Here and There - 1917 - West End Articles Page 3

This Week's New Classified Listings on BroadwayWorld for 3/11/2021 include new jobs for those looking to work in the theatre industry.

With a line-up that features world-class artists in music, dance, comedy, top-touring Broadway hits and more, the Kravis Center for the Performing Arts continues its tradition of offering a diverse season with something for everyone.

Today, American Conservatory Theater unveiled the diverse lineup that will make up San Francisco's premier nonprofit theater organization's new season.

The Pulitzer Prize Board today will present the 2020 award winners' (originally scheduled for Monday, April 20) for Prizes in Journalism, Books, Drama and Music. Who will win this year? Tune in right here at 3pm to watch the announcement live!

Bayerische Staatsoper's production of Die Frau ohne Schatten is now available to stream!

Livermore Valley Opera is streaming two of its cancelled productions on YouTube, including Zemlinsky's drama, 'A Florentine Tragedy,' and Puccini's 'Gianni Schicchi.'

Casting details are announced for the Royal Shakespeare Company's (RSC) 2020 Summer production of The Comedy of Errors, which plays in the Royal Shakespeare Theatre from 25 April 2020. Joining the previously announced Miles Jupp, who will make his RSC debut as Antipholus of Syracuse, is Jonathan Broadbent (Dromio of Syracuse), Justin Edwards (Antipholus of Ephesus), Greg Haiste (Dromio of Ephesus), Georgia Landers (Luciana) and Annette McLaughlin (Adrianna). Directed by Phillip Breen, the production will be cross-cast with The Winter's Tale (from 28 March 2020) and Pericles (from 15 August 2020). All three plays are sponsored by Darwin Escapes.

Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.

The F. Scott Fitzgerald classic 'The Great Gatsby' is almost 100 years old, but the story still resonates.

The persistent legend, mystique and fascination of what may have happened to Anastasia during Russia's revolution finds a new home in the musical ANASTASIA

For the first time in over a century George Gershwin's very first musical, La La Lucille, will be performed - not on Broadway as it was in 1919 - but in the intimate Studio Theatre at Third Avenue Playhouse (TAP) in Sturgeon Bay. This riotous, fast-paced farce about a married couple who plot to become temporarily divorced in order to claim an inheritance, opens Thursday, July 25 and runs through September 1st. When the scheme goes awry, hilarity, hijinks, and tap dancing ensue in this not-to-be-missed show.

This Anastasia is impeccably performed, gorgeously rendered, and entertaining to be sure. Still, to me, the new songs don't soar alongside the old ones. I wonder how I'd feel if I didn't already know those old songs by heart. That's the risk the show's creators took in translating Anastasia for Broadway.

Having two completely different shows premiere within a month of each other might be a daunting concept for many playwrights, but Eli Pasic is taking it in stride. The emerging Toronto writers' first fully produced work, the comedic farce FALSE CLAIMS, follows the story of a man who poses as his late aunt's husband in order to collect her life insurance policy and opens August 2. His nautical musical parody SOMETHING FOR THE BUOYS is set to premiere this fall. Pasic was able to take some time away from his heavy workload to discuss his journey from musician to produced playwright, and offered an in-depth look into the differences between writing for plays versus musicals, his creative process, and an unexpected collaboration with an established Broadway composer.

Celebrated songwriters Rosanne Cash and Burton Cummings, American Idol winner Ruben Studdard, returning favorites Tommy Emmanueland Lea Salonga, and Whose Line is it Anyway? stars Colin Mochrie and Brad Sherwood are just a few of the artists set to appear at the Lisa Smith Wengler Center for the Arts at Pepperdine University during its 2019-2020 season.

Baby's touchy-feely storyline follows three unrelated couples as they anticipate the joy and the pain of parenting.

I've never been disappointed by a show at Signature Theatre. Even their ongoing Grand Hotel, which is working with some less-than-stellar source material, is elevated by the wonderful craftsmanship and talented artists this theater welcomes. The same can unfortunately not be said of the disappointing Spunk, which opened in Signature's more intimate ARK theater on Friday. Zora Neale Hurston's masterful prose falls flat in a production that feels like it opened too soon, resulting in an evening lacking in the gumption this show tries to champion.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Isango Ensemble's SS Mendi: Dancing the Death Drill is a sad lament for needlessly lost lives and a celebration of the cultures from which the men had sprung. And it's ever so emotional.

Mint Theater (Jonathan Bank, Producing Artistic Director) will present the American Premiere of The Mountains Look Different by Micheal mac Liammoir, hailed as 'a courageous play in which there is no beating about the bush' by The Christian Science Monitor. Performances will begin May 30th and continue through July 14th only at Theatre Row (410 West 42nd Street). Opening Night is set for June 19th.

A glorious group of ghosts are converging on Theater for the New City - and it has nothing to do with the theater's annual Halloween ball slated for later in the year.

An upright piano, a bottle of something strong, a door leading somewhere else. Billy Bishop Goes to War, on now at the Southwark Playhouse, after transferring from the Jermyn Street Theatre, is evocative and wistful, like a tune you remember from your youth, but no one else does.

Carnegie Hall's citywide festival, Migrations: The Making of America kicks off with Live from Here with Chris Thile on Saturday, March 9 at 5:45 p.m. in Stern Auditorium / Perelman Stage. Debs Composer's Chair Chris Thile is joined by Grammy Award-winning banjo player Béla Fleck, renowned bassist Edgar Meyer, multi-award winning Gaelic singer Julie Fowlis, and Irish-American singer and songwriter Aoife O'Donovan for an evening of traditional Scots, Irish, and American folk music.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

As BroadwayWorld previously reported, the historic Drama Book Shop will leave its 40th Street home because of recent rent escalations. Today playwrights of incredible shows such as Oslo, Sweat, and others will appear at a signing to support the shop.