Video: Watch Jake Bell, LORT and More Accept 2026 Special Tony Awards
by Chloe Rabinowitz - May 29, 2026
The Tony Awards Administration Committee presented the 2026 Tony Honors for Excellence in the Theatre to four outstanding contributors to the Broadway industry - 1/52 Project, Jake Bell, Kenn Lubin, and Loren Plotkin. Watch their acceptance speeches here!
WE WILL ROCK YOU to Open at San Jose Stage
by Stephi Wild - May 21, 2026
San Jose Stage will present WE WILL ROCK YOU, the musical featuring the music of Queen, for a limited run. Previews precede an official opening night, with the production closing later that month.
Review: A MAN OF NO IMPORTANCE at The Bent
by Audrey Liebross - May 12, 2026
The Bent, the Coachella Valley’s LGBTQ+ theatre company, is presenting its first musical, A MAN OF NO IMPORTANCE, written by Terrence McNally (book), Stephen Flaherty (music), and Lynn Ahrens (lyrics). The writers and composer have put together a moving book, lyrics, and score that create a deeply affecting and emotional story, with just enough hilarity to soften the upsetting moments. The brilliant acting, singing, directing, and design make this show a must-see.
Sam Beam and Lindsey Ferrentino Join Hermitage Beach Program
by Stephi Wild - May 6, 2026
Grammy-nominated Sam Beam (Iron & Wine) and Broadway playwright Lindsey Ferrentino will appear at the Hermitage Artist Retreat's beachfront 'Script & Song' program, as the retreat also celebrates a Pulitzer Prize win for a Hermitage-born production.
Review: CACTUS FLOWER at New Theatre Restaurant
by Alan Portner - May 4, 2026
The air at New Theatre Restaurant in Overland Park is thick with the scent of high-end buffet favorites and the electric hum of a sold-out crowd. The curtain has risen on a revival of the 1960s Broadway classic Cactus Flower, and if the opening week's standing ovations are any indication, Kansas City has another bona fide hit on its hands.
Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
Review: Glazer Hall Welcomes Linda Purl
by Stephen Sorokoff - May 3, 2026
Saturday May 2 was a perfect blend of setting, energy, and most of all the MUSIC, as actor/vocalist Linda Purl with music director Tedd Firth took the stage of the beautiful new Glazer Hall in Palm Beach.
2026 Tony Awards- The Nominees React
by Nicole Rosky - May 5, 2026
This year's nominees are checking in with BroadwayWorld to tell us all about how they got the news. Check back for live updates!
Review: Updated FLOWER DRUM SONG Returns to Los Angeles by East West Players
by Shari Barrett - Apr 29, 2026
Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by Marc Macalintal.
Review Roundup: THE LOST BOYS Arrives on Broadway
by Nicole Rosky - Apr 26, 2026
The final show of the 2025/26 Broadway season is now open! The world premiere of THE LOST BOYS opened tonight, Sunday, April 26, 2026, at Broadway’s Palace Theatre. Directed by two-time Tony Award winner Michael Arden, the new musical features a book by David Hornsby & Chris Hoch, music & lyrics by The Rescues. Let's see what the critics are saying about the new musical...
Review: Hannigan is a ‘Double Threat’ - Singing/Conducting LA VOIX HUMAINE at the NY Philharmonic
by Richard Sasanow - Apr 25, 2026
There was a time early in this century when conductor Lorin Maazel led Massenet’s opera THAIS, surprising audiences by picking up a violin during Act II to play the work’s famous “Meditation” himself—usually the realm of the concertmaster. At the NY Philharmonic’s performance of Poulenc’s monodrama, LA VOIX HUMAINE, on Thursday, soprano/conductor Barbara Hannigan did him one better.