This One Man - 1930 - Broadway Articles Page 14

Old world charm and wonderful performances come together for SHE LOVES ME, the heartwarming story of lonely-hearts letter writers.

The Paul Taylor Dance Foundation announced the death yesterday of legendary choreographer Paul Taylor in Manhattan on August 29.

Robert Wagner, the handsome and debonair actor and one of the most popular and successful stars in the entertainment industry, has been named to be the recipient of the Gold Coast International Film Festival's second annual Burton Moss Hollywood Golden Era Award. Regina Gil, founder and executive director of the Gold Coast Arts Center and its Gold Coast International Film Festival, announced the selection along with members of an advisory board that included such noted celebrities as Joel Grey, Larry King, Richard Thomas, Edwina Sandys, Mrs. Anthony Katherine Quinn, Tippi Hedren, Greg Mullavey, Carole Shelley, Angie Dickinson, Diane Baker, Stefanie Powers and Constance Towers Gavin.

Obie Award winner Metropolitan Playhouse brings Philip Barry's first Broadway play, 'You and I' to the stage for its first New York revival in 95 years.   The limited run from September 7 to October 7, 2018, will be at the Playhouse home at 220 E 4th Street.

The reflection of beginnings and endings is prominent in the newest production by the Tennessee Williams Theatre Company with Tennessee Williams' VIEUX CARRE, now running through August 25 at the Marigny Opera House.

For the past several summers, I have attended the Festival of Arts and The Pageant of the Masters in Laguna Beach. But this year, I also decided to also visit two other art festivals along Laguna Canyon Road rather than spend any time cruising the town as I had done before. The full-day of exploring all the artistic delights on display this year at all three locations left me dazzled by all the talent on display, while wishing I had lot of extra income to purchase and bring home many of the awe-inspiring items that caught my fancy. But the real highlight of the day was viewing the abundance of 'local color' on display in this summer's 'Under the Sun' themed Pageant of the Masters.

HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.

HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.

Robert Wagner, the handsome and debonair actor and one of the most popular and successful stars in the entertainment industry, has been named to be the recipient of the Gold Coast International Film Festival's second annual Burton Moss Hollywood Golden Era Award. Regina Gil, founder and executive director of the Gold Coast Arts Center and its Gold Coast International Film Festival, announced the selection along with members of an advisory board that included such noted celebrities as Joel Grey, Larry King, Richard Thomas, Edwina Sandys, Mrs. Anthony Katherine Quinn, Tippi Hedren, Greg Mullavey, Carole Shelley, Angie Dickinson, Diane Baker, Stefanie Powers and Constance Towers Gavin.

Jackalope Theatre Company, under the leadership of Artistic Director Gus Menary and Managing Director Nora Leahy, announces its 2018/19 season. The company's 11th season features two world-premiere productions and a Midwest-Premiere. The season begins with the world premiere of In The Canyon by Jackalope Theatre company member Calamity West, directed by Elly Green, then continues with the midwest premiere of Dutch Masters by Greg Keller, directed by Wardell Julius Clark, and concludes with the world premiere of Life On Paper by Kenneth Lin, directed by Jackalope Artistic Director, Gus Menary.

Next month, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.

Alberta Bair Theater has added four additional shows since the season preview for its stakeholders on May 24:  for fans of 60's rock: Felix Cavaliere & Gene Cornish's RASCALS with special guest Carmine Appice on drums on Friday, September 7 at 7:30; for fans of 80's rock and Broadway musicals: ROCK OF AGES on Monday, November 19 at 7:30;  for a fun ladies night out during the holidays: 'Twas a Girls Night Before Christmas on Friday, December 14 at 7:30;  and for family entertainment at its best the multi Tony awarded THE SOUND OF MUSIC on Monday, April 8 and Tuesday, April 9, both at 7:30.

This world premiere performance of A Migrant's Son is an exquisitely created production.

Keith Allen, Phil Davis, Paapa Essiedu, Rupert Graves, Gary Kemp, John Simm and Maggie Steed have joined the extraordinary company of Pinter at the Pinter, the unprecedented season featuring all twenty of Harold Pinter's one-act plays, running from September 2018 to February 2019, to mark the tenth anniversary of the Nobel Prize winner's death. The plays are directed by Jamie Lloyd, Patrick Marber, Ed Stambollouian, Lyndsey Turner and Lia Williams, with design by Soutra Gilmour, lighting design by Jon Clark and Richard Howell, and sound and music by George Dennis and Ben & Max Ringham. Further casting to be announced.

Barrington Theatre Company's (BSC) 2018 Season opening production 'The Royal Family of Broadway', is a wacky, wonderful, and highly entertaining 1920's era madcap musical romp.

CJ 4DPLEX has announced today a partnership with Cineworld Group to open 100 ScreenX locations at its theatres in the next few years. This agreement, which marks a major milestone for both companies, will include installing the multi-projection cinematic system in 10 different countries: U.S., U.K., Israel and seven other European countries.

