Once Upon a Time - 1972 - West End Articles Page 7

A treasure trove of classic TV!

A treasure trove of classic TV!

The Museum of Arts and Design presents a full cinematic retrospective of Andrei Tarkovsky's work this summer with its latest cinema series, Andrei Tarkovsky, Sculpting in Time, from today, July 10 through August 28, 2015.

The Gene Siskel Film Center (GSFC) of the School of the Art Institute of Chicago (SAIC) once again saluted a leader in cinematic artistry when it honored two-time Academy Award® nominee Mark Ruffalo

The Museum of Arts and Design presents a full cinematic retrospective of Andrei Tarkovsky's work this summer with its latest cinema series, Andrei Tarkovsky, Sculpting in Time, from July 10 through August 28, 2015.

?Blake Morgan is a fighter. Sure, as a celebrated singer-songwriter, and founder and CEO of ECR Music Group, as well as being the driving force behind #IRespectMusic, he's a lover too: of music, musicians, and their rights to be treated with fairness and respect.

Today we are shining a spotlight on some rarely discussed and unusual connections between the world of William Shakespeare and theatrical pop culture at large. Given the wide breadth of material contained within the canon of the Bard, it is certainly no understatement to claim that the connections are virtually endless between many modern tropes, terms, themes and ideas that derive in his classic plays - whether they be tragedies, comedies, histories or latter plays - yet the intriguing aspects of many of the lesser-known theatrical connections between Shakespeare and modern theatre are illuminating and fascinating to unearth. Ranging from the influence of Shakespeare on some of our greatest musical theatre masters - Leonard Bernstein, Stephen Sondheim and William Finn included - through to the inspiration behind both Broadway's most lucrative production in history (THE LION KING) and the longest-running show in NYC to date (THE FANTASTICKS), the impact of Shakespeare on Broadway is impossible to accurately calculate - and, now, with the lovable and hilarious Shakespeare paean SOMETHING ROTTEN! poised to open later this month, the Bard is about to get a fresh jolt of electricity, buzz and excitement from the theatre community at large. Fear no more, indeed.

The Fugard Theatre's production of CABARET begins with a perfectly realised moment of theatre. Before long, the magic of that moment wears off, and this production of the classic John Kander, Fred Ebb and Joe Masteroff musical begins to flounder in Matthew Wild's directionless staging of the piece.

Four productions still remain in Geva Theatre Center's 42nd Season: A Body of Water, Lee Blessing's play of memory and identity; The Mountaintop, a reimagining of Martin Luther King's last night on earth; the world premiere of Cass Morgan's journey to discover her roots - The Road to Where; and the season's grand finale, the laugh-out-loud comedy Vanya and Sonia and Masha and Spike. The 2014-2015 Season continued Geva's innovative efforts to connect patrons and artists and art with the community. The 2015-2016 Season will continue to build on that and also usher in a new era as Geva's historic home begins to undergo renovation and transformation.

'If music be the food of love, play on.' Even before the invention of the musical comedy (more on that later), William Shakespeare knew the importance of music in telling stories on stage. For our March feature, my colleague Jeff Walker and I thought that instead of marking the Ides of March with songs about murder, betrayal, and fate, we would focus on the synergy between showtunes and Shakespeare.

For 40-some years now, Stephen Schwartz's Pippin, the musical about an inquisitive young man in search of meaning in his life - and, notwithstanding, the actual meaning of life - has enraptured audiences, inspired legions of theater devotees and provided any number of young men (and a not insignificant number of young women, either, we suppose) with their go-to audition song in 'Corner of the Sky.'

The Museum of Modern Art and the Film Society of Lincoln Center announced today the complete lineup for the 44th New Directors/New Films (ND/NF), March 18-29.

The National Theater Institute is committed to diverse theatrical and educational experiences. Therefore, two weeks of each semester are spent in-residence in one of the world's most prominent theater capitals -- the NTI Semester and NTI-Advanced Programs study in London -- while the National Music Theater Institute train in New York City. In both cities, students met with alumni of the National Theater Institute who shared their theatrical experience, NTI stories, professional advice, and insight into the various ways to make a life in the theater. Today, RISK AGAIN! introduces them to you!

