Trafalgar Entertainment to Acquire The London Theatre Company
Trafalgar Entertainment announced the acquisition of The London Theatre Company, adding The Bridge Theatre and King's Cross Venue to its growing portfolio of entertainment venues.
What We Wanted 2017 Off-Broadway — Photo Coverage Page 3
F**KING SWANS to Make World Premiere at Omnibus Theatre's 96' Festival
F**KING SWANS, written by Eugene O'Neill Semi-Finalist Elise Marra, is running at Omnibus Theatre as part of the 96' Festival, starring Siubhan Harrison, Kelly Lamor Wilson, and Emma Wilkinson Wright.
LANNY, PERICLES, and More Set For English Touring Theatre 2026-27 Season
English Touring Theatre announced a season of five plays, including world premieres of APPLICATION 39, LANNY, and PERICLES, alongside a new production of ROMEO AND JULIET, touring venues across the UK.
Two UK Premieres And More Set for Kiln Theatre 2026-2027 Season
Kiln Theatre announced its upcoming season, featuring the UK premieres of TABLE 17 and BERLIN, a new production of NINE NIGHT directed by Artistic Director Amit Sharma, and a community production with 80 cast members.
THE NATURE OF FORGETTING Will Come to Chester Storyhouse
Theatre Re's award-winning production THE NATURE OF FORGETTING will visit Storyhouse in Chester as part of a major UK and international tour marking the show's 10th anniversary.
THE NATURE OF FORGETTING to Launch 10th Anniversary UK and International Tour
Theatre Re's award-winning production THE NATURE OF FORGETTING, a portrayal of dementia developed with neuroscientists and the Alzheimer's Society, will tour the UK, Korea, and the US to mark its 10th anniversary.
THROUGH THE EYES OF GOD, CROW'S THEATRE Win Big at Toronto Theatre Critics' Awards; Full List
Theatre Passe Muraille's THROUGH THE EYES OF GOD led the 2026 Toronto Theatre Critics' Awards with three wins, including best production of a play, while Crow's Theatre productions collectively took home eight prizes.
WHAT SURVIVES World Premiere Set for Hollywood Fringe Festival
WHAT SURVIVES, a new one-act play about a community reckoning with an ICE abduction, will have its world premiere at The Broadwater in Los Angeles during the Hollywood Fringe Festival.
The Atlanta Opera Reveals 2026-2027 Season
The Atlanta Opera will present a dynamic 2026-2027 season with seven productions, including classic and contemporary operas and musical theatre, before relocating to a new venue.
Interview: Lou Okell of M. BUTTERFLY at Brookfield Theatre
When David Henry Hwang’s 1988 play M. Butterfly premiered at the National Theater in Washington D.C. and then produced on Broadway, it was truly visionary, compelling, thought-provoking, and outright shocking. Revised in 2017 to incorporate information that was released after the original play was produced, more people’s acceptance of the LGBTQIA+ community, and China’s growth as a superpower.
Interview: Marnie Near and Michael Cooper on GRAND HOTEL at Alchemy Theatre
Step through the revolving door of 1928 Berlin and into a world of glamour, longing, and quiet desperation as Alchemy Theatre brings the rarely staged musical GRAND HOTEL to life at ZACH Theatre’s Whisenhunt Stage.
Interview: Jen Gantwerker's Journey
Theatre unlocks something really magical in kids. Watching it teaches them that they live in a world where anything is possible, and making it helps them find their place in that world. I could also stand on a rooftop and shout for days about the impact arts-based learning within the classroom has on kids - on their confidence, their enthusiasm for learning, and their ability to succeed in school. Like I said, it's magic!
Interview: A WICKED CONNECTION: Carol de Giere on Documenting the Legacy of Stephen Schwartz
BroadwayWorld’s Linda Hodges chats with Carol de Giere, the biographer who reveals the magic of Stephen Schwartz!
Interview: Debra Lyman of PINEAPPLE AND OTHER OPTIONS at Arizona Theatre Matters
'...why not produce more plays with inclusion of older women in roles and older people in the story line? Instead the majority of theatres in my community constantly hit “replay” of plays done over and over and are always producing musicals again and again like worn out shoes.'
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