Me - 1925 - Broadway Articles Page 15

Schimmel Center at Pace University is proud to announce the 2015 | 2016 season at The Schimmel Center at Pace University, located at 3 Spruce Street between Park Row and Gold Street in downtown Manhattan, adjacent to City Hall and the Brooklyn Bridge.  Schimmel Center is a world-class performing arts and culture series with an emphasis on showcasing the globe's greatest talents in the areas of theatre, music, cabaret, dance, film and family entertainment. 

Charged with momentum from the launch of BCMF Spring, the festival's first spring series of two concerts, the 32nd season of Long Island's longest-running classical music festival presents 11 concerts July 29 - August 23, 2015.

In honor of the centenary of Harold Chapin's heroic death on the battlefield in 1915, Mint Theater (Jonathan Bank, Producing Artistic Director; Jen Soloway, Managing Director) is proud to present The New Morality, beginning performances August 22nd - one day earlier than previously announced.

What comes now is a result of what came before. In 'This is Me' (published by Xlibris), author Edward M. Dunn, Jr. (a resident of the Charlestown Retirement Community) shares and examines his life and family history by penning an autobiography meant as a legacy for his grandchildren.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues with three concerts celebrating the genius of two of the most prolific and most important writing teams in musical theatre history in a show entitled RODGERS & HART & HAMMERSTEIN.

The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues with three concerts celebrating the genius of two of the most prolific and most important writing teams in musical theatre history in a show entitled RODGERS & HART & HAMMERSTEIN.

Art & culture are vital to our existence and Seattle Theatre Group's 2015-2016 season features ample offerings of live performance experiences from arts provocateurs, global masters, cultural icons, and contemporary legends.

Charged with momentum from the launch of BCMF Spring, the festival's first spring series of two concerts, the 32nd season of Long Island's longest-running classical music festival presents 11 concerts July 29 - August 23, 2015.

Orange County, Calif.—April 28, 2015—A gala season awaits as great stars in entertainment lead the way to celebrate Richard Kaufman's 25-year legacy as principal pops conductor of Pacific Symphony. While last season marked the occasion of Music Director Carl St.Clair's 25th anniversary, 2015-16 puts the spotlight on Kaufman, who has championed the lighter side of the Symphony, bringing countless memorable artists to the stage. What better way to celebrate than with some of the best songs and genres of our time delivered by mega-watt stars and backed by the lush, magnificent sounds of the full symphony orchestra? This special season includes major headliners and the return of Orange County favorites including trumpeter extraordinaire Chris Botti, Broadway diva Bernadette Peters, comedy legend Martin Short and Golden-Age champion Michael Feinstein. The amazing acrobats of Cirque de la Symphonie return for A Cirque Christmas, and Classical Mystery Tour delivers dozens of Beatles hits as they were originally recorded with orchestra. Also, Stewart Copeland, former drummer for The Police, joins the Symphony to perform his score to the 1925 silent film, “Ben Hur.”

“Lover, when I'm near you . . .” sings the debonair Todd Murray this past Monday night at Birdland, mere feet away from rapt eyes into which he pours himself. He's performing the waltzy song acoustically, voice full out in opposition to lyric mood. The back of the house undoubtedly finds sound muted. “This is how you would've heard a band singer in 1925, before a new technique called 'crooning',” he tells us. “From the time I started working, they always called me a crooner.”

Galerie Lelong is pleased to announce its first solo exhibition by the Lebanese-born artist and writer Etel Adnan.

Monday's Dancers Over 40's Tribute honored Chicago Ballet's superstar Ruth Page in 'A World Apart' at Off-Broadway's St. Luke's Theatre, March 23, 2015. Check out photos below!

National Recording Registry To “Ac-Cent-Tchu-Ate the Positive”. Joan Baez, Sly Stone, Steve Martin Recordings Named American Treasures

Met Opera luminary Lucine Amara, Artistic Director of the New Jersey Association of Verismo Opera, celebrates a milestone on March 1: her 90th birthday and over 70 years performing on the stage.

