Me - 1925 - Broadway Articles Page 16

The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues with three concerts celebrating the genius of two of the most prolific and most important writing teams in musical theatre history in a show entitled RODGERS & HART & HAMMERSTEIN.

Art & culture are vital to our existence and Seattle Theatre Group's 2015-2016 season features ample offerings of live performance experiences from arts provocateurs, global masters, cultural icons, and contemporary legends.

Charged with momentum from the launch of BCMF Spring, the festival's first spring series of two concerts, the 32nd season of Long Island's longest-running classical music festival presents 11 concerts July 29 - August 23, 2015.

Orange County, Calif.—April 28, 2015—A gala season awaits as great stars in entertainment lead the way to celebrate Richard Kaufman's 25-year legacy as principal pops conductor of Pacific Symphony. While last season marked the occasion of Music Director Carl St.Clair's 25th anniversary, 2015-16 puts the spotlight on Kaufman, who has championed the lighter side of the Symphony, bringing countless memorable artists to the stage. What better way to celebrate than with some of the best songs and genres of our time delivered by mega-watt stars and backed by the lush, magnificent sounds of the full symphony orchestra? This special season includes major headliners and the return of Orange County favorites including trumpeter extraordinaire Chris Botti, Broadway diva Bernadette Peters, comedy legend Martin Short and Golden-Age champion Michael Feinstein. The amazing acrobats of Cirque de la Symphonie return for A Cirque Christmas, and Classical Mystery Tour delivers dozens of Beatles hits as they were originally recorded with orchestra. Also, Stewart Copeland, former drummer for The Police, joins the Symphony to perform his score to the 1925 silent film, “Ben Hur.”

“Lover, when I'm near you . . .” sings the debonair Todd Murray this past Monday night at Birdland, mere feet away from rapt eyes into which he pours himself. He's performing the waltzy song acoustically, voice full out in opposition to lyric mood. The back of the house undoubtedly finds sound muted. “This is how you would've heard a band singer in 1925, before a new technique called 'crooning',” he tells us. “From the time I started working, they always called me a crooner.”

Galerie Lelong is pleased to announce its first solo exhibition by the Lebanese-born artist and writer Etel Adnan.

Monday's Dancers Over 40's Tribute honored Chicago Ballet's superstar Ruth Page in 'A World Apart' at Off-Broadway's St. Luke's Theatre, March 23, 2015. Check out photos below!

National Recording Registry To “Ac-Cent-Tchu-Ate the Positive”. Joan Baez, Sly Stone, Steve Martin Recordings Named American Treasures

Met Opera luminary Lucine Amara, Artistic Director of the New Jersey Association of Verismo Opera, celebrates a milestone on March 1: her 90th birthday and over 70 years performing on the stage.

The spectacular William J. Gillespie Concert Organ meets its match with this year's soloist, Hector Olivera, who returns for his second recital with Pacific Symphony's Pedals and Pipes series. Known for his passionate musicianship and interpretations of both classical and popular music, organ virtuoso Olivera opens the program with his own arrangements of Bach's vigorous Sinfonia from Cantata No. 29, and Piazzolla's somber “Oblivion.” Guilmant's Sonata No. 8 showcases the vast range of the organ and Mozart's Fantasia in F Minor reveals the terrifying power as well as the sublime beauty the organ is capable of producing. In addition, Lefébure-Wély's March in C Major is spirited in French style, and as a finale, Olivera brings his virtuosic improvisation skills to the stage, creating a new piece based on themes suggested by the audience. This recital takes place on Sunday, March 8, at 7:30 p.m. in the Renée and Henry Segerstrom Concert Hall. Tickets are $10-50; for more information or to purchase tickets call (714) 755-5799 or visit www.PacificSymphony.org.

Galerie Lelong is pleased to announce its first solo exhibition by the Lebanese-born artist and writer Etel Adnan.

Antonia Carlotta, great great-niece of Universal Studios founder Carl Laemmle and host of the web series Universally Me, a program dedicated to Universal's unique and exciting history, will participate in Q&As following performances of Vox Lumiere-The Phantom of the Opera at the Los Angeles Theatre Center tonight and tomorrow, Dec. 12 and Dec. 13.

Antonia Carlotta, great great-niece of Universal Studios founder Carl Laemmle and host of the web series Universally Me, a program dedicated to Universal's unique and exciting history, will participate in Q&As following performances of Vox Lumiere-The Phantom of the Opera at the Los Angeles Theatre Center on Dec. 12 and Dec. 13.

To celebrate the publication of The Untold Stories of Broadway, Volume 2 on November 18 by Dress Circle Publishing, Jennifer Ashley Tepper will be sharing three short excerpts about each of the Broadway theaters featured in the book-countdown style! Today: The Shubert Theatre!

