Review: ASSASSINS at Oakland Theatre Project
by Steve Murray - Mar 23, 2026
I admit I’ve never seen Stephen Sondhiem’s Assassins, nor ever heard the score or read the synopsis. A flop in 1990, the 2004 revival won five Tony awards, and it’s been in theatre rotations since, often causing controversy for its raw language and unsavory content. A play from the perspectives of infamous assassins?
REVIEW: Gary Young's Australian Interpretation Of MAMMA MIA! Receives A Revival With Fresh New Cast
by Jade Kops - May 28, 2023
In 2017 Gary Young (Director) delivered a reimagined production of MAMMA MIA!. In 2023, this production has been revived with a new cast and a more compelling expression of the underlying coming of age love stories to the delight of audiences, many of which are familiar with the franchise that extended from Phylida Lloyd’s original stage production that premiered on the West End in 1999 and transitioned to film in 2008.
Review: THE WHO at Schottenstein Center
by Paul Batterson - Oct 12, 2022
What did our critic think of THE WHO at Schottenstein Cente? When the Who, a 1990 inductee to the Rock-N-Roll Hall of Fame, announced their current 'The Who Hits Back' tour, the response of many 'fans' on one website was a hard pass.
Celebrate Father's Day With New Content on HBO Max
by Sarah Jae Leiber - Jun 15, 2021
HBO Max will also feature “Watch With Dad” trays across its Series and Movies Page, the HBO Hub and its Kids and Family Genre Page, including favored flicks and beloved series like “Daddy Day Care,” “Tenet,” the “Pink Panther” collection, “Ocean’s Eleven,” “Speed,” “Ford v. Ferrari,” “Tiger,” and “Happy Gilmore.”
The BroadwayWorld Beginner's Guide to: Opera
by Aliya Al-Hassan - Jan 14, 2021
One of the few positives that has come out of the pandemic is that there has never been more opportunity to experience something new. Theatre, ballet and opera companies have quickly realised that their reach is now potentially worldwide and a new audience awaits online.
BWW Review: THE DRAG by Mae West Presented by The City Of West Hollywood and Classical Theatre Lab
by Shari Barrett - Oct 1, 2020
Westa??s play, in which she turned her anger at injustice into witty repartee, tells of a married but closeted high society man who throws a wild drag ball that proves to be a fateful event in more ways than one, given the various degrees of scandal going on around so many of the characters. Written under a pseudonym before she became a blockbuster Hollywood star, THE DRAG scandalized New York audiences in 1927 with its portrayal of homosexuality, transgender characters, and drag queens. The premiere production closed out of town by the authorities after two weeks of sold-out performances to appreciative audiences.
Latino Theater Company Announces Virtual Fall Season
by Chloe Rabinowitz - Aug 10, 2020
The Latino Theater Company has announced a Fall 2020 Virtual Season. Over the next five months, the company will stream a combination of archival footage of past, fully-staged hit productions; live streamed, 'sneak-peek' readings of plays set for on-stage production in 2021 (or whenever theater is permitted to resume) and more.
BWW Interview: Aldo Billingslea of POLAR BEARS, BLACK BOYS AND PRAIRIE FRINGED ORCHIDS LIVESTREAM at Juneteenth Theatre Justice Project Hopes to Create Meaningful Change
by Jim Munson - Jun 18, 2020
More than 30 Bay Area theatres are joining forces to present a reading on Juneteenth, encouraging donations to support a bold Go Fund Me Campaign that aims to fundraise one million dollars for Black theatre projects in America. Spearheaded by PlayGround, Lorraine Hansberry Theatre, and Planet Earth Arts, these Bay Area theatres (including TheatreWorks Silicon Valley, Berkeley Rep, A.C.T, Cal Shakes, and many more) are co-presenting a livestreamed Zoom reading of Vincent Terrell Durham's Polar Bears, Black Boys & Prairie Fringed Orchids at 7pm PT on June 19 as part of the Juneteenth Theatre Justice Project, a national theatre movement to produce this reading of Durham's play to commemorate anniversary of the freeing of enslaved Black people. BroadwayWorld spoke with Aldo Billingslea, the longstanding pillar of the Bay Area theatre community who is producing the livestream and also leads the Juneteenth Theatre Justice Project. Billingslea is well-loved throughout the Bay Area as a man of many talents, including actor, professor, producer, collaborator and mentor.