The spectacular William J. Gillespie Concert Organ meets its match with this year's soloist, Hector Olivera, who returns for his second recital with Pacific Symphony's Pedals and Pipes series. Known for his passionate musicianship and interpretations of both classical and popular music, organ virtuoso Olivera opens the program with his own arrangements of Bach's vigorous Sinfonia from Cantata No. 29, and Piazzolla's somber “Oblivion.” Guilmant's Sonata No. 8 showcases the vast range of the organ and Mozart's Fantasia in F Minor reveals the terrifying power as well as the sublime beauty the organ is capable of producing. In addition, Lefébure-Wély's March in C Major is spirited in French style, and as a finale, Olivera brings his virtuosic improvisation skills to the stage, creating a new piece based on themes suggested by the audience. This recital takes place on Sunday, March 8, at 7:30 p.m. in the Renée and Henry Segerstrom Concert Hall. Tickets are $10-50; for more information or to purchase tickets call (714) 755-5799 or visit www.PacificSymphony.org.

Galerie Lelong is pleased to announce its first solo exhibition by the Lebanese-born artist and writer Etel Adnan.

Antonia Carlotta, great great-niece of Universal Studios founder Carl Laemmle and host of the web series Universally Me, a program dedicated to Universal's unique and exciting history, will participate in Q&As following performances of Vox Lumiere-The Phantom of the Opera at the Los Angeles Theatre Center tonight and tomorrow, Dec. 12 and Dec. 13.

Antonia Carlotta, great great-niece of Universal Studios founder Carl Laemmle and host of the web series Universally Me, a program dedicated to Universal's unique and exciting history, will participate in Q&As following performances of Vox Lumiere-The Phantom of the Opera at the Los Angeles Theatre Center on Dec. 12 and Dec. 13.

To celebrate the publication of The Untold Stories of Broadway, Volume 2 on November 18 by Dress Circle Publishing, Jennifer Ashley Tepper will be sharing three short excerpts about each of the Broadway theaters featured in the book-countdown style! Today: The Shubert Theatre!

The San Francisco Conservatory of Music (SFCM) announces the appointment of an all-star cast of Visiting Industry Faculty and Guest Artists to its new Technology and Applied Composition (TAC) program, an undergraduate degree offering an unparalleled foundation for success in the diverse and evolving music industry. A unique curriculum integrating compositional craft with music technology will launch a new generation of composers adept in the fields of concert music, sound design and film and game scoring. Now accepting applications for the inaugural class of 2015, the Conservatory will produce versatile graduates who thrive as individual artists and as members of a creative team.

When Gaston Leroux published THE PHANTOM OF THE OPERA back in 1911, little did he realize the numerous chandeliers that would come crashing down through the decades, and I've witnessed a good number of them. First, in 1925, there was 'the Man of a Thousand Faces,' Lon Chaney, Sr., who frightened poor Mary Philbin (a well-done version, even IF the film was silent); then, for Universal in 1941, Claude Rains (Bette Davis' favorite co-star) was a more subdued vocal coach for soprano Susanna Foster (a wooden Nelson Eddy, alas, is a greater impending horror as 'Raoul'). I could go on - even Herbert Lom, the actor who was the harried police superior to Peter Sellers' 'Inspector Clousseau,' took a swing on the old light fixture. (And let us not forget diminutive Paul Williams in the slightly askew PHANTOM OF THE PARADISE.) All of these pale, of course, in comparison to the legendary interpretation by Michael Crawford in the Andrew Lloyd Webber musical, which first brought the audience to its feet in 1986.

The Last Symphonies: Mozart's Instrumental Oratorium Nikolaus Harnoncourt 2-CD Set Now Available Preview: https://soundcloud.com/nikolaus-harnoncourt/sets/nikolaus-harnoncourt-mozart On The Last Symphonies, Nikolaus Harnoncourt explores his fascinating new interpretation of the composer's last three symphonies; that they are one whole work which he calls Mozart's “Instrumental Oratorium.” Harnoncourt argues that, in terms of structure, the first movement of Symphony No. 39 is the Prelude of the “Instrumental Oratorium,” while the last movement of Symphony No. 41 is the Finale.