The San Francisco Conservatory of Music (SFCM) announces the appointment of an all-star cast of Visiting Industry Faculty and Guest Artists to its new Technology and Applied Composition (TAC) program, an undergraduate degree offering an unparalleled foundation for success in the diverse and evolving music industry. A unique curriculum integrating compositional craft with music technology will launch a new generation of composers adept in the fields of concert music, sound design and film and game scoring. Now accepting applications for the inaugural class of 2015, the Conservatory will produce versatile graduates who thrive as individual artists and as members of a creative team.

When Gaston Leroux published THE PHANTOM OF THE OPERA back in 1911, little did he realize the numerous chandeliers that would come crashing down through the decades, and I've witnessed a good number of them. First, in 1925, there was 'the Man of a Thousand Faces,' Lon Chaney, Sr., who frightened poor Mary Philbin (a well-done version, even IF the film was silent); then, for Universal in 1941, Claude Rains (Bette Davis' favorite co-star) was a more subdued vocal coach for soprano Susanna Foster (a wooden Nelson Eddy, alas, is a greater impending horror as 'Raoul'). I could go on - even Herbert Lom, the actor who was the harried police superior to Peter Sellers' 'Inspector Clousseau,' took a swing on the old light fixture. (And let us not forget diminutive Paul Williams in the slightly askew PHANTOM OF THE PARADISE.) All of these pale, of course, in comparison to the legendary interpretation by Michael Crawford in the Andrew Lloyd Webber musical, which first brought the audience to its feet in 1986.

The Last Symphonies: Mozart's Instrumental Oratorium Nikolaus Harnoncourt 2-CD Set Now Available Preview: https://soundcloud.com/nikolaus-harnoncourt/sets/nikolaus-harnoncourt-mozart On The Last Symphonies, Nikolaus Harnoncourt explores his fascinating new interpretation of the composer's last three symphonies; that they are one whole work which he calls Mozart's “Instrumental Oratorium.” Harnoncourt argues that, in terms of structure, the first movement of Symphony No. 39 is the Prelude of the “Instrumental Oratorium,” while the last movement of Symphony No. 41 is the Finale.

The United States premiere of the internationally acclaimed new work written and directed by Peter Brook and Marie-Helene Estienne, The Valley of Astonishment, featuring Kathryn Hunter (A Midsummer Night's Dream, Kafka's Monkey), Marcello Magni (Fragments), and Jared McNeill (The Suit), begins previews Sunday, September 14, at 7:30pm for an opening Thursday, September 18,at 7:30pm and a run through Sunday, October 5, at Theatre for a New Audience, Polonsky Shakespeare Center, 262 Ashland Place.

Buffalo's Bruce A. McCausland is a busy man.

Actress/singer Alison Janes of the TV series 'One Day,' has been cast in the lead role of Christine in Vox Lumiere's critically acclaimed musical play 'The Phantom of the Opera,' set to open in Los Angeles this fall.

The Glimmerglass Festival presents the premiere of a new version of An American Tragedy, which was originally commissioned by and premiered at the Metropolitan Opera in 2005, by composer Tobias Picker and librettist Gene Scheer on Sunday, July 20 at 1:30 p.m., with subsequent performances through Sunday, August 24. One hour prior to the opening performance and other matinee performances, Mr. Picker will preview his work in a free discussion at the Preview Pavilion next to the performance venue. The production is directed by Peter Kazaras and conducted by George Manahan, and the cast features Glimmerglass's 2014 Young Artists. Tickets range from $10-$144 and can be purchased by calling the box office at(607) 547-2255 or online at glimmerglass.org.

The 2014-15 Performing Arts Season of The Grand 1894 Opera House promises countless opportunities to 'Celebrate with The Grand!'

Peggy Eason is one of those characters who seem to have been made for the New York cabaret scene. She's a bodacious woman who is ubiquitous at the local clubs, possesses a passion for singing, and bills herself as the 'Chocolate Diva,' although on stage she's more like a Red Hot Mama. Eason opened her third solo cabaret show, I'll Show Them All, at Don't Tell Mama on Monday night (she's appearing again at the club on Sunday at 7pm) with the decidedly politically incorrect titled song written especially for her by David Conforte, 'Black, Blind and Beautiful' (Hey, 'African American, Visually Challenged and Beautiful' doesn't have the same ring to it.). But there was little that was incorrect about her fast-paced and entertaining show that was often poignant and funny at the same time.

Cabaret has made an indelible impact on musical theatre and inspired some of the greatest theatrical artists of the last century to imprint the work with their unique style. The undeniable power of this musical lies in the universal question it poses: why do we again and again allow destructive powers to take control of society?

B.B. King-The Life Of Riley is a powerful, insightful and heart-warming feature documentary about legendary Blues man, B.B. King. The film is narrated by OSCAR winning actor Morgan Freeman and features never-before-seen interviews with music icons Eric Clapton, Bono, Ringo Starr, Carlos Santana, Slash, Bonnie Raitt, Buddy Guy, Ronnie Wood, Mick Jagger and longtime blues fan and supporter, Bruce Willis. The film will play in movie theatres across the United States, starting today, May 21st.