Review: THE OLD MAID / QUEEN MARY / MARTHA GRAHAM at Spoleto
by Perry Tannenbaum - Jun 3, 2026
Scottish Ballet's MARY, QUEEN OF SCOTS is likely to stand as the most spectacular triumph at Spoleto Festival USA 2026, and festival founder Gian Carlo Menotti's 1939 radio opera, THE OLD MAID AND THE THIEF, will probably remain the best theatre.
A History of Broadway Proshots and Screen Adaptations
by Jennifer Ashley Tepper - May 31, 2026
What is a pro-shot and how is it different than an adapted film? Pro-shot is an abbreviation for professionally shot, denoting a stage play that was captured in its native habitat: a theatre. In general, a pro-shot seeks to film the exact experience that audience members would have at a live performance of the show, in contrast with a feature film which actually adapts the piece into a new form, including different locations, the removal of theatrical aesthetic, and changes to make the script work as a film as opposed to as a live theatrical show.
Review: DANCING AT LUGHNASA at Women's Theatre Collective
by Courtney Symes - Apr 8, 2026
In its latest celebration of women, Women’s Theatre Collective (WTC) is staging Brian Friel’s hauntingly beautiful memory play, Dancing at Lughnasa. Set in Ballybeg, Ireland, in 1936, it follows a summer in the lives of the five Mundy sisters as told by the narrator, Michael.
Review: POETRY FOR THE PEOPLE at Fountain Theatre
by Evan Henerson - Feb 13, 2026
These are words that both sing and challenge. If, like this reviewer, you were not previously acquainted with June Jordan, POETRY FOR THE PEOPLE is a crackling introduction.
Review: An Evening With Michael Feinstein, 101 Year Old Frankie Ross And Gershwin
by Stephen Sorokoff - Feb 6, 2026
In 1936, 12 year old Frankie Ross Wolpin sat next to her cousin George Gershwin on his piano bench in New York City while he played the piano. Last night (February 5th 2026) the 101 year old Frankie was seated next to Michael Feinstein on another piano bench as he played and sang Gershwin’s “Our Love Is Here To Stay”.
Dusti Bongé Art Foundation to Exhibit Unseen Late Works in THINKING IN COLOR
by A.A. Cristi - Jan 13, 2026
The Dusti Bongé Art Foundation will present 'Thinking in Color: Selections from the Vault', featuring 40 previously unseen works by Mississippi modernist Dusti Bongé. This exhibition, curated by DBAF Executive Director Ligia Römer, PhD, includes watercolor, ink, and tempera pieces that highlight Bongé's vibrant use of color and thematic diversity. The works, inspired by her Gulf Coast surroundings, dreams, and Zen Buddhism, will be on display for the first time, offering a unique insight into he
NEW YORK JEWISH FILM FESTIVAL 2026 Lineup Unveiled
by A.A. Cristi - Dec 11, 2025
The Jewish Museum and Film at Lincoln Center have announced the full lineup for the 35th annual New York Jewish Film Festival, returning to the Walter Reade Theater in Manhattan.
Meet the Broadway Icons of Taylor Swift’s ‘The Life of a Showgirl’
by Jennifer Ashley Tepper - Oct 7, 2025
Taylor Swift’s new album The Life of a Showgirl dropped on October 3rd, and it includes plenty of references—some explicit and some ambiguous—to real showgirls throughout history. Many of these women have a Broadway past worth exploring that adds new context to Swift’s songs.
The History of Feminist Plays That Came Before LIBERATION
by Jennifer Ashley Tepper - Oct 28, 2025
As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.
Theatergoing in the Time of The Gilded Age
by Jennifer Ashley Tepper - Aug 24, 2025
The Gilded Age recently wrapped up its third season on HBO, to record-setting viewership. Much to the delight of theatre fans, the cast of the show includes a wealth of actors who are beloved for their work in theatre. Cast by Adam Caldwell and Bernie Telsey, The Gilded Age shoots in the New York area, which gave the team the ability to cast many actors who regularly work in theatre.
Interview: Suzanne King of DANCING AT LUGHNASA at Theatre Suburbia
by Brett Cullum - Apr 21, 2025
I'll tell you why I decided to do it; then I'll tell you about the toughness, but I read this about 1999, and just loved it. It made the hairs on my arms stand up, especially visualizing the very last scene with the entire cast swaying back and forth, and giving the illusion of them not swaying. You're not sure if they are or not.