ST. LOUIS THEATER REVIEWS

Rodgers and Hammerstein's THE SOUND OF MUSIC is still popular today, and there's really no need to wonder why. The songs are undeniably familiar, and the story and characters go through a number of compelling moments. However, it does require a good, solid cast and sharp direction to live up to the ...

BOSNIAN/AMERICAN: THE DANCE FOR LIFE is a winning little piece, dedicated to educating and informing the public about the immigration of Bosnian refugees who fled to St. Louis, MO, when frequent massacres and religious and cultural persecution became more and more prevalent in their homeland. It's a...

Donny Hathaway is the very definition of 'tortured genius', a singer/songwriter with velvety pipes, and melodies that were both memorable and timeless. Just listen to the gritty truths he expresses on his breakthrough tune, 'The Ghetto (pt. 1)', or his collaborations with Roberta Flack, particularly...

IVANOV is a formative work in the canon of Anton Chekhov. He was presenting us with the situations and character types we'd come to know and understand, but with the lack of irony that often permeates his material. The St. Louis Actors' Studio has put together a splendid evening of entertainment wit...

Gateway Opera is like a five-star tapas restaurant; it continues to delight its patrons with superbly delicious bite-sized offerings of that succulent dish-opera....

Based on the novel by Robert James Waller, that people seem to either love or loath, THE BRIDGES OF MADISON COUNTY would seem to be a story which relies very heavily on particular imagery conjured up in the readers' mind by the landscape the characters occupy. The film version did make a valiant eff...

John Cameron Mitchell's (text) scathing and kinky rock and roll cabaret, HEDWIG AND THE ANGRY INCH, is given its just desserts with Stray Dog Theatre's memorable production, which is currently running at the Tower Grove Abbey through April 16, 2016. Michael Baird bares his soul as tortured songwrite...

With spring training winding down, and the approach of another baseball season approaching, The Repertory Theatre of St. Louis closes their 49th season with a terrific selection; SATCHEL PAIGE AND THE KANSAS CITY SWING. Set after the end of World War II, at a time when race relations were beginning ...

Once again the exciting young Gateway Opera company shows us that you don't need a massive budget to create wonderful opera....

Music has the power to move people in many different ways. As someone who plays a variety of instruments, I can speak firsthand about the ways it's made me feel, and the ways in which I've seen it affect others. I'm certainly no prodigy, and I've always been jealous of those who were born with gifts...

Although activism is still alive and well, one wonders if future generations will be moved to make change due to their increased isolationism. We live in a world where people feel more and more entitled, and have been raised to expect instant gratification. People who make a stand are becoming rarer...

It's interesting to me that IF/THEN is billed as 'a new musical'. It's the use of the word 'new' that I find puzzling. The concept certainly isn't an original one, having been explored on the big screen in the films Blind Chance (1981) and its sort-of remake, Sliding Doors (1998). And, even though n...

If you look up the definition of the word pulse in a dictionary, or at www.dictionary.com as I did, you find that the third meaning completely resonates with PULSE - A MADCO (Modern American Dance Company) Cabaret Performance, which is a collaborative effort with the UMSL Music Department. The 'rhyt...

I saw the touring production of AMERICAN IDIOT when it played at The Peabody Opera House a while back. I was eager to see it, being a fan of Green Day's music, and this rock opera, in particular. It was a great show, but the one thing that stuck in my mind afterward wasn't the performers, or even th...

What began in book writer Douglas McGrath's head as a jukebox musical centered around the relationship between competing songwriting teams Carole King and Gerry Goffin and Barry Mann and Cynthia Weil evolved into something slightly different. This was due to the fact that the show stopped before Car...

The title of Lee Blessing's play, ELEEMOSYNARY, refers to the word one of the characters successfully spells, winning a spelling bee in the process, but also to the very definition of it; charitable. It's an intriguing story of three generations of women, all of whom are extraordinarily gifted in on...

Everyone needs someone who's a good listener when they're troubled. And, when you find yourself hesitant or unable to open up to a loved one about something, you can always seek out a therapist to talk to. Therapists offer objective observations that allow their patients to express their feelings wi...

Over the years I've learned a tremendous amount about the Jewish religion and its traditions through the plays and people I've come in contact with at The New Jewish Theatre. But, I have to admit that I never knew the story of the 'wandering Jew', although I'd grown up with parents who loved flora a...

Thanks to the developmental work that occurred during The Repertory Theatre of St. Louis' Ignite! Play Festival in 2014 we now have the opportunity to witness the fruit of their labors; the world premier of a very entertaining new musical called GEORAMA. This play tells a fascinating story that is t...

It's not unusual for movies to be adapted for the stage these days, in fact, it's become rather commonplace. But typically, musicals written for the screen that flop (even though they might have a rather substantial cult following), are usually avoided for obvious reasons. Although, that didn't stop...

Although I've seen the successful 1968 film version of THE LION IN WINTER, I'd never had the opportunity to watch the actual stage play which it's based upon, until now. Maybe it was the washed out prints that turned me off to it initially, but it's an absolute revelation to see The Repertory Theatr...

My lists for the best plays/musicals in St. Louis is in chronological order. I'm not limiting myself to any specific number of entries either. These are simply the best productions and performances in various categories that I witnessed during a packed year filled with companies closing and new ones...

Each December Stray Dog Theatre chooses an unconventional show to celebrate the season. It's always something unusual, and often something somewhat shocking. I like that idea of going against the grain, and giving audiences relief from the Christmas overload that all forms of media utilize at this t...

When it comes to classifying THE GIN GAME, it's a bit of a sticky wicket. On the cover of Donald Coburn's play it says it's a tragicomedy, and yet it won the Pulitzer Prize for Drama. No wonder my fellow critics and I felt a bit confused as to where it should fall categorically. Personally, the amou...

In his director's notes Ken Page mentions that he had a conversation with a dear friend where they were trying to define 'the place that exists beyond ordinary relationships or sexual discovery.' That became the name of Page's latest play, SUBLIME INTIMACY. And, it's an apt title for this artistic e...