Keep Moving - 1934 - Broadway Articles Page 2

The Belmont Theater District (BTD), Chicago's largest theater district located in the Lakeview and Lakeview East neighborhoods shares upcoming events from its members from March - June.

The Alley Theatre has announced the cancellation of all in-person performances of the 2020-21 season. The following shows are affected by the cancellation: Born with Teeth by Liz Duffy Adams (January 22 – February 14, 2021), Waiting for Godot by Samuel Beckett (March 5 – 28, 2021), and more.

Though the reach of Gershwin's classic tunes has proved vast, no other song from his canon has quite matched the monumental success of Porgy and Bess' opening aria, 'Summertime.'

There are plenty of virtual events and online classes currently on offer from shuttered theaters. At 8pm on May 3, Flying V Theatre will be streaming their award-winning musical You, or Whatever I Can Get, 'a deeply personal and hysterically funny look at the insecurities and anxieties of relationships and dating in your early 30s,' FREE on their Facebook page with specially recorded behind-the-scenes creator commentary from the writing team.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Girl from the North Country celebrates its opening night tonight at Broadway's Belasco Theatre!

Today GIRL FROM THE NORTH COUNTRY's Todd Almond speaks with BroadwayWorld about making his Broadway debut in a play which explores the universal themes of struggle, loss, forgiveness, and ultimately, hope.

Everyman Theatre continues its 2019/2020 season with Agatha Christie's famous whodunit-the literary, cinematic, and now theatrical classic, Agatha Christie's Murder on the Orient Express. Everyman's production, directed by Founding Artistic Director Vincent M. Lancisi and adapted by noted playwright Ken Ludwig (Lend Me A Tenor, Crazy For You), runs December 3, 2019, through January 5, 2020.

Carnegie Hall today announced the launch of its new online Digital Collections, inviting the general public to search, explore, and download more than 80,000 recently digitized historic items from its archives for the very first time. This initial preview, drawn from the Hall's legacy collections, offers a window into the richly diverse history of events at the Hall since its opening in 1891, with an emphasis on the Hall's earliest decades. It includes Carnegie Hall concert programs from 1891–1925; flyers; photographs; correspondence; newspaper clippings; autographs; booking ledger pages; and a select number of promotional films. The goal of this digital initiative is to provide broader public access to the Hall's archival collections, providing a new way for people to engage with Carnegie Hall's history and share it with others.

East Passyunk Avenue Business Improvement District (EPABID) is revving up for the 14th Annual Car Show and Street Festival on Sunday, July 28, 2019, from 11:00am to 4:00pm, on EPA between Broad and Dickinson streets. Look for over 200 muscle, classic, antique, custom and show cars, trucks and motorcycles will line the Avenue, with street vendors, rack sales, kids' activities, live music and the Bang! Boom! CRAFT! Show in between.  Wine and dine among the cars as award-winning restaurants and food trucks serve specially priced street food and summertime drinks. Admission is FREE for attendees and $20 for cars. Check-in for cars is moved up this year to 8:00am to 11:00am. The event's rain date is Sunday, August 4, 2019. For information, visit www.visiteastpassyunk.com, tweet at @epassyunkave and follow #passyunkcarshow.

On Wednesday, March 22nd, I sat down to watch my first production of EVITA, ever, at the Century II Concert Hall. Grimly aware of my myriad prejudices, chief among them being the fact that I had listened to the original Broadway cast recording with Patti LuPone and Mandy Patinkin ad infinitum ad nauseum since its eagerly awaited release back in 1979. It was the second rock musical concept piece written by Webber and Rice, and was directed by Harold Prince, and garnered 11 Tony nominations. The show has lived in my head all these years, every minute choreographed and staged. Since I was a poor working actor back in Buffalo, NY, I knew I was never going to get to NYC to see this show unless some fairy godmother intervened. Which was sadly not the case. Since I was a working class girl in a working class town, cutting my musical theatre teeth in the Meatloaf era (late 70s, early 80s), I liked my musicals with a certain amount of grit and truth, and have bemoaned the sanitization of my favorites, including Grease. It was with these heavy expectations and much trepidation that I sat down to watch Evita.

