Troilus and Cressida - Off-Broadway Creative Team

Broadway (Composition and/or Sound Design): Driving Miss Daisy, A Steady Rain, The Coast of Utopia (2007 Drama Desk Award: Outstanding Music for a Play, Henry Hewes Award: Outstanding Sound Design), Who's Afraid of Virginia Woolf?, Henry IV, Golda's Balcony, The Goat, Lily Tomlin's "The Search...", The Lion in Winter, A View From the Bridge among others. BAM/OLD VIC: Original scores for all productions of The Bridge Project 2009-2012 including Richard III (Sam Mendes, dir.); Off-Broadway: An Illiad, Valhalla, Mad Forest, My Children! My Africa! (NYTW), Scores for eight Shakespeare productions for The Joseph Papp Public Theater. Other ... read more Broadway: End of the Rainbow, The Gershwins’ Porgy and Bess, 110 In The Shade (Tony nom.), Shining City, Well, Awake and Sing! (Tony nom.), Rabbit Hole, The Light In The Piazza (Tony, Drama Desk, Outer Critics awards), Reckless, The Tale of the Allergist’s Wife, Seven Guitars (Tony nom.), among others. Recent: King Lear (Public Theater), Kdo! (Foret Nationale, Brussels), Kafeneion (Athens Festival), Garden Of Earthly Delights (Minetta Lane); Orpheus X (TFANA), Kaos (NYTW). Awards: Obie/Sustained Excellence, among others. Kline won a scholarship to the Juilliard School’s drama division in 1970. In 1972, he co-founded the City Center Acting Company (now The Acting Company), touring nationally in classical repertory productions and The Robber Bridegroom. He appeared on the soap opera Search for Tomorrow (1976) and returned to the stage in Dance on a Country Grave (1977). He won his first Tony Award for On the Twentieth Century (1978) and a second Tony for The Pirates of Penzance (1980), later reprising the role in the film version (1983). His New York Shakespeare Festival credits included Richard III (1983), Henry V ... read more Derek McLane received a Drama Desk Award and an Outer Critics Circle Award Honour for his work on Moulin Rouge! The Musical. He has designed over 350 productions for Broadway, Off-Broadway, internationally and for TV. His over 40 credits include Burn This, The Parisian Woman, Anything Goes, The Price, Fully Committed, Beautiful, Ragtime, I Am My Own Wife and 33 Variations (Tony Award). He has designed the Academy Awards for six years (Emmy Award) and has designed four live musicals for NBC, including “Hairspray” (Emmy Award). THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more Theatre directing credits include The Iceman Cometh, Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (NY Drama Critics' Circle Award and Drama Desk Award for Best Musical); Lucky Guy; The Normal Heart (Drama Desk); Jelly's Last Jam (Drama Desk and Outer Critics Circle Award); Angels in America: Millennium Approaches (Tony Award and Drama Desk) and Perestroika (Drama Desk); Bring in 'da Noise, Bring in 'da Funk (Tony and Drama League Award); Topdog/Underdog (Obie Award); Twilight: Los Angeles, 1992 (Drama Desk); Elaine Stritch at Liberty (Tony for Special Theatrical Event); The Tempest; Caroline, or ... read more