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- INDECENT by Paula Vogel will run at Playhouse on Park January 25 - February 26, 2023. This production will be directed by Kelly O'Donnell, with music direction by Alexander Sovronsky and choreography by Katie Stevinson-Nollet.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its sixth season with the Boston premiere of the rarely performed 1858 opera Le medecin malgre lui (The Doctor in Spite of Himself). On the occasion of the bicentenary of Charles Gounod's birth (1818-1893), Odyssey Opera offers a chance to become better acquainted with one of the largest French composers of the second half of the 19th Century. Based on a play by the great French satirical playwright Moliere, Gounod's Le medecin malgre lui is a three-act comic opera set to a libretto by Jules Barbier and Michel Carre. Odyssey Opera will feature baritone Stephen Salters (Sganarelle), mezzo-soprano Tascha Anderson (Jacqueline), the Boston debut of tenor Piotr Buszewski (Leandre), and a full orchestra and chorus conducted by Gil Rose, with stage direction by Daniel Pelzig (Santa Fe Opera, Met Opera, Lyric Opera of Chicago). The fully-staged production will be sung in French with English subtitles, with never heard recitatives added by Erik Satie.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its sixth season with the Boston premiere of the rarely performed 1858 opera Le medecin malgre lui (The Doctor in Spite of Himself). On the occasion of the bicentenary of Charles Gounod's birth (1818-1893), Odyssey Opera offers a chance to become better acquainted with one of the largest French composers of the second half of the 19th Century. Based on a play by the great French satirical playwright Moliere, Gounod's Le medecin malgre lui is a three-act comic opera set to a libretto by Jules Barbier and Michel Carre. Odyssey Opera will feature baritone Stephen Salters (Sganarelle), mezzo-soprano Tascha Anderson (Jacqueline), the Boston debut of tenor Piotr Buszewski (Leandre), and a full orchestra and chorus conducted by Gil Rose, with stage direction by Daniel Pelzig (Santa Fe Opera, Met Opera, Lyric Opera of Chicago). The fully-staged production will be sung in French with English subtitles, with never heard recitatives added by Erik Satie.
Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, is excited to announce the return of the 'lost' classic Broadway musical, Helen of Troy, New York. Medicine Show has reconstructed the lost 1923 show to bring it back to New York audiences. The production will run for just five weeks, opening tonight, January 16, 2015 and closing Sunday, February, 15, 2015.
Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, is excited to announce the return of the 'lost' classic Broadway musical, Helen of Troy, New York. Medicine Show has reconstructed the lost 1923 show to bring it back to New York audiences. The production will run for just five weeks, opening Friday, January 16, 2015 and closing Sunday, February, 15, 2015.
Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.
Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.
Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.
Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.
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