Opening week has come and gone at the Stratford Festival and with that, the 2018 season is in full swing. This includes the events and discussions taking place as part of The Forum. One such event is MAKING CLASSIC MUSICALS CONTEMPORARY--A discussion between Director/Choreographer Donna Feore and CBC Radio Host and Globe and Mail music critic Robert Harris, moderated by director and journalist Richard Ouzounian. This in-depth analysis of what makes classic musicals last, how they stay relevant, and the ways in which they can be made to feel more contemporary for audiences today, will take place this Saturday morning at the Studio Theatre.

Each season at the Stratford Festival, there is a production that is geared to children or youth and is put on by Schulich Children's/Youth Plays. This season, that production is TO KILL A MOCKINGBIRD. Based on the novel by Harper Lee and dramatized by Christopher Sergel, this play is likely advertised as being geared towards youth and adults because the book is so commonly read at the high school level, and also because it explores the perspective of children. The material and the issues dealt with are hard ones--for both young people and adults. this is what made the novel so important when it was published, and what makes this play important today. The powerful story is matched by powerful performances by all involved. This is a play that will linger in your mind long past the final bows.

On Tuesday, June 5th, the United Palace of Cultural Arts will host 'Rhapsody in Black,' the autobiographical one-man play written and performed by LeLand Gantt (best known for his roles in the Oscar-nominated Requiem for a Dream, Law and Order, and more). Developed at NYC's Actors Studio with Academy Award-winning actress Estelle Parsons as Directorial Consultant, 'Rhapsody in Black' is a searing portrait of Gantt's personal journey to understand and eventually transcend racism in America - following him from his underprivileged childhood in the ghettos of McKeesport, Pennsylvania, to teenage experiments with drugs, to his eventual rise in acting and a bittersweet success that often finds him as the only African-American in the room.

A cabaret tale exploring one the most colourful times in Australian history, the arrival of the Greeks!

Six-Time Tony Award Winning Costume Designer William Ivey Long is a busy man. He's not only working on five shows simultaneously, including the movie-to-Broadway musicals of 'Beetlejuice' and 'Tootsie' but he is also celebrating the publication of two books. books. The first accompanies The Mint Museum exhibition, William Ivey Long: Costume Designs 2007-2016, which runs through June 3rd in Charlotte, North Carolina. The second, The Designs of William Ivey Long, is a monograph by Bobbi Owen, chronicling Long's career over 350 shows. Next week, Long and Owen will be stopping by The North Carolina Museum of History to celebrate the 50th Anniversary of The North Carolina Arts Council. They spoke to me to discuss Owen's book, Long's North Carolina roots and designing with improbable fabrics.

The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.

Austin Playhouse recently produced staged readings of the three winning plays from their Festival of New Texas Plays. EIDOPHUSIKON by Reina Hardy kicked off the festival on Friday, April 27, NUTSHELL by C. Denby Swanson was on Saturday, April 28, and MONROE by Lisa B. Thompson concluded the lineup on Sunday, April 29. Along with the professional staged reading, which featured Austin Playhouse directors and company members, each of the winning playwrights received a $500 prize.

Whatever your artistic quest may be, from unearthing gem stones or archeological ruins to discovering a lost manuscript of music, there is always an element of nostalgia and new found glee when the item arises. Stage director Fortunato Pezzimenti discovered Arthur Richman's unpublished 1922 script THE AWFUL TRUTH in the New York Public Library for The Performing Arts in 2011. Only briefly produced on Broadway in 1935, the story has been told on 3 occasions on the silver screen.

Highlighting the old time blues and soul style of Bessie Smith AKA The Empress of The Blues, MOAN THEM BLUES provides a different style of theatrical entertainment. Essentially a one woman show starring Toni Ringgold, with her piano man sidekick Jawbone (played by Ke'Aier Mufasa Denson), the reminiscent blues of Bessie Smith is performed, while revealing deeper emotional connection to the material sung for the eager audience. Missing only cigarette smoke in the lounge, Frank Benge directs this show simply with a piano, a flask and tumbler and of course the traditional crowd work vintage vaudeville performances were known for. With a career beginning with a traveling vaudevillian performance troupe, Bessie Smith began to rise as a star in the early 1920's. Gaining a following in the Southern United States along with the east coast, Bessie quickly climbed monetarily to be the highest paid performer of her time and genre. With the show set towards the end of Bessie's career in the early 1930's, the rise of 'talkies' and the the great depression completely devastated performers and the music industry alike. Remembering the 'good ole days' of rising fame, men and the love of gin, Toni Ringgold performs Bessie's more memorable songs. The storytelling (written by Robert King Jr) in between the songs reveals more and more about her tumultuous life that has led her to the dim stage in The Sahara Lounge.