Interview: Holly Sidell on Portraying Isabel in CROSSING DELANCEY
by Shari Barrett - May 27, 2026
Told through a series of vignettes, Crossing Delancey examines Bubbie's belief in the old-world Jewish family custom of all young women needing to find a husband as soon as possible to settle down and raise a family against those of Isabel, a modern 1980s Jewish woman in New York City learning to stand on her own two feet. I spoke with Holly Sidell who is portraying Isabel in the current production at Theatre 40 in Beverly Hills through June 21.
A History of Musicals About Friendship
by Jennifer Ashley Tepper - May 10, 2026
Friendship is nearly always a side element in musicals. From the comic sidekick of the leading character to the backup pals who provide background vocals, friends are part of the fabric of many shows—but rarely are they the main event.
Review Roundup: BEACHES Opens on Broadway
by A.A. Cristi - Apr 22, 2026
Reviews are rolling in for the Broadway production of Beaches, a new musical based on the classic film, celebrating the power of female friendship. Did critics have a day at the beach at Beaches? Find out in our review roundup!
Review: THE WEDDING SINGER at Warner Theatre
by Sean Fallon - Apr 18, 2026
On Friday, April 17th, I had the pleasure of seeing a phenomenal show at the Warner (specifically the Nancy Marine Studio Theatre) in Torrington, CT, THE WEDDING SINGER, based on the 1998 movie that is set in 1985. The book for this stage adaptation of the film written by Chris Herlihy is written by Chad Beguelin and Chris Herlihy, with music by Matthew Sklar and lyrics by Chad Beguelin. Director and choreographer Travis Kendrick-Castanho combines his strong directing talents with those of the associate Emily Rafala and the musical director Nate McCuin to help bring out the best in this first-rate cast! Without exception, every lead and ensemble cast member absolutely excels in his or her role or roles!
Review: AN IDEAL MAN at CONE MAN RUNNING
by Brett Cullum - Apr 14, 2026
AN IDEAL MAN is a fun spin on the source material, and it’s charming and affable in its delivery. I like the idea of the cast of DYNASTY suddenly being thrust into Oscar Wilde’s England via River Oaks.
Feature: CLUEX Takes Up Residency At Notoriety Live
by Debbie Hall - Apr 14, 2026
The genre-defying burlesque parody ClueX, inspired by the cult-classic 1985 film Clue, will continue its Las Vegas residency at Notoriety Live on the Fremont Street Experience through July 31.
Interview: Cartreze Tucker of BACK TO THE FUTURE at TUTS
by Brett Cullum - Mar 31, 2026
BACK TO THE FUTURE THE MUSICAL has hit Houston’s Hobby Center and plays for just a week through April 5th. Coming along with the trucks and buses of this adaptation of the 1985 Spielberg and Zemeckis hit film is Cartreze Tucker. H
Review: THE COLOR PURPLE by Chromolume Theatre at The Zephyr
by Shari Barrett - Mar 16, 2026
Directed magnificently by Elijah Green, with energetic choreography by Katie Powers-Faulk and musical direction by Miki Yokomizo, the totally entertaining and artistically brilliant production pulled me in from the moment it started.
THE NORMAL HEART Will Open at Lakewood Playhouse Next Week
by Stephi Wild - Feb 13, 2026
In one week, Lakewood Playhouse opens Larry Kramer's searing and deeply human drama The Normal Heart, continuing the theatre's 87th Season with a story about individuals who refuse to be silent in the face of crisis.
Is Broadway In a New Musical Drought?
by Jennifer Ashley Tepper - Feb 15, 2026
For the past two seasons, 14 or 15 new musicals have opened on Broadway. Even in the challenging first two seasons coming out of the pandemic, Broadway saw 8 or 9 new musicals opening. And in the last four full seasons prior to the pandemic, Broadway saw an average of 11 new musicals per season. What gives?
Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End
by Albert Gutierrez - Jan 18, 2026
While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.