Park is a force of nature, whisking around the teasingly basic set (by the “multi-disciplinary design collective” dots), hooped skirt flying, in a desperate search for liquor and attention. She addresses a portrait of George Washington (or as we should probably call him, “the Man who did Mary’s Husband’s Job In The Past”) as “Mother”. Induced to try oil painting, Mary guzzles a bucket of paint thinner, sicks it up, and drinks it down again.
There are some funny moments and the energy never flags, but the overall feeling is that you are watching an 80-minute-long comedy sketch. Park's gurning and exaggerated movements are beautifully executed, but the often-dated jokes and gestures are not enough to sustain a whole play. It is interesting that American audiences find this show so funny; to Brits the humour frequently comes across more in line with a Benny Hill Christmas special.
| 2024 | Off-Broadway |
Off-Broadway Premiere Production Off-Broadway |
| 2024 | Broadway |
Original Broadway Production Broadway |
| 2025 | West End |
West End |
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