Shout! - 2000 - London Fringe Articles Page 5

Today's top stories: Todrick Hall in Waitress, and more!

Coeurage Theatre Company, LA's Pay What You Want theatre company, has announced the second production of its 10th Anniversary season, the West Coast premiere of Sucker Punch by Roy Williams, directed by Michael A. Shepperd. Opening is set for Tuesday, June 4, at 8pm. Sucker Punch will play through June 23 only at the Tiger Boxing Gym in West Hollywood.

​​​​​​​Grammy-winning new-music choir, The Crossing, releases its latest album, THE ARC IN THE SKY, on Friday, July 12, 2019, on Navona Records. Kile Smith's 2018 setting of journal entries and poems by Robert Lax (1915-2000), THE ARC IN THE SKY is an epic, hour-long tour de force of thought and feeling that traverses topics ranging from Louis Armstrong to Jack Kerouac, and from Jerusalem to the shores of the island of Patmos. THE ARC IN THE SKY marks Smith's sixth commission from The Crossing, which has also recorded his Where Flames a Word and Vespers.

The Folger Shakespeare Library will host the DC premiere of Ghost Light, a new dark comedy by filmmakers John Stimpson and Geoffrey Taylor. The film, a Feature Film Award-winner at the Austin Film Festival, will be shown in the historic Folger Theatre located on Capitol Hill. Tickets are $20 and can be purchased at www.folger.edu/talks or by calling the Folger Box Office at 202.544.7077.

Coeurage Theatre Company, LA's Pay What You Want theatre company, has announced the second production of its 10th Anniversary season, the West Coast premiere of Sucker Punch by Roy Williams, directed by Michael A. Shepperd. There will be one preview performance of this site-specific production on Monday, June 3, at 8pm, and opening is set for Tuesday, June 4, at 8pm. Sucker Punch will play through June 23 only at the Tiger Boxing Gym in West Hollywood.

Compagnia de' Colombari, an international collective of performing artists founded and directed by Karin Coonrod, presents More Or Less I Am: a music-theater piece drawn entirely from Walt Whitman's revolutionary free verse long poem, 'Song of Myself,'one of the original twelve pieces that comprise his 1855 collection Leaves of Grass. The next performance in this series, spanning multiple venues throughout the five boroughs, will take place on Sunday, May 26, 2019, 7:30 pm at Fort Greene Park, Brooklyn.  

I can remember so well senior year of college when my friend Claudio came back from a trip to New York all abuzz over little drag rock show he'd seen Off-Broadway called Hedwig and the Angry Inch. I was grilling him for details on Audra and Marin in Ragtime and whether there was anything we could steal from Sam Mendes for our off-campus production of Cabaret, but Claudio only wanted to talk about Hedwig. The clincher for me was when he mentioned the star--and author--was John Cameron Mitchell. I was obsessed with John on the original cast albums of The Secret Garden and Hello Again. 'Okay, okay,' I agreed. I would see this Hedwig when I moved to New York four months later.

One of the things I love about theatre is how it asks us to look at societal norms and challenge them. One of the ways theatre does that is by the people we see onstage. What we don't see is the people behind the stage. When you look behind the scenes, it is sad to see how few women there are designing for shows. Des Moines Young Artist is tackling that with their current production of 'Treasure Island.' They are doing the show with a full female production team. The result was a theatrical experience that those in attendance will remember for a long time.

Happily for the national tour of Rogers and Hammerstein's 'The King and I,'  the cast holds their own and the story stays, for the most part, as compelling as ever.

Compagnia de' Colombari, an international collective of performing artists founded and directed by Karin Coonrod,celebrates the bicentennial of the birth of America's most influential poet, Walt Whitman, with a revival of their acclaimed production More Or Less I Am. Performances begin May 18, 2019 at multiple venues throughout the five boroughs, with most performances being free and open to the public. More information can be found at www.colombari.org.