Today we celebrate this weekend's Super Bowl as well as the 94th birthday of one of the most iconic Broadway and Hollywood stars alive, the one and only Carol Channing!

Broadway fans had plenty of reasons to celebrate this year, with dozens of shows having opened since January, hundreds of actors having made their debuts, and many more having returned to the stage for critically acclaimed performances. Not all news was good though, as we also suffered a loss of an incredible amount of talent. Below, BroadwayWorld sends a fond farewell to those who passed away in 2014.

This week's events at Bookworks are below. For more information visit bkwrks.com/event.

This November's events at Bookworks are below. For more information on any event, visit bkwrks.com/event.

Miller Theatre at Columbia University School of the Arts continues the 2014-15 Composer Portraits series with CHAYA CZERNOWIN featuring the International Contemporary Ensemble, Kai Wessel, countertenor, Noa Frenkel, contralto, and Steven Schick, conductor. Tonight, October 23, 2014, 8:00 p.m. at the Miller Theatre at Columbia University (2960 Broadway at 116th Street). Tickets are $20-$30 and Students with valid ID: $12-$18.

Pacific Northwest Ballet sweeps onstage and into a spectacular new season arrayed in emerald green, ruby red, and luminous white. A triple-treat for both eyes and ears, the trio of gems in George Balanchine'sJewels pay tribute to golden ages of music and dance: Emeralds' graceful clouds of tulle whisper French fashion and fragrance; Rubies' jazzy, sassy merger with Stravinsky mirrors the carefree candor of America; and Diamonds' glittering splendor recalls the great choreographer's heritage, so that 'if the entire Imperial Russian inheritance of ballet were lost, Diamonds would still tell us of its essence' (Mary Clarke and Clement Crisp). Jewels runs from tonight, September 26 through October 5 at Seattle Center's Marion Oliver McCaw Hall.

Miller Theatre at Columbia University School of the Arts continues the 2014-15 Composer Portraits series with CHAYA CZERNOWIN featuring the International Contemporary Ensemble, Kai Wessel, countertenor, Noa Frenkel, contralto, and Steven Schick, conductor. On Thursday, October 23, 2014, 8:00 p.m. at the Miller Theatre at Columbia University (2960 Broadway at 116th Street). Tickets are $20-$30 and Students with valid ID: $12-$18.

New York City Center's 11th annual Fall for Dance Festival will feature free performances in Central Park and 24 acclaimed dance companies and artists from around the world, in six unique programs in September and October 2014. In keeping with the Festival's commitment to make dance accessible to everyone, the Festival will kick off with two FREE evenings of dance at the Delacorte Theater in Central Park, in association with The Public Theater, today and tomorrow, September 12 and 13 (rain date, September 14) and will continue at City Center from October 8 - October 19 with all tickets at $15. The Festival's many free pre-show events will include dance lessons and panels by choreographers, artists and dance educators. Tickets will go on sale Sunday, September 14 at 11 a.m.

Pacific Northwest Ballet sweeps onstage and into a spectacular new season arrayed in emerald green, ruby red, and luminous white. A triple-treat for both eyes and ears, the trio of gems in George Balanchine'sJewels pay tribute to golden ages of music and dance: Emeralds' graceful clouds of tulle whisper French fashion and fragrance; Rubies' jazzy, sassy merger with Stravinsky mirrors the carefree candor of America; and Diamonds' glittering splendor recalls the great choreographer's heritage, so that 'if the entire Imperial Russian inheritance of ballet were lost, Diamonds would still tell us of its essence' (Mary Clarke and Clement Crisp). Jewels runs fromSeptember 26 through October 5 at Seattle Center's Marion Oliver McCaw Hall. Tickets and more information are available through the Pacific Northwest Ballet Box Office, 301 Mercer Street at Seattle Center, 206.441.2424, or online at PNB.org.

The Film Society of Lincoln Center announced today the 30 films that will comprise the Main Slate official selection of the 52nd New York Film Festival (September 26 - October 12)

New York City Center's 11th annual Fall for Dance Festival will feature free performances in Central Park and 24 acclaimed dance companies and artists from around the world, in six unique programs in September and October 2014.

The World Premiere of David Fincher's GONE GIRL will open the New York Film Festival, the Film Society of Lincoln Center said Thursday.