The Connection - 1963 - Off-Broadway Articles Page 12

The Film Society of Lincoln Center Announces The Lost Years of German Cinema: 1949 1963, a 13-film series of under-appreciated and rediscovered gems from the postwar era, November 15-23.

Trinity Repertory Company announces its 2017 Project Discovery Gala Flights of Fancy, which celebrates and supports education programs at Trinity Rep. The event will be held in Warwick's Textron Airplane Hangar and will feature cocktails, light dinner, fun and laughter, plus a live auction and a Shakespeare cabaret performed by Trinity Rep resident actors. Flights of Fancy is co-chaired by Alison & Larry Eichler and Suzanne & Ira Magaziner. The event committee includes Richard Beretta, Martha Douglas-Osmundson, Rebecca Gibel & Charlie Thurston, Laura Harris, Sally Herreid, Heidi Keller Moon, Kibbe & Tom Reilly, and Barbara & Larry Schoenfeld.

The Film Society of Lincoln Center announces The Lost Years of German Cinema: 1949 1963, a 13-film series of under-appreciated and rediscovered gems from the postwar era, November 15-23.

In a farewell program of George Balanchine favorites, each with a special meaning for Ms. Farrell, the Kennedy Center's own The Suzanne Farrell Ballet celebrates its 16th and final season with performances in the Opera House, December 7-9.

Theatres have a way of becoming an artist's second home. It doesn't matter if you are a director, designer, actor, or volunteer the countless hours you invest and the close proximity in which you do your work often create friendships that last a lifetime. And each time you step back through those doors you feel like you're coming home. No one knows this to be true more than Joseph Leo Bwarie, whose current home away from home is the Garry Marshall Theatre in Toluca Lake. Bwarie has been connected with the theatre (known formerly as The Falcon) and the Marshall family for many years, and he recently stepped into a co-artistic directorship of the newly-rechristened theatre, along with another longtime Marshall associate, Dimitri Toscas.

The Film Society of Lincoln Center Announces The Lost Years of German Cinema: 1949 1963, a 13-film series of under-appreciated and rediscovered gems from the postwar era, November 15-23.

Trinity Repertory Company announces its 2017 Project Discovery Gala Flights of Fancy, which celebrates and supports education programs at Trinity Rep. The event will be held in Warwick's Textron Airplane Hangar and will feature cocktails, light dinner, fun and laughter, plus a live auction and a Shakespeare cabaret performed by Trinity Rep resident actors. Flights of Fancy is co-chaired by Alison & Larry Eichler and Suzanne & Ira Magaziner. The event committee includes Richard Beretta, Martha Douglas-Osmundson, Rebecca Gibel & Charlie Thurston, Laura Harris, Sally Herreid, Heidi Keller Moon, Kibbe & Tom Reilly, and Barbara & Larry Schoenfeld.

The Film Society of Lincoln Center announces The Lost Years of German Cinema: 1949 1963, a 13-film series of under-appreciated and rediscovered gems from the postwar era, November 15-23.

Trinity Repertory Company is celebrating the 40th anniversary of its holiday production, A Christmas Carol, this year.

Ellen Wedner, Vice President of Arts & Culture at Mandel JCC and Director of the Donald M. Ephraim Palm Beach Jewish Film Festival, today invited the book buffs and movie fans to several literary and cinematic events this fall in Boynton Beach and Palm Beach Gardens.

Trinity Rep kick starts its 54th season with the pairing of two dynamic American plays in rep: Arthur Miller's Death of a Salesman directed by Brian McEleney and Dominique Morisseau's Skeleton Crew directed by Tiffany Nichole Greene.

Brown University and Trinity Rep announce a change of leadership of their Masters of Fine Arts Programs in Acting and Directing. Earlier this month, Trinity Rep acting company member and Brown/Trinity Rep faculty member Angela Brazil assumed the role of Director of Brown/Trinity Rep MFA Programs in Acting and Directing. Trinity Rep associate director and former Brown/Trinity Rep Head of Directing Brian Mertes assumed the role of Director of Graduate Studies for the MFA Programs in Acting and Directing. Trinity Rep acting company member and former Director of Brown/Trinity Rep MFA Programs Stephen Berenson will continue to serve the school as the Founding Director of the programs.

Trinity Rep, in partnership with Rhode Island Latino Arts (RILA), announces a free, public reading of Karen Zacar as' play Just Like Us on October 16, 2017 at 7:00 pm at Trinity Rep at 201 Washington St. in Providence. Just Like Us, a powerful play based on the real story of DREAMers , will be directed by Joe Wilson, Jr. and performed by the Trinity Rep resident acting company, local actors, students, and activists. To learn more or reserve free tickets to the reading, visit www.TrinityRep.com/LikeUs.