I Am My Own Wife is a true life tale of survival. The biographical play tells the story of Charlotte von Mahlsdorf. Charlotte is a transgendered museum curator who built herself a life of strength, acceptance, and understanding in Nazi Germany.

Partners for Sacred Places and Philadelphia Contemporary, in partnership with Danspace Project (NYC), are pleased to announce Grounds that Shout! (and others merely shaking), a series of performances and talks exploring connections between faith, movement, race, and the body, with a focus on the African American religious experience. Curated by the award-winning choreographer Reggie Wilson and featuring Wilson's Fist and Heel Performance Group and a collection of local Philadelphia artists, Grounds that Shout! will take audiences to four historic churches, exploring these themes within the specific context of Philadelphia's sacred spaces.

FRIGID New York @ Horse Trade in association with Manhattan Theatre Source will present the 2019 EstroGenius Festival, the longest running festival celebrating the work of women and gender non-conforming artists in NYC.  Begun in Manhattan Theatre Source in 2000 as a short-play festival, the festival has launched and supported hundreds of artists in its 19 years. In 2017 the festival moved to its new home at The Kraine Theatre on E. 4th St.

Good morning, BroadwayWorld! Happy Wednesday! Get over the hump with today's top Broadway stories.

Good morning, BroadwayWorld! Happy Monday! Kick off a brand new week by catching up on the latest Broadway news!

Sordid Lives creator Del Shores returns to Dallas for the world premiere of his new standup show Del Shores The Sh*t Stirrer. Shores will take the stage at The Rose Room March 8, 2019 at 8pm, where he has performed numerous times and filmed three of his standup tours. Shores also filmed part of his last film A Very Sordid Wedding at the legendary room, which featured Dallas queens Cassie Nova, Krystal Summers and Edna Jean Robinson.

Good morning, BroadwayWorld! Happy Friday! End your week and kickstart an amazing weekend by catching up on the latest Broadway news!

The Second City celebrates Black History Month by bringing you the most iconic sketches created by our African American alumni along with classic archive scenes reimagined with a new comedic spin. The Second City's Black History Month Show features Rich Alfonso, Jillian Ebanks, Jack Brian, Jordan Stafford, Shadee Vossoughi and Kaye Winks.

Many were surprised when Lauren Ambrose was cast as Eliza in My Fair Lady; no one was surprised when Laura Benanti was announced to take over. Benanti's passion for the role aside, she always seemed the perfect fit. In a recent Instagram post, Benanti paid tribute to Ambrose's run in the Broadway classic.

Good morning, BroadwayWorld! We hope all of our northeast readers survived yesterday's windstorm. Settle in to this much quieter morning by reading the top Broadway stories.

The Second City celebrates Black History Month by bringing you the most iconic sketches created by our African American alumni along with classic archive scenes reimagined with a new comedic spin. The Second City's Black History Month Show features Rich Alfonso, Jillian Ebanks, Jack Brian, Jordan Stafford, Shadee Vossoughi and Kaye Winks.

Given Stage West Theatre Restaurant's penchant for tributes and bio-musicals (ala Million Dollar Quartet, Rock of Ages, Red Rock Diner, and their continuously running Tribute Concert Series), Jersey Boys was a perfect fit for their 2018/2019 Season.

Sundance Institute announced today the eight members of the inaugural class of the Momentum Fellowship, a full-year program of deep, customized creative and professional support for writers, directors, and producers from underrepresented communities working across documentary and feature filmmaking, episodic content, and virtual reality, who are poised to take the next step in their careers.

We live in a world of voyeurism. Reality tv in all its' forms is booming, and getting more extreme as time passes. Survivor (Expeditie Robinson) is such a format. The first Dutch edition in 2000 was an instant hit. Having evolved since the first edition, together with other reality tv formats, a valid question is raised... Are we going to far with candidates on reality tv shows? Where's the moral high ground? Where does the show end and intrusion in private life's begin? Where's the line?