Wild Rose - Off-Broadway Creative Team

Theatre credits include: Blindness (Donmar Warehouse/UK Tour/Royal Theater Carré, Amsterdam/Daryl Roth Theatre, New York); Inside (Orange Tree); The Band Plays On (Sheffield); Dick Whittington (National); Fairview (Young Vic); Equus (Stratford East/ETT/Trafalgar Studios/UK Tour); The Glow, Seven Methods of Killing Kylie Jenner, Pah-La (Royal Court); Snowflake (Kiln); The Last of the Pelican Daughters (Complicité, Edinburgh/Royal & Derngate); Cuckoo (Soho); Armadillo (The Yard); Rockets and Blue Lights (Royal Exchange, Manchester); Reasons to Stay Alive (Sheffield/ETT/UK Tour); One (Manchester Home/UK Tour/International Tour); Summer Rolls (also Bristol Old Vic), A Pupil (Park); Faces in the Crowd, Mephisto [A Rhapsody], Dear Elizabeth, The Human Voice ... read more LIZ HAYES (Cinderella’s Stepmother, Jack’s Mother). Regional: Grounded (The Gamm Theatre), Into the Woods (Old Globe/McCarter/Fiasco). Boston: Lungs, Collected Stories (New Repertory Theatre), Seminar, Strangers on a Train (Stoneham Theatre), Crimes of the Heart (Gloucester Stage), Look Back in Anger, Marisol, Love Song (Elliot Norton Nomination, Orfeo Group), Breaking the Code, Absurd Person Singular (Central Square Theater), Adding Machine: A Musical (Elliot Norton Nomination, SpeakEasy Stage), Dead Man’s Cell Phone, Three Tall Women, A Little Night Music, The Spitfire Grill (Lyric Stage). Teaching: The Boston Conservatory (Voice & Speech Faculty), Walnut Hill School for the Arts (Acting Faculty). Training: GWU/Shakespeare ... read more Steven Hoggett has previously collaborated with John Tiffany on The Twits for the Royal Court, Let The Right One In and Black Watch for the National Theatre of Scotland, The Glass Menagerie at A.R.T. and on Broadway, and Once on Broadway and in the West End. Other recent credits include American Idiot, Peter and the Starcatcher, The Last Ship, Rocky the Musical and The Crucible on Broadway; St Joan at The Public; Close to You at NYTW and the Criterion; The Light Princess for the National Theatre; Dr. Dee for the Manchester International Festival; and Rigoletto for the Metropolitan Opera. ... read more Chloe trained in Theatre Design at Wimbledon School of Art. Chloe is Associate Designer at the Royal Court Theatre and a resident of Somerset House Studios. Theatre includes: Shoe Lady (Royal Court), The Antipodes (Co-Director & Set and Costume Designer, National Theatre), Hilary and Clinton (Broadway), John, Amadeus, Rules For Living, The World Of Extreme Happiness (National Theatre), Europe (Donmar Warehouse), The Duchess of Malfi (Almeida Theatre), The American Clock (The Old Vic), Our Ladies Of Perpetual Succour (National Theatre, West End, National Theatre Scotland), The Crucible (Theatre Basel), Hamilton Complex (Schauspielhaus Bochum), Jubilee (Royal Exchange Theatre, Lyric Hammersmith), 1984 ... read more Katrina Lindsay's recent costume design credits include Bend It Like Beckham at the Phoenix Theatre (Olivier nomination for Best Costume Design), wonder.land for MIF and the National Theatre and American Psycho for the Almeida Theatre and Broadway (Outer Critics Circle and Drama Desk nominations for Best Costume Design). She designed costumes for Lyndsey Turner's production of Hamlet at the Barbican with Benedict Cumberbatch in the title role. She has also designed costumes for many operas including Terry Gilliam's productions of Damnation of Faust and Benvenuto Cellini for the ENO, which have been performed around the world. As a set and ... read more John Tiffany directed Once for which he was the recipient of multiple awards both in the West End and on Broadway. As Associate Director of the Royal Court, his work includes Road, The Twits, Hope and The Pass. He was the director of Let The Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End and St. Ann's Warehouse. His other work for the National Theatre of Scotland includes Macbeth (also Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, ... read more