You Never Can Tell - 1998 - Off-Broadway Articles Page 6

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

Bridget Boyle is an Australian-based performer, writer, director, researcher and teacher in Drama, with a focus on comedy and gender. In 1998, she co-founded Debase Productions with Liz Skitch and Robert Kronk, and since then their theatrical works have been performed in venues and festivals across Australia and internationally. She has performed and directed for the Brisbane Festival, Queensland Theatre, State Theatre Company of South Australia and the Out of the Box Festival. She holds a doctorate in Drama and is one of the funniest and the most giving human beings you will ever meet. I'm so so grateful to be having her on this segment. Here's what Bridget had to say...

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

Riverdale Season 4 has attempted another female driven musical. The Hedwig and the Angry Inch musical tribute episode, based on John Cameron Mitchell and Stephen Trask's 1998 Off-Broadway rock musical, sorely misses the mark in its attempts to honor the Gender-queer character from Communist East Berlin.

The Beatles! Rihanna! Michael Jackson! Johnny Cash! Kanye West! The Rolling Stones! Aretha Franklin! Bob Dylan! Miles Davis! Nirvana! BWW Reviewer Peter Nason chooses the greatest albums from the rock and rap era (1950-2020); see if your favorites made the grade!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Today would have been Willy Burmann's 81st birthday. In celebrating his life, I felt that it was essential to speak with Miro Magloire, the artistic director of New Chamber Ballet. Miro was Willy's friend, confidante, and preferred pianist for class.

It's fun at times and messy, but the mega-talented Ms. Kanyinda takes it to completely higher level.

Opening March 5 and running through March 21st is the return of BLOOD BROTHERS.

Fifteen years after its first production of the musical, Musical Theatre West revisits the Tony Award-winning musical RAGTIME for only its second time---smartly reviving the musical in a similarly lavish production that beautifully converges the show's classic staging and vibe with wonderfully integrated 21st Century tech upgrades that help elevate the material rather than hinder its storytelling. Under the enlightened direction of Paul David Bryant (who also provides the production's high-energy choreography), this brand new, spectacularly engrossing production bellows with an emotional fervor and is one of my favorite iterations of this musical I have seen in recent years. This local revival---which continues performances at the Carpenter Center for the Performing Arts in Long Beach through February 23, 2020---is a feast for the senses.

South Coast Repertory Artistic Director David Ivers and Managing Director Paula Tomei today announced the lineup for the 2020 Pacific Playwrights Festival (PPF). The annual showcase of new works, part of the theatre's new-play development arm, The Lab@SCR, includes two world-premiere productionsa?"The Scarlet Letter by Kate Hamill and I Get Restless by Caroline V. McGrawa?"and five staged readings. PPF runs April 24-26, with morning, afternoon and evening events. Single tickets and value-priced ticket packages are now on sale at www.scr.org.

Joe's Pub has released its schedule for Feb 12-22! Brown Girls Burlesque: Love Got Game - Valentine's Edition (Feb. 12), Isaac Oliver Is Your Valentine (Feb. 13), and Lea DeLaria: f**k Love and more will take to the stage!

Today's subject Marva Hicks is currently living her theatre life onstage at Signature Theatre in the World Premiere Musical Gun & Powder. The production runs through February 23rd in Signature's MAX Theatre space. You'll be able to see my review of the show on Broadway World soon. Trust me it will be worth the wait.

As rowdy Cats screenings have proven in both Los Angeles and Brooklyn, Jellicle fans come out at midnight. And they keep coming back.

The title of his one-man show, The Spouse Whisperer, was a playful jab at the reality TV shows with whisperer in the title. a?oeIf they can go around and tell how to make dogs and horses better than I'm going to be the spouse whisperer. Everybody gets the title.a?? Mark said that The Spouse Whisperer was all humor-driven with some scientific information thrown in, so it had some basis in fact. It's also interactive. From 18 to senior citizens, everyone can find something to relate to. The audience is given cards upon entering the show and asked to write questions and comments that he will respond to in the second half of the performance. He noted that no matter the corner of the country, the concerns about relationships were surprisingly universal.

