Photos: Get a First Look at MARVELLOUS @sohoplace
Marvellous, directed by Theresa Heskins runs @sohoplace, 4 Soho Place through 26 November 2022. Get a first look at photos here!
Marvellous, directed by Theresa Heskins runs @sohoplace, 4 Soho Place through 26 November 2022. Get a first look at photos here!
Rosalind Franklin’s largely unrecognized contribution to the understanding of DNA and the men that hindered and betrayed her is explored in Anna Ziegler’s PHOTOGRAPH 51.
With an independent production, the show written and directed by well-known names in Sao Paulo's musical theater opens at Espaço ao Cubo. Em Algum Lugar Entre as Estrelas (Somewhere Among the Stars) brings together stories from three characters about stories of love, escape and recognition. Among the conflicts, the perspective of a woman whose marriage was crossed by the military dictatorship, homosexual relationships in the 90s and current liquid loves.
Broadway legend Joel Grey was honored this week by The Brooklyn Diner with a re-naming of their famous Matzo Ball soup!
What happens when you start living a dream you didn’t know you had? Step into the den of a sexy hostess of shlocky horror at Know Theatre with Shock!: The Spine-Tingling Tale of Miss Spidra, running October 8 - 24, and see how the story behind the story has all the thrills.
Broadway designer James Youmans (West Side Story, Gypsy, Come Fly Away) has just revealed his set renderings for two-time Tony winner Joe DiPietro's newest play CONSCIENCE, which is set to begin performances March 3rd at George Street Playhouse's new home at the New Brunswick Performing Arts Center. CONSCIENCE will star Broadway favorite and Tony winner Harriet Harris as Margaret Chase Smith, the influential senator who said no to Joseph McCarthy.
Under award winning director Paige Rattray's considered eye, Sydney Theatre Company opens their 2020 season with Terence Rattigan's THE DEEP BLUE SEA.
Golden nuggets of wisdom, from Julio Monge: 'Work requires work. You don't need to speak English or a common language to connect to other people. Things should be protected and blessed. The best technology in theater is the simplest one. Nothing replaces the human spirit. People are attracted to creativity.'
While I find Beckett's plays often too intensely intellectual for my comprehension, this was not the case with Irwin's seemingly effortless way of donning a bowler hat (or 2 or 3), juggling them until the perfect one is atop his head, and then going on to flop around the stage in his baggy pants and oversize shoes as a quintessential clown while explaining his interpretation of passages reflecting a?oethe noise of lifea?? in Beckett's a?oeText for Noting,a?? a?oeWatt,a?? a?oeWaiting for Godot,a?? a?oeEndgame,a?? and a?oeThe Unnamable.a?? It was an extraordinary evening of watching a master of the stage interpret the life and brilliance of a theatre legend.