood loses its drama...
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