The Retreat From Moscow - Broadway Creative Team

Broadway: Venus in Fur, Time Stands Still, A View from the Bridge, The Royal Family, The Color Purple, Doubt, Chicago, Dinner at Eight, Proof, Rabbit Hole, Last Night of Ballyhoo, A Delicate Balance, The Heiress, The Most Happy Fella, The Sisters Rosensweig, Burn This, Penn & Teller, Ain't Misbehavin', Talley's Folly, Crimes of the Heart, Morning's at Seven, among others. Off-Broadway: Other Desert Cities, The Substance of Fire, A Life in the Theatre. Thirty-six seasons with MTC, Lincoln Center, Circle Rep, City Center Encores! Tony, Obie, DD, OCC awards; Theatre Hall of Fame. Graduate of Brown and Yale School of ... read more Credits: Driving Miss Daisy, Your Welcome America, God of Carnage, The Vertical Hour, Faith Healer, Bridge and Tunnel, Cat on a Hot Tin Roof, Life (x) 3, The Graduate, Prune Danish, and Much Ado about Everything. US Associate: Hamlet, Enron, Red, Boeing Boeing, Rock and Roll, Macbeth, Frost/Nixon, Festen, Primo, The Pillowman, Democracy, Jumpers, Def Poetry Jam, and Noises Off. International: Spongebob Squarepants(Asian Tour), Reel to Real (China) and The Opera Show(European Tour). More than 100 Broadway/Off-Broadway credits including: Present Laughter, A View From the Bridge, Waiting for Godot, Thurgood, Cat on a Hot Tin Roof, Trumpery, Heartbreak House, Who's Afraid of Virginia Woolf?, On Golden Pond, A Moon for the Misbegotten, The Scarlet Pimpernel, Master Class, The Sisters Rosensweig. Metropolitan Opera: revival of Adriana Lecouvreur (2009), Dialogue of the Carmelites, The Great Gatsby; Chicago Lyric Opera: Nabucco and Rigoletto; SF Opera: La Favorita. Film: Arthur, Can't Stop the Music, Glengarry Glen Ross. Awards: Irene Sharaff Life Time Achievement Award, Theatre Hall of Fame, 15 Tony Award nominations. Professor, Yale School of Drama. John Gromada (Composer/Sound Designer) has composed music or designed sound for more 40 Broadway productions, including All My Sons, Torch Song, The Elephant Man, The Trip to Bountiful with Cicely Tyson (Tony nomination), Gore Vidal's The Best Man (Drama Desk Award), Clybourne Park, Seminar, Man and Boy, The Columnist, Next Fall, A Bronx Tale, Prelude to a Kiss, Proof, A Streetcar Named Desire, Twelve Angry Men, and the original A Few Good Men. His other New York credits include Amy and the Orphans, Bruce Norris' Domesticated, Old Hats, Measure for Measure (Delacorte Theater), The Orphans? Home Cycle (Drama Desk ... read more Ron has produced over 50 shows in New York and London in the past 25 years. He has Tony Awards and Olivier Awards to his credit for Side Man, The Real Thing, Hamlet and Spring Awakening. He is very happy to be working again with Ken Davenport on Michael Arden's amazing new production of Once On This Island. Broadway: Rock of Ages, The Threepenny Opera, Barefoot in the Park, Good Vibrations. Recent: Uncle Vanya (CSC), Rock of Ages, Clay (LCT3), Scarcity (Atlantic), The Piano Teacher (South Coast Rep), Vigils (Goodman), Evil Dead the Musical (NYC and Toronto), Shout! The Mod Musical, Sive, The Field (Irish Rep), Once Around the Sun, Kiki & Herb: Coup de Theatre. The New Group: Mourning Becomes Electra, Rafta Rafta, Two Thousand Years, The Prime of Miss Jean Brodie, Abigail’s Party, Hurlyburly, Aunt Dan and Lemon, Comedians. Faculty: Purchase College. The 70 plus shows he designed lighting for on Broadway include Death of a Salesman, starring Philip Seymour Hoffman and directed by Mike Nichols, The Book of Mormon (Tony Award), The Coast of Utopia, Joe Turner’s Come and Gone, Frankie and Johnny in the Clair de Lune, Fences, A Behanding in Spokane, Race, The Pillowman, Urinetown, and Into the Woods. In addition to 5 TONYs, his awards include an Obie Award for Sustained Excellence, a Bessie Award, and others. For dance, The Joffrey Ballet, American Ballet Theater, Tere O’Connor Dance, Merce Cunningham, Lar Lubovitch, Nancy Bannon, and many others. His ... read more Caroline Prugh writes for the stage. Recent New York productions include the musical PINWHEEL! (random access theatre; 2015 NYIT Nomination for Outstanding Musical), and the plays: IT'S ONLY KICKBALL STUPID (kef productions; The Advocate’s NYC Lesbian Stage Highlights of 2014), NO PROVENANCE (written with Kate Holland & produced by Justin Cornell/FringeNYC 2014), and CLEAR COLD PLACE (vilde chaya collective & David Carpenter). Recent readings/workshops include: NIGHT AT THE BIG CHIEF MOTEL (Holland New Voices Award, 2016 Great Plains Theatre Conference) and TIL DEATH DO US PART (with composer/lyricist Bobby Cronin) part of 2015-16 Overtures Series at The Gallery Players (directed ... read more More than 60 Broadway shows, including The Front Page, The Crucible, Blackbird, The Color Purple, Waitress, The King and I, War Horse, This Is Our Youth, Of Mice and Men, Romeo and Juliet, Lucky Guy, Death of a Salesman, Venus in Fur, A View From the Bridge. He has worked extensively at the Lincoln Center (Disgraced, Blood and Gifts), the Public Theater (Hamlet, King Lear, Mother Courage, Father Comes Home From The Wars), MTC (Ruined, Murder Ballad), NY Theatre Workshop (Red Speedo, Othello), and the Met Opera (Le Nozze di Figaro, Il Trovatore). MTC directorial credits include The Little Foxes, The Country House, The Snow Geese, The Columnist, Lost Lake, Accent on Youth, Good People, Time Stands Still, Rabbit Hole, After the Night and the Music, Brooklyn Boy, Sight Unseen, Psycopathia Sexualis, and Proof. He has directed over 30 Broadway productions and at least as many Off-Broadway, including ten for The Public Theater's Shakespeare in he Park. He served as Artistic Director of Seattle Repertory Theatre from 1981-97. He is the Swanlund Professor of Theatre at University of Illinois, Champaign-Urbana. Producing credits include the Tony Award-winning The Book of Mormon, God of Carnage and Proof; also Jerusalem, The Motherf**ker With the Hat, A View From the Bridge (2010), The Retreat From Moscow, The Play What I Wrote, The Tale of the Allergist's Wife, Not About Nightingales, The Chairs, Exit the King. His general management company has been responsible for more than 60 productions, most recently Fences, You're Welcome America, The Seagull and Boeing-Boeing. Thompson is the recipient of the 2010 Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing.