How to Make a Man - 1961 - Broadway Articles Page 5

Kennedy Caughell gives a heartfelt performance as Carole King in 'Beautiful,' an otherwise flawed musical that does to King's career what most Broadway musicals do to the subjects of jukebox musicals. The musical element of the show, however, overcomes its many deficiencies to result in an overall enjoyable production.

Go inside the creation and 63-year evolution of the musical theatre masterpiece, West Side Story.

Desert Ensemble Theatre Company's (DETC's) ninth season continues with the world premiere production of ADOPTION ROULETTE, by Elizabeth Fuller and Joel Vig. Shawn Abramowitz directs a three-person cast headed by Yo Younger. Adina Lawson and Fergus Loughnane each play multiple roles. The run begins on January 31st.

The Old Globe's 2020 Summer Season brings to Balboa Park an extraordinarily talented group of artists who will delight audiences with their unique takes on four great works of theatre. The season incudes a classic American musical, a new adaptation of a 20th century thriller, and two of Shakespeare's masterworks on our outdoor stage.

'I've had several Japanese people come up to me before and say, 'This is our story.' They were an older married couple, and I thought, 'Oh? This is a New York story, why do you say that?' And they said, 'Because, back in the late 50s early 60s, our villages were feuding, and they wouldn't allow us to marry. So there was this tension, but seeing the movie in 1961 made us say, 'Let's do it!' And we eloped.'

How do we trust what we see or feel? How do we know which voices are truly our own? THE THEATRE CENTRE and THE ECT COLLECTIVE are proud to Co-produce HERE ARE THE FRAGMENTS., an immersive work of theatre written by Suvendrini Lena, Theatre Centre Residency artist and CAMH Neurologist. Based on the psychiatric writing of famed political theorist Frantz Fanon and combining narratives, sensory exploration, and scientific and historical analysis, HERE ARE THE FRAGMENTS. reflects on the relationships between identity, history, racism, and mental health. FRAGMENTS. will run November 19 to December 1 at The Theatre Centre (Opening Night November 21).

Though I was fighting back the tears, the unexpected closure of the first act triggered wracking sobs from an audience member. That is how relatable, believable, and compelling the performance of Sonia Flew at Powerstories was on opening night.

The king is dead, and the women who were rivals for his affection suddenly realize he wasn't anything worth fighting over. Okay, then... dance break!

a?oeFor nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashiona??..a?? These words from L. Frank Baum dance across the screen during the overture of MSMT's stunning new production of THE WIZARD OF OZ, reminding the audience of the perennial appeal of this beloved story. And as the curtain goes up, the audience is treated to arguably the largest, most lavish production in MSMT history with a cast of fifty (that includes twenty children and a dog), dazzling technical elements, staging and choreography to blow one away, and performances to melt the heart. a?oea??When I saw Marc Robin's production at the Fulton in 2016, I said, a?oeWe have to do this at MSMT. THE WIZARD OF OZ had not been on this stage since 1961, and it was time to give it a new life,a?? says Artistic Director Curt Dale Clark. Clark is one of the large panel, which also includes Marc Robin, Travis M. Grant, Carolyn Anne Miller, Susan Cella, Ian Knauer, and David Girolmo, who have come together in conversation with BWW's Maine Editor Carla Maria Verdino-Süllwold in MSMT and BWW's final season collaboration of PEEK BEHIND THE CURTAIN at the Curtis Memorial Library on August 14th.

Some of the most talented students in Austin tear up the stage in HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, a Summer Stock Austin musical production you won't want to miss this August. They'll overwhelm you with talent, make you laugh until your sides hurt, and astonish you with show stopping musical numbers. This production not only boasts top-tier young talent but quality in all elements merging together to create the final product. Walking into the theater, you're immediately struck by the strength of the production value, most prominently featured by the impressive wrap around set that was sadly underutilized.

The Sydney season of the spectacular new musical Roald Dahl's Charlie and the Chocolate Factory is coming to an end, with the season extended due to huge demand until 21 July. Tickets for the final two weeks will go on sale on Friday 31 May. Following the Sydney season, the production will play at Her Majesty's Theatre, Melbourne from 9 August, and at the Lyric Theatre, Brisbane from March 2020.