Trinity Rep announces its Pay What You Can Nights will be on the first Thursday performance of every production in the upcoming season. Previously, Pay What You Can Nights were offered on the first Friday performance of each run. Pay What You Can Nights offer the opportunity for all people to see Tony Award-wining theater at the price most comfortable for them. Pay What You Can tickets are cash only and go on sale at 6:30 pm the night of the performance, with the lobby opening up at 5:30 pm to line up. Tickets are limited to one per person. More information can be found at www.TrinityRep.com, by calling the theater's box office at (401) 351-4242, or visiting the box office at 201 Washington St. in Providence.

Trinity Rep announces a special addition to this year's 40th anniversary production of A Christmas Carol. As part of its ongoing efforts to forge deeper connections with The Rhode Island community, Trinity Rep has invited 18 different community groups to perform in every public performance of this year's production.Celebrating the community-driven spirit of Southern New England's favorite holiday tradition, co-directors Angela Brazil and Stephen Thorne are excited to invite these groups on stage to share in the spotlight. Each community group will perform in three consecutive performances throughout the course of the run of the show.  A Christmas Carol will run November 9 - December 31, 2017, with acting company member Joe Wilson, Jr. in the role of miserly businessman Ebenezer Scrooge. More information is available online at TrinityRep.com/Carol.

Trinity Rep kick starts its 54th season with the pairing of two dynamic American plays in rep: Arthur Miller's Death of a Salesman directed by Brian McEleney and Dominique Morisseau's Skeleton Crew directed by Tiffany Nichole Greene.

Trinity Rep has announced that it has received a generous multi-year donation from Arthur P. Solomon and Sally E. Lapides to support its company, community, and education-focused mission. In celebration of this commitment, Trinity Rep's artistic director position, held by Curt Columbus, will be named 'The Arthur P. Solomon and Sally E. Lapides Artistic Director' through June 2022.

Trinity Rep invites the public to celebrate the upcoming theater season at its third annual Season Kick-Off Party, Sunday, September 10, 2017 from 12:00 - 7:00 pm.

Starring Singer Michelle Berting Brett Celebrates Music of the Top-Selling Band of the 1970's We've Only Just Begun: Carpenters Remembered, the definitive celebration of the seminal brother and sister duo the Carpenters in words and music, is set to return to Southern California for a one-night-only performance at The Cerritos Center for the Performing Arts in Cerritos, CA on Saturday night, September 16 at 8:00PM. Led by singer Michelle Berting Brett and accompanied by a live, seven-piece Nashville band directed by Harry Sharpe, the show re-creates the Carpenters' original sound, presenting an intimate behind-the-scenes portrait of one of the most successful recording acts of all time.  

Trinity Rep announces tickets to its 2017-18 season will go on sale tomorrow, August 8, 2017. Tickets start at $25 and will be available for purchase by phone at (401) 351-4242, online at www.trinityrep.com, or in person at the theater's box office at 201 Washington Street, Providence.

Kinsey Peotter plays the leading role, Rose, in Brelby's Dogfight, opening this Friday.

Trinity Rep announces tickets to A Christmas Carol will go on sale tomorrow, Tuesday, July 25, 2017.

Horton Foote's NIGHT SEASONS, directed by Jack Sbarbori at the Quotidian Theatre Company, examines the nature of a life defined by money and greed, and the notion that perhaps living is the greatest punishment of all. Foote, best known for his 1962 screenplay for To Kill a Mockingbird, delivers a quiet critique of capitalist culture and asks us to consider what "home" means. NIGHT SEASONS places us in Harrison Texas, 1963 on Josie Weems' (Jane Squier Bruns) 93rd birthday, though the play deals in flashbacks and the setting easily slips back and forth through 1923-1963 and the years in between. Josie Weems (Jane Squier Bruns) is the manipulative glue that holds the rambling Weems family together by subtly managing finances and allowing and prohibiting marriages at her discretion.

Kinsey Peotter plays the leading role, Rose, in Brelby's Dogfight, opening this Friday.

One of the country's most vibrant eras in music, in general and especially for women, was the 1960s, filled to the brim with girl groups like The Chantels and The Supremes, folk pioneers like Joan Baez, and songwriters so influential that, decades later, that musical written about them keeps filling its Broadway house to capacity for close to four years (Carole King, of course). In the midst of political and public unrest, in a male-dominated world and industry, these women made space and carved out their own spots in music history. Who better to spotlight these singers and songwriters than Carole J. Bufford, who has carved out her own spot within the New York cabaret scene as an enthusiastic and rich interpreter of the Jazz Age songbook, and returned to the circuit with something a little different: YOU DON'T OWN ME: THE FEARLESS FEMALES OF THE 1960S, a celebration of the 'bold and daring women [who] planted their flags and ensured their voices were heard.' And as it turns out, it's not only Bufford's most fearless show, but also one of her best.