BWW Review: Upstream Hosts A Merry Debate in WITTENBERG
The Upstream Theater has opened a lovely production of Wittenberg, by David Davalos.
St. Louis Theater Reviews
The latest reviews and critic recommendations from St. Louis.
Our St. Louis Critics
View All ›
BWW Review: CANFIELD DRIVE Asks Where Are You in Your Work to Heal Racial Trauma?
Playwrights Kristen Adele Calhoun and Michael Thomas Walker's new drama, Canfield Drive, received its world premier this month, after being co-commissioned by 651 Arts in partnership with The St.
BWW Review: LOVE, LINDA Gives Voice to Porter's Muse
Max & Louie Productions has opened its 10th season with the St.
BWW Review: ALABAMA STORY Explores Censorship and Racism, Makes One Laugh and Think
This, as the opening line of Alabama Story tells us, is a story about two rabbits.
BWW Review: LES MISERABLES Dazzles at The Fabulous Fox
Anyone familiar with the Tony-Award-winning musical adaptation of Victor Hugo's novel Les Miserables knows it is a grand indulgence for the eyes, ears, and mind.
BWW Review: God Takes Center Stage at the New Jewish Theatre
Four years ago the New Jewish Theatre offered a side-splitting evening of 'Four Old Jews Telling Jokes'; now they offer 'An Act of God'.
BWW Review: A CHRISTMAS CAROL Warms Hearts and Reminds that Giving > Receiving
Based on the classic Charles Dickens novel, the Nebraska Theatre Caravan's touring production of the musical A Christmas Carol opened for this weekend only on December 6 at The Fox.
BWW Review: A CHRISTMAS STORY Relishes and Reveres Holidays of Old
Whether you're 7 or 107, Philip Grecian's adaptation of the 1983 cult classic film, A Christmas Story, will likely tickle your funny bone and get you reminiscing about holidays past.
MACBETH: COME LIKE SHADOWS Is a Wild, Wonderful Immersion
You only have two more chances to see Rebel and Misfits' Macbeth: Come Like Shadows, directed by Sean Patrick Higgins and Kelly Hummert, and even in a city of generous theatre offerings, you will probably not have the opportunity to see anything else quite like this.
BWW Review: ADMISSIONS Educates Audiences With Examination of White Privilege
Admissions, a brand-new dramedy by playwright Joshua Harmon, provides a timely and realistic view into contemporary upper-middle-class liberalism, with its barbed humor and challenging subject matter.
BWW Review: SILENT SKY Twinkles Brightly, Shines Light on History
Lauren Gunderson's Silent Sky is the factual story of astronomer Henrietta Leavitt, whose turn-of-the-century career had an important effect on science and discovery throughout the 20th and into the 21st centuries.
BWW Review: DISNEY'S THE LITTLE MERMAID by Variety Theatre
Variety Theatre presented their production of Disney's The Little Mermaid at the Blanche M.
BWW Review: CHEF Opens Season at Upstream With All the Right Ingredients
Chef, a play by UK/Egyptian playwright Sabrina Mahfouz and winner of the 2014 Fringe First Award at the Edinburgh Festival, made its U.
BWW Review: St. Louis Repertory Theater Presents A DOLL'S HOUSE, PART 2
A scandalous drama is still politically potent after 139 years! When Nora Helmer slammed that door in 1879 she told the world that her duty to herself was greater than her duty to her family.
BWW Review: THE ZOMBIES OF PENZANCE Breathes New Life and Steals Hearts at The Marcelle
As the story goes in Gilbert & Sullivan's 1879 operetta, The Pirates of Penzance, Frederic the pirate has just been released from his indenture to a comical band of soft-hearted pirates when he meets Mabel, the daughter of Major-General Stanley, and falls in love.
BWW Review: THE LITTLE FOXES Illuminates Aristocracy, Greed at St. Louis Actors' Studio
Lillian Hellman's 1939 drama, The Little Foxes, is a well-made drama about Southern aristocratic avarice and female suppression.
BWW Review: 75th Anniversary Production of OKLAHOMA! at Stages St. Louis is a Bang-Up, Boot-Stompin' Good Time
Oh, what a beautiful production of Rodgers and Hammerstein's Oklahoma!, directed by Michael Hamilton with choreography by Dana Lewis, musical direction by Lisa Campbell Albert, and orchestral design by Stuart M.
BWW Review: Paula Stoff Dean Brings Bright Cabaret to The Monocle
I first saw Paula Stoff perform-oh, years ago¬-in a revue by the Non-Prophet Theatre.
BWW Review: 'KING CHARLES III' Probes Royal Power at the Ivory
What is the place of monarchy in today's world? An utterly fascinating 'King Charles III' opens at the Ivory.
BWW Review: SArTrE! 'No Exit' brings Hell to the Chapel.
Jean-Paul Sartre's iconic play 'No Exit' is receiving a solid production under the aegis of the Slightly Askew Theatre Ensemble (SATE).
BWW Review: THE LIGHT IN THE PIAZZA at R-S Theatrics
Lonely woman finds true love in sunny, romantic, magical Italy! It's an all-too-familiar trope in films.
BWW Review: A Powerful Production of Weill's 'Lost in the Stars' Closes Union Avenue's Season
Kurt Weill's 'Lost in the Stars' brings a moving tale of South Africa to the Union Avenue Stage.
|
La traviata Opera Theatre of Saint Louis (5/29-6/27) |
|
Mamma Mia! Fox Theatre (3/30-4/04) |
|
Joyful COCA - Catherine B. Berges Theatre (12/18-12/19) |
|
Cinderella Opera Theatre of Saint Louis (6/05-6/27) |
|
The Book of Mormon (Non-Equity) The Fabulous Fox Theatre (2/02-2/07) |
|
COCA Live & Unscripted! Staenberg Performance Lab at COCA (11/21-11/21) |
|
|
Mamma Mia! The Fabulous Fox Theatre (3/30-4/04) |
|
Terry Barber: Best Of Broadway Kirkwood Performing Arts Center (9/06-9/06) |
|
ELVIS, PATSY CLINE & LORETTA LYNN: THE ULTIMATE TRIBUTE CONCERT Kirkwood Performing Arts Center (9/13-9/13) |
|
Amadeus Gaslight (2/05-2/21) |