The Chorus Lady 1906

The recording, scheduled for release in physical and digital formats, traces with the Symphonies Nos. 2, 3, 12, and 13 a 35-year arc in the Russian composer's creative and personal evolution: from youthful idealism to mature disillusionment and resignation living and working under the Soviet regime.

Weston Playhouse Theatre Company announces the cast for its fresh take on the inimitable masterpiece, Rodgers and Hammerstein's OKLAHOMA! (July 18 - August 10 | Weston Playhouse), Tues - Sat 7:30pm; Wed & Sat 2:00pm; Sun 3:00pm.

Before the opening night performance a representative of Actors' Equity presented the theatre with a proclamation in honor of their 50thanniversary which included praise for not only Porthouse and Kent State University, but for Terri Kent, who has been leading the endeavor for 18 successful years. The words praised the venue for not only setting high professional theatrical goals, but for being a place where support, encouragement and respect is stressed.

The current CPCC Theatre production of RAGTIME THE MUSICAL is not only timely, but thanks to one of the best casts ever assembled on the Halton Theater stage, it's also newly powerful.

In recognition of internationally renowned singer, painter and civic leader Tony Bennett's contributions to San Francisco, the City will honor him with several tributes celebrating his 90th birthday.

Considering all the second-rate operas by men that have received first-rate productions at major houses, it's a shock that the performances of Dame Ethel Smyth's early 20th-century opera, THE WRECKERS, at Bard Music Festival was the stage premiere of the work in this country. And a dazzling one it was. The question is: “What took so long?” The answer, I suppose, is “Because Conductor Leon Botstein didn't get on the case earlier.”

Everything's up to date in Aurora, where nearly 27,000 subscribers (and still counting) have already signed up for the Paramount Theatre's 2015-16 four-show Broadway Musical Series.

It was 'out with the old, in with the new' for another of the Franco Zeffirelli productions that were once the Metropolitan Opera's bread and butter, designed for audiences to cheer for the scenery even when the cast might not have been top drawer. This time, the victims of changing times (and administrations) were the twin bill of Mascagni's CAVALLERIA RUSTICANA and Leoncavallo's PAGLIACCI.

Ron Cook (Mr Selfridge, Henry V, King Lear, Hot Fuzz) as Sir Charles Gurney, Kathryn Drysdale (Suspects, Love's Labour's Lost, Tripping Over, Two Pints of Lager and a Packet of Crisps) as Grace Shelley, Joshua McGuire (Privacy, Posh, About Time, Mr Turner) as Dinsdale Gurney and Anthony O'Donnell (The Captain of Kopenick, Skyfall, Matchpoint) as Daniel Tucker, join BAFTA winning James McAvoy, as Jack, the 14th Earl of Gurney, in the first West End revival of Peter Barnes' satirical comedy, The Ruling Class, directed by Jamie Lloyd, Artistic Director of Trafalgar Transformed.

Ron Cook (Mr Selfridge, Henry V, King Lear, Hot Fuzz) as Sir Charles Gurney, Kathryn Drysdale (Suspects, Love's Labour's Lost, Tripping Over, Two Pints of Lager and a Packet of Crisps) as Grace Shelley, Joshua McGuire (Privacy, Posh, About Time, Mr Turner) as Dinsdale Gurney and Anthony O'Donnell (The Captain of Kopenick, Skyfall, Matchpoint) as Daniel Tucker, join BAFTA winning James McAvoy, as Jack, the 14th Earl of Gurney, in the first West End revival of Peter Barnes' satirical comedy, The Ruling Class, directed by Jamie Lloyd, Artistic Director of Trafalgar Transformed.

Ron Cook (Mr Selfridge, Henry V, King Lear, Hot Fuzz) as Sir Charles Gurney, Kathryn Drysdale (Suspects, Love's Labour's Lost, Tripping Over, Two Pints of Lager and a Packet of Crisps) as Grace Shelley, Joshua McGuire (Privacy, Posh, About Time, Mr Turner) as Dinsdale Gurney and Anthony O'Donnell (The Captain of Kopenick, Skyfall, Matchpoint) as Daniel Tucker, join BAFTA winning James McAvoy, as Jack, the 14thEarl of Gurney, in the first West End revival of Peter Barnes' satirical comedy, The Ruling Class, directed by Jamie Lloyd, Artistic Director of Trafalgar Transformed.

Chicago Opera Theater (COT) presents the Chicago premiere of Ernest Bloch's provocative and rarely-performed 'Macbeth' at the Harris Theater for Music and Dance (205 E. Randolph Drive) tonight, September 13-21, 2014.

Chicago Opera Theater (COT) presents the Chicago premiere of Ernest Bloch's provocative and rarely-performed "Macbeth" at the Harris Theater for Music and Dance (205 E. Randolph Drive) September 13-21, 2014. Conducted by Francesco Milioto and directed and designed by COT General Director Andreas Mitisek, "Macbeth" features the collective talents of COT, the Chicago Sinfonietta and the Apollo Chorus under the direction of Stephen Alltop. Together they provide an expressive soundscape for this bone-chilling thriller based on themes of ambition, treachery and deception. The opera will be performed in English, maintaining much of Shakespeare's original text. For tickets and more information please visit: chicagooperatheater.org.

Rose Theatre Kingston and English Touring Theatre will co-produce a new translation of Henrik Ibsen's classic, Ghosts this autumn. Stephen Unwin, outgoing Artistic Director of the Rose Theatre, will direct his own translation which will premiere at the Rose on the 19 September before touring nationwide to Salisbury, Oxford, Guildford, York, Watford, Malvern and Brighton. Unwin has a long standing connection with Ibsen's work, and this will be the 7th Ibsen play he has directed. This will be the second play translation that Unwin has written, following his highly acclaimed translation of The Lady from the Sea in 2012 at the Rose Theatre.

The Church of the Transfiguration ('The Little Church Around the Corner') presents "Music by Women Today" tonight, November 13, 2012 at 7:30pm. The program consists of classical and jazz compositions written and performed by women.

The Church of the Transfiguration ('The Little Church Around the Corner') presents "Music by Women Today" on Tuesday, November 13, 2012 at 7:30pm. The program consists of classical and jazz compositions written and performed by women.

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

The Tony Award® nominated hit musical IRVING BERLIN'S WHITE CHRISTMAS, the stage reinvention of the beloved classic film, directed by Walter Bobbie and choreographed by Randy Skinner, with music supervision by Rob Berman, is pleased to announce Broadway principal casting. James Clow, Melissa Errico, Tony Yazbeck and Mara Davi will star in the Broadway return production also starring Ruth Williamson, Peter Reardon, Remy Auberjonois, Cliff Bemis, Madeleine Yen and David Ogden Stiers, who will lead a cast of 33 in the limited holiday engagement at the Marquis Theatre (1535 Broadway).

Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.

Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.