Mona Golabek, the sole performer of a?oeThe Pianist of Willesden Lanea?? at TheatreWorks Silicon Valley, has truly followed a singular path, both in her career and in her life. She first came to prominence as a virtuoso concert pianist appearing with major orchestras around the world. In 1998, she began hosting her own successful syndicated radio show, a?oeThe Romantic Hour,a?? which combined romantic poetry and classical music. Her life took another unexpected turn in 2002 when she co-wrote the best-seller a?oeThe Children of Willesden Lanea?? which tells the story of her mother, Lisa Jura, whose life was saved as a young girl by the Kindertransport which took her away from her family in Nazi-occupied Austria to safety in London. In 2012, Ms. Golabek collaborated with Hershey Felder to create the stage adaptation a?oeThe Pianist of Willesden Lane.a?? She has since taken the show across the country and toured internationally, and now makes it her mission to use her mother's story as a catalyst to bring reconciliation in our divisive world. BroadwayWorld recently spoke with Ms. Golabek from her home in Los Angeles. In conversation, she exhibits the natural warmth and ease of an accomplished radio host and has just the barest hint of a sort of pan-European accent, perhaps another sign of the enduring influence of her mother.

With the roaring twenties fast approaching, it's time to reflect on all the shows that made an impact on us over the last decade, and on what we would like to see on stage in the decade to come. The 2010s gave us some groundbreaking new shows - Hamilton, Hadestown, Waitress - incredible revivals - Oklahoma, The Color Purple, Pippin - and breakout stars - Ben Platt, Alex Brightman, Cynthia Erivo, just to name a few. So many shows that graced the stage in the 2010s made lasting impact on audiences. Let's take a look at what shows we'd like to see a revival of in the 2020s!

Off the heels of Lifetime's Fall Ripped from the Headlines slate which reached 16.4 million Total Viewers*, Lifetime has ordered three new original movies to join the network's Winter 2020 Ripped from The Headlines slate of five movies centered on true-life events. Starring Academy Award and Golden Globe Award nominee Nia Vardalos, Poisoned Love: The Stacey Castor Story follows the tale of a woman whose black widow tendencies are revealed with her murder plots to take down her ex-husbands and daughter. Also greenlit is the psychological thriller The Neighbor in the Window (wt), the story of a suburban wife who finds herself and the security of her family threatened by another seemingly friendly neighborhood mom, starring Jamie-Lynn Sigler and Jenn Lyon. The slate includes You Can't Take My Daughter, an inspiring story about a young woman who fought to keep her rapist from gaining custody of her daughter, starring SAG nominee Lyndsy Fonseca and Golden Globe and Emmy winner Kirstie Alley.

A true ensemble piece, beautifully directed by Scott Cooper.

Goldie Dver talks and sings of life from tragedy to triumph in a very personal journey, BACK IN MAMA'S ARMS at Don't Tell Mama

Finding Neverland, the 2004 Academy Award-winning film starring Johnny Depp and Kate Winslet, was based on the 1998 play The Man Who Was Peter Pan by Allan Knee. In 2015, the stage version with music and lyrics by Gary Barlow and Eliot Kennedy and book by James Graham first appeared on Broadway.

When it comes to developing a loyal fan base, Troubadour Theater Company has found the secret: do outstanding work, stay true to your aesthetic, and give the people what they want - a great time at the theater. Artistic Director Matt Walker started the troupe and, with the help of longtime friend and foil, Beth Kennedy, continues to lead his merry band into the great theatrical unknown. Next up for the company is JULIUS WEEZER, which combines Shakespeare's JULIUS CAESAR and the music of Weezer to tell its tale of political intrigue Troubie style. Today, they talk about what it's like putting together a new show and why they keep on coming back for more.

We got the chance to chat with Tony-nominated director and choreographer Marcia Milgrom Dodge about RAGTIME -- its relevance to the current U.S. political climate and what makes it one of the best musicals of the 20th (and 21st century).

Two River Theater continues its 25th Anniversary Season with the celebrated American classic 'The Belle of Amherst,' a biographical drama starring Maureen Silliman as poet Emily Dickinson. It is written by William Luce, and directed by the theater's founder and Executive Producer Robert Rechnitz. Broadwayworld.com has the pleasure of interviewing Maureen Silliman about her career and the show at TRT.

Park Theatre today announced their new July - December 2019 season. Featuring four World Premiere productions, two UK and London Premieres and a range of revivals from Broadway and the West End, the theatre also introduces a revised young person's membership scheme called Park Up.