Public Theater Artistic Director Oskar Eustis and Executive Director Patrick Willingham announced the line-up today for The Public's 2018-19 Season at their landmark home on 425 Lafayette Street. The iconic New York destination, which includes five theaters and Joe's Pub, as well as The Library restaurant, has been home to over 50 years of revolutionary theater, and continues this season with new work by Emerging Writers Group alum and 2017-18 Tow Foundation Playwright-in-Residence Patricia Ione Lloyd, Public Studio alumni Hansol Jung and Jordan E. Cooper, Master Writer Chair Suzan-Lori Parks, Conor McPherson, Simon Stephens, Nick Payne, Jane Anderson, Tim Blake Nelson, and Luis Alfaro, as well as the continuation of year-round and community engagement programming: Mobile Unit, Public Works, Under the Radar Festival, Public Studio, Public Forum, Public Shakespeare Initiative, Emerging Writers Group, and the beloved Free Shakespeare in the Park.

On Thursday, May 24, the Frist Art Museum unveiled the completely renovated Martin ArtQuest Gallery (MAQ) to the public. The award-winning, hands-on art-making space has served as a premier destination for families, children, and school groups to explore art. The updated gallery features enhanced activities focused on creative collaboration, critical thinking, and communication for visitors of all ages and abilities.

Desert Theatreworks' (DTW's) production will make you reevaluate everything you thought you knew about ON GOLDEN POND -- it has many comedic moments. Here, the play is expertly performed and directed.

Long Island Iced Tea Corp. (NASDAQ: LTEA) (the "Company"), a growth-oriented company focused on the ready-to-drink ("RTD") tea segment in the beverage industry, today announced the launch of The Original Long Island Brand Lemonade. Infused with a splash of tea and made with 100% raw cane sugar and non-GMO ingredients for a crisp, refreshing and natural taste, this premium lemonade is highly differentiated from other lemonade beverages in the US market.

The Old Globe today announced the remaining productions in its 2017 Summer Season, including a brand-new comedy, Ken Ludwig's Robin Hood!, and a Summer Shakespeare Festival lineup featuring Robert Sean Leonard in the title role of the towering history play Richard II, directed by Erica Schmidt. Shakespeare's exhilarating tragedy Hamlet follows, directed by Old Globe Erna Finci Viterbi Artistic Director Barry Edelstein, one of the leading American authorities on the works of Shakespeare.

McCarter Theatre Center Artistic Director and Resident Playwright Emily Mann is pleased to announce the lineup for the upcoming 2016-2017 Theater Series.

It has been close to two decades since this was seen in Adelaide, and this is a worthy performance.

When Bent first premiered in 1979 its persecution of gays in Nazi Germany was a real eye opener. This was before the onset of AIDS...in the first scene, the depiction of Max's (Patrick Heusinger)one night stand and his gay relationship with a dancer could have been taken right out of contemporary West Hollywood were it not for the fact that we are told up front that the play takes place in 1934-36. The violence against gays that follows is staggering and horrifying. Deep down we knew that being homosexual had built-in problems and tensions, but did we really think about it so seriously? Did we really know how ugly it all was back then? And what about now? In spite of marriage equality in the US, in Kenya and in other areas of the world, the struggle for sexual freedom unbelievably goes on...to this very day. In a rare revival, Moises Kaufman brilliantly directs this new production of Bent at the Mark Taper Forum, and you'd be a fool to miss it. The cast is extraordinary, and Martin Sherman's poignant lyricism is simultaneously funny, touching and thoroughly riveting from moment to moment.

The expression “Man About Town”--commonly defined as a socially active, sophisticated man devoted to the pursuit of pleasure by frequenting fashionable nightclubs, theaters, and restaurants--might perfectly describe the persona of Sir Noel Coward. Known for his acerbic wit, flamboyance, and savoir-faire, Sir Noel is an icon in theatrical history as a celebrated playwright, composer, director, actor, and singer. Could there be a better subject to explore during an evening of cabaret? In his recent run of five shows at the Laurie Beechman Theatre, Man About Town: The Wit and Wisdom of Noel Coward, veteran singer/actor/director Eric Michael Gillett proved he was more than up to the task of paying tribute to the legendary Coward.

BLACK COFFEE is a little known, slow-paced mystery by Agatha Christie which her fans will enjoy. Written in 1934, the story takes place in the library of the home of Sir Claud Amory, a physicist who has just come up with a formula for the atomic bomb. When Sir Claude is poisoned, in his coffee of course, Detective Hercule Poirot is called to solve the mystery. He does so after many wonderful twists and turns in true Christie fashion.

Steve Ross and Karen Oberlin's recent duo effort at 54 Below, Cheek to Cheek, was a show oozing charm, class, charisma, and chemistry, but most of all they conveyed their love for these legendary performers and the classic tunes associated with them.

“But few of them would enter the war as these directors did, with the sense that, in impending middle age, they had found themselves with a new world to conquer, a task that would test their abilities to help win the hearts and minds of the American people under the hardest imaginable circumstances, with the greatest possible stakes.” Mark Harris.