Cast and Creatives Set For ROBOTA at Oxford's Schwarzman Centre
by Stephi Wild - May 28, 2026
Headlong announced the cast and creatives for ROBOTA, written by Ella Road and directed by Roy Alexander Weise, set to be the first full-scale production at Oxford's new Stephen A. Schwarzman Centre for the Humanities.
CAT'S IN THE CRADLE Documentary To Screen At Long Island Music and Entertainment Hall of Fame
by A.A. Cristi - Apr 20, 2026
The Long Island Music and Entertainment Hall of Fame will host an encore screening of the award-winning documentary CAT'S IN THE CRADLE 50TH ANNIVERSARY: THE SONG THAT CHANGED OUR LIVES, featuring a Q&A with producers and a food drive benefiting Long Island Cares.
MUSE/IQUE Will Bring BACK TO OZ to the Mark Taper Forum
by Stephi Wild - Apr 2, 2026
MUSE/IQUE will present BACK TO OZ, tracing Oz from the 1939 MGM film to THE WIZ to WICKED, at the Mark Taper Forum in April 2026, led by Artistic Director Rachael Worby.
MAMMA MIA! Will Come to The Missoula Children's Theatre
by Stephi Wild - Apr 1, 2026
The Missoula Children's Theatre's 2025-2026 Community Series will conclude with Mamma Mia! rated PG-13 and running from April 30-May 17. Learn more here!
Todd Rundgren DAMNED IF I DO TOUR Comes to Patchogue Theatre in July
by A.A. Cristi - Mar 24, 2026
Todd Rundgren will bring his Damned If I Do Tour to Patchogue Theatre for the Performing Arts. The concert will take place in July on Long Island. Tickets go on sale March 27.
Aberdeen Magical Society Celebrates Centenary With Fundraising Shows For Save Aberdeen Arts Centre Campaign
by Stephi Wild - Mar 17, 2026
The Aberdeen Magical Society will present '100 Years of Magic' on September 4-5, 2026, at the Aberdeen Arts Centre, celebrating a century of magical entertainment.
Lineup Set For 54th Annual Stanford Jazz Festival at Stanford University
by Chloe Rabinowitz - Mar 9, 2026
The Stanford Jazz Workshop has announced the 54th annual Stanford Jazz Festival at Stanford University. This year's festival will feature a diverse lineup including jazz legends and contemporary artists across various genres.
Photos: Young, Gifted, and Broadway Hosts 2nd Annual Spotlight Ceremony
by A.A. Cristi - Jul 1, 2025
Young Gifted and Broadway hosted its 2nd annual “Spotlight Ceremony” this past weekend on June 28th, 2025 in the Barrymore Room at the Marriott Marquis. Check out photos from the event.
Review: YOUNG FRANKENSTEIN at Bellevue Little Theatre is Freakishly Fun!
by Christine Swerczek - Sep 21, 2024
What did our critic think of YOUNG FRANKENSTEIN at Bellevue Little Theatre?
Interview: MALACHAI STOUT'S FAMILY REUNION RADIO SHOW At Perkins Center for the Arts
by Donna Marie Nowak - Jun 24, 2024
Radio show whodunnit blends murder mystery parlor game and old-time radio for old-fashioned family fun.
Interview: Shohei Iwahama of LES BALLETS TROCKADERO DE MONTE CARLO
by Joni Lorraine - Jan 10, 2024
Les Ballets Trockadero de Monte Carlo, often simply referred to as 'The Trocks,' is a well-known all-male drag ballet company that parodies and pays homage to classical ballet. The company was founded in 1974 in New York City by a group of ballet enthusiasts who shared a love for dance and a desire to satirize the conventions of classical ballet. 'The Trocks,” come through Austin on tour at the Bass Concert Hall on January 19th.
Review: TREEMONISHA at Opera Theatre Of Saint Louis
by Steve Callahan - May 23, 2023
Last Saturday Opera Theatre of St. Louis premiered a new adaptation of Scott Joplin’s legendary opera Treemonisha. It is a bright and worthy addition to our recent flurry of adoration of some of America’s major black composers; the Black Rep closed their stunningly fine evening of Eubie Blake’s music three days earlier.
REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On BAT OUT OF HELL THE MUSICAL
by Jade Kops - Jan 29, 2023
BAT OUT OF HELL, the stadium, arena, rock concert, stage musical.
Review: WEST SIDE STORY at Porthouse/Kent State University
by Roy Berko - Aug 12, 2022
What did our critic think of WEST SIDE STORY at Porthouse/Kent State University? In the fall of 1957, I had a mind-blowing experience. I saw the newly opened Broadway production of WEST SIDE STORY. At the time, all I knew about the show was that it was based on ROMEO AND JULIET and it had opened to positive reviews two days before.
BWW Interview: Joel Harris Fenster of MURDER ON THE ORIENT EXPRESS at Curtain Call
by Sherry Shameer Cohen - Jan 18, 2022
Even decades after her death, Agatha Christie remains the queen of mysteries. You could curl up in front of the fireplace with one of her 66 novels, or you can brave the cold and see Ken Ludwig's Murder on the Orient Express at Curtain Call's Dressing Room Theatre.
BWW Review: CARRIE, THE MUSICAL at Desert Stages Theatre
by Angela Kabasan - Oct 31, 2021
In 2020, it felt like the world had gone sideways and there was nothing but bullying everywhere you turned; it only seems fitting that many shows in the Valley are now performing shows dealing with the subject.
BWW Review: CAN'T PAY? DON'T PAY! Comically Reflects the Growing Social and Economic Divide Plaguing America
by Shari Barrett - Feb 22, 2020
This wildly funny satirical farce questions why, in a world of bailed-out banks and overpriced prescription drugs, theft is only a crime when it is committed by those truly in need, centering on humble housewife Antonia (Kaili Hollister) who joins a revolt of women at the local supermarket as they are all hungry and fed up by rising prices and stagnant wages. Determined to live with dignity and rejecting an austere diet of dog food and birdseed which is about all Antonia can afford to buy on her husband Giovvanni's (Jeremie Loncka) wages working on the production line at a local factory, the women's protest escalates and looting ensues.
Review: Quintessential Clown Bill Irwin ON BECKETT Showcases the Humor and Pathos of the Irish Playwright
by Shari Barrett - Sep 21, 2019
While I find Beckett's plays often too intensely intellectual for my comprehension, this was not the case with Irwin's seemingly effortless way of donning a bowler hat (or 2 or 3), juggling them until the perfect one is atop his head, and then going on to flop around the stage in his baggy pants and oversize shoes as a quintessential clown while explaining his interpretation of passages reflecting a?oethe noise of lifea?? in Beckett's a?oeText for Noting,a?? a?oeWatt,a?? a?oeWaiting for Godot,a?? a?oeEndgame,a?? and a?oeThe Unnamable.a?? It was an extraordinary evening of watching a master of the stage interpret the life and brilliance of a theatre legend.
BWW Review: LES BALLETS TROCKADERO DE MONTE CARLO Returns to Ruffle Feathers at The Joyce Theater This Holiday Season
by Cindy Sibilsky - Dec 17, 2018
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