'King Charles III': Theater Review
9 / 10
While there are interludes of pageantry that mark key turning points, what's most notable about Goold's direction here is its restraint. Unlike his hyperkinetic productions of Macbeth, with Patrick Stewart, or Enron, which tanked on Broadway after much London success, the focus is not on spectacle or tricks, but on the writing. Despite the entertaining theatricality of its language, the play is ultimately more notable for its depth of character and moral complexity, especially as concerns the key figures of Charles, William, Kate and Harry.

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