IFC Center today announced an impressive and wide-ranging lineup for the third annual Split Screens Festival (www.splitscreensfestival.com) taking place Wednesday, May 29 through Monday, June 3, 2019, at the IFC Center in New York City. The festival consists of special events offering a variety of looks at history, identity and the mystery of existence itself, including panels on series that explore dystopian realities and alternate timelines, and screenings that transport us into any number of time periods and places, be it a late-1800s South Dakota town or the height of 1980s ballroom culture in New York City.

Opera Santa Barbara presented a musically dramatic rendition of THE CRUCIBLE. As an opera it struck the emotions with a stronger hammer than the play did with mere words. If you can be in Santa Barbara tomorrow afternoon, don't miss the performance at the Lobero Theatre.

Court Theatre and playwright Nambi E. Kelley have received the Prince Prize for Commissioning Original Work for 2018. Prince Charitable Trusts makes an award of $75,000 each year to a major Chicago dance, music, visual arts or theater company. When the Trust approached Court Theatre about projects that might fit their vision for the Prize, it was only natural to ask playwright Nambi E. Kelley to create an original play based on the story of Stokely Carmichael's activism and legacy for the stage. In 2014, Kelley had adapted Richard Wright's Native Son for Court Theatre in a co-production with American Blues Theatre that garnered great critical and popular acclaim. Another collaboration would build upon these successes.

The Country Music Association honored the songwriters behind Country Music's biggest hits at the 10th annual CMA Triple Play Awards Tuesday, Feb. 19 during an intimate, industry luncheon at Marathon Music Works in Nashville. CMA Triple Play Awards recipients were honored for having penned three No. 1 songs within a 12-month period based on the Country Aircheck, Billboard Country Airplay and Billboard Hot Country Songs charts.

Johnson Financial Group Broadway at the Marcus Center and Broadway Across America-Milwaukee are proud to announce the Broadway Musicals, HAMILTON, and pop culture phenomenon DEAR EVAN HANSEN, will play their Milwaukee premiere engagements and anchor the 2019-2020 season. 

Paul Taylor Dance Foundation (PTDF) announces the launch of "Paul Taylor: Celebrate the Dancemaker," a multi-year worldwide celebration of Paul Taylor's astonishing legacy as well as his vision of a future for modern dance. Led by Mr. Taylor's chosen successor, Artistic Director Michael Novak, this celebration will focus on three components - domestic and international touring of the Paul Taylor Dance Company (PTDC) and Taylor 2 entitled "The Celebration Tour"; worldwide licensing of Mr. Taylor's dances; and the Paul Taylor American Modern Dance (PTAMD) 2019 New York Season at Lincoln Center.

Westcoast Black Theatre Troupes's Black Nativity A Must See Sarasota Holiday Tradition

The 2018 Inaugural NAAP (National Asian Artists Project) Gala took place on December 2nd celebrating the 60th Anniversary of Rodgers & Hammerstein's groundbreaking musical 'Flower Drum Song'. Cast members from numerous productions including the original 1958 Broadway company, tours, the 1961 film and the 2002 Broadway revival took over the Golden Unicorn Restaurant in the heart of Chinatown for a magical evening that included a spectacular eight course Chinese banquet and a sensational show.

Obie Award winner Metropolitan Playhouse brings Robert Ardrey's documentary play to the stage for its first New York revival.  The limited run, closing December 9, 2018, plays at the Playhouse home at 220 E 4th Street.  Alex Roe directs.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.

Tony Award nominee Lainie Kazan and Emmy Award winner William Shatner, whose Broadway stage careers have spanned six decades, reveal personal stories of their Jewish upbringing in the new PBS special Hanukkah: A Festival of deLights. The program airs nationwide on PBS stations in the week leading up to and through the holiday (check local listings) and in the New York metropolitan area on PBS as follows: on WLIW/21 on Sunday, November 25 at 7:30 pm (check wliw.org for additional airings) and on the first and last nights of Hanukkah on Thirteen -- Sunday, December 2 at 2:30 pm and Sunday, December 9 at 8 pm.

Obie Award winner Metropolitan Playhouse brings Robert Ardrey's documentary play to the stage for its first New York revival.  The limited run from November 9 to December 9, 2018, will be at the Playhouse home at 220 E 4th Street.  Alex Roe directs.