Center Theatre Group will present Big League Productions' national tour of THE MUSIC MAN at the Ahmanson Theatre from October 27 to November 8, 2026, marking the show's first major Los Angeles engagement since 1980.
The Boston Pops has announced details for its 2026 July 4 Fireworks Spectacular, featuring performances by Lainey Wilson, Chance The Rapper, and Trombone Shorty.
SheNYC Arts announced eight original full-length plays and musicals selected for the 2026 SHENYC SUMMER THEATER FESTIVAL, chosen from hundreds of global submissions through a blind review process, set to run at the Lynn F. Angelson Theatre in New York.
Citadel Theatre has announced its 2026-27 mainstage season, featuring EUREKA DAY, IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY, THE GLASS MENAGERIE, and the musical ORDINARY DAYS.
FSCJ Artist Series will present a production of THE PIRATES OF PENZANCE opera in Jacksonville, FL, with tickets going on sale soon.
Theatre Under the Stars announced its 2026 season featuring SISTER ACT and DISNEY'S THE LITTLE MERMAID at Stanley Park's Malkin Bowl, running July 3–August 22, 2026, with single tickets available May 19.
The Tanglewood Popular Artist Series, which each year brings a star-studded lineup of musicians and performers to Tanglewood’s Koussevitzky Music Shed, continues to expand its 2026 summer season with the addition of Jon Stewart among a roster of major artists across genres including rock, country, pop, Broadway, and soul.
Grand Rapids Civic Theatre will present a special centennial season featuring a lineup of classic and contemporary shows, marking a century of theatrical excellence.
After a sold-out run, the solo show EDWARD, written and performed by Ed Schmidt, has added one last performance in New York. The additional show is scheduled for March 6 at The Strand, Manhattan.
All new photos have been released from the first day of rehearsals for the revival of Jerome Kilty's adaptation Dear Liar at Jermyn Street Theatre. Check out the photos here!
Anthony Weigh (playwright) and Sarah Goodes’ (Director) SUNDAY gives audiences a glimpse into the life and loves of Sunday Reed, the force behind the Heide Circle of modernist artists that included Sidney Nolan.
It’s Halloween time again and what better way to get in the spookiest of vibes than seeing a good murder mystery, right? Desert Theatreworks in Indio has just the potion for you with their current production of 'Dial M for Murder'.
Radio show whodunnit blends murder mystery parlor game and old-time radio for old-fashioned family fun.
I will be the first to admit that I am NOT a big fan of this show, so BOO! HISS! if you like...BUT I will admit this cast has SO much fun and energy and talent. I won't argue with a cheering SOLD OUT Show.
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you? Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
Bergen County Players rang in the holiday season this month with Broadway heavy-hitters Alan Menken and Lynn Ahrens's musical adaptation of the timeless Charles Dickens tale 'A Christmas Carol'. See photos from the production.
San Francisco’s 42nd Street Moon (Daniel Thomas, Executive Artistic Director)has released production photos for the 3-Time Tony Award®-winning musical SHE LOVES ME, which features music by Jerry Bock, lyrics by Sheldon Harnick, and a book by Joe Masteroff. SHE LOVES ME is based on a play by Miklos Laszlo. Check out a first look below!
April Mae and the June Bugs bring their unique Ameripolian roots music to a spooktacular and bewitching 'Boogie BOO! Halloween Review' at Studio 67 in Medford, NJ on October 23, 2022 at 7pm!
Live theatre is officially back and Concord Theatricals is celebrating! 'There's No Business Like Show Business' is a digital celebration that launched just last month, marking the return of live theater and all of the incredible people who help to make it happen. The celebration coincides with the 75th anniversary of Irving Berlin's Annie Get Your Gun and its iconic showstopper 'There's No Business Like Show Business,' a song that has more resonance than ever this year.
THE ANDREWS BROTHERS sung-through musical is sure to please those who remember the 1940s first-hand, or those of us who appreciate the song stylings of those bygone days. According to Bean, a?oeHere we create the atmosphere of a rag-tag USO team a?' a very real organization with an important and impressive history a?' sing songs familiar to many in the audience, and try to live up to the memory of a legendary singing group.a?? And thanks to the talented, triple-threat performers, Kelley Dorney, Michael D'Elia, Max DeLorch and Grant Hodges, no matter what goes wrong, the show must go on!
On Monday night, Over Here! The Big Band Musical was back in New York at The Triad Theatre for the first time since its original 1974 Broadway production and the joint was jumpin'. Veteran's Day proved to be the perfect time to revive this beloved celebration of the American spirit and optimism that defined the 1940's. To make it even more worthwhile, a portion of the proceeds from the evening was donated to Vietnam Veterans of America. Over Here! is one of this journalist's favorite musicals, so I was thrilled to have it back on the boards. Under the razor-sharp direction of Will Nunziata, who is quickly becoming a go-to director, this feel-good show sparkled and shined like a freshly polished diamond. It featured a stellar cast of 19, plus an 11-piece swing band, under musical director extraordinaire Blake Allen. Choreographer Andrew Black used every inch of space to give us one eye-popping musical number after another.
NATIVE SON, a novel written in 1940 by Richard Wright, tells the story of 20-year of Bigger Thomas, an African American youth living in utter poverty in a poor area on Chicago's South Side in 1939. While not apologizing for Bigger's crimes, Wright portrays a systemic inevitability behind them, making the case that there is no escape from his destiny since he is the inevitable product of the society in which he has lived since birth, faced by expectations imposed upon him by others tasked to teach him the proper way for a Black man to live in society. It is often said that those who do not learn from history are doomed to repeat it. This is certainly the case in Wright's original story which could have been written today, given the similar news stories filling the airwaves right now involving police beatings of Black men and gun violence leading to senseless murders.
Tom Stoppard is regarded as one of the greatest living playwrights of our day. His time spent in India in the 1940's as a boy, no doubt influenced the author's point of view in writing INDIAN INK. By modern terms, Stoppard's writing would be described as a slow burn, with a style gradually revealing plot and character as the play progresses. In INDIAN INK, the scenes travel long distances in both space and time, to reveal the heart of Flora Crewe played by Jill Blackwood. Examining the imperial British rule in early 20th century India - the clash of cultures between India and the British, display both the casualties and inspiration of such a combination. At the heart of our story Flora leaves England for a warmer climate amid advice from her doctor for her failing health. The story jumps back and forth between Flora navigating India in the early 1900's to more modern times detailing a biographer and her sister investigating the aftermath of her fascinating life. The story gently exposes itself as a subtle tale of love in many capacities. Love between sisters, scholarly love and the forbidden budding relationship between Flora and her portrait artist Nirad Das (played by Tamil Periasamy). As described of Flora throughout the show, her many affairs were fleeting, which made the building of her love for Nirad sweet, leaving the audience wanting more.
Opening at Hale Centre Theatre on September 18, 2018 and playing through Nov. 13, 2018 is the Broadway comedy Dear Ruth. Produced by David and Corrin Dietlein, with direction by Cambrian James, Dear Ruth is a charming, romantic, highly entertaining Broadway comedy written by Academy Award winner Norman Krasna (a prolific writer with numerous Hollywood and Broadway hits, he is probably best known for his screenplay "White Christmas"). Dear Ruth was a huge Broadway success with 680 performances. It was later made into a very successful film of the same name starring William Holden, Joan Caulfield, and Edward Arnold.
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