He - 1931 - Broadway Articles Page 18

The Music Institute of Chicago, one of the nation's oldest, largest, and most distinguished community music schools, welcomed 300 guests to its 2018 Anniversary Gala on Monday, May 21 at the Fairmont Hotel Chicago. The event raised more than $715,000 from a combination of table sponsorships, ticket sales, and outright contributions.

Michael Tilson Thomas (MTT) conducts Mahler's Symphony No. 4, Mozart's Exsultate, jubilate, and American Maverick Carl Ruggles's Evocations at Carnegie Hall, Stern Auditorium / Perelman Stage, in his first performance with The MET Orchestra, Tuesday, June 5 at 8:00 p.m. This will be the first time that The MET Orchestra performs a work by Ruggles. The program's featured soloist is soprano Pretty Yende, who sings in Exsultate, jubilate and the finale of the Mahler symphony.

Carnegie Hall today announced that a performance by the National Symphony Orchestra (NSO), led by its Music Director Gianandrea Noseda, has been added to its 2018-2019 season line-up. The concert, scheduled for Sunday, May 19, 2019 at 2:00 p.m. in Stern Auditorium / Perelman Stage, will be the National Symphony's first Carnegie Hall performance since Mr. Noseda began his tenure as the orchestra's music director in fall 2017.

Theater (Jonathan Bank, Producing Artistic Director) will present the New York Premiere of Miles Malleson's political love story Conflict. Performances will begin May 25th and continue through July 21st at Theatre Row (410 West 42nd Street). Opening Night is set for June 21st.

THE HOLLYWOOD ADRIANA was named One of The Top Five Events of The Week by METROSOURCE MAGAZINE when it opened the DIXON PLACE 2018 QT: RAINBOWS ACROSS THE DIASPORA reading series in January of 2018. The Hollywood Adriana has received the honor of being invited to both the world-renowned HOT! FESTIVAL at DIXON PLACE (July 2018 45-minute version), and to premiere the full script at UNITED SOLO THEATRE FESTIVAL (October 2018 90 minute duration). Hollywood Adriana is the eroticized love child of Reader's Theatre and Medieval Morality play: a poetic novella/solo performance piece designed for the stage, screen, and reader's chair. On the constructed stages of his surreal reality, Rupert's story of obsession, thwarted love, innocence lost, murder, suicide, and catharsis implodes the boundaries of time and place into a continuum of Now, unfolding through his encounters with Sarah Bernhardt, Ramon Novarro, Maya Plisetskaya, Hector Berlioz, hustlers, drag queens, and altar boys.

During 2018, the Finborough Theatre celebrates 150 years of the Finborough Theatre's building - and its birthday also coincides with the 150th anniversary of the birth of French symbolist playwright Paul Claudel. As part of the #Finborough150 celebrations, the London premiere in English of Paul Claudel's Break of Noon (Partage de Midi) plays for six Sunday and Monday evenings and Tuesday matinees from Sunday, 27 May 2018 (Press Night: Monday, 28 May 2018 at 7.30pm).

Continuing the momentum created with the current season launch of its Music Knows No Borders series, Executive Director Thor Steingraber unveils the Younes and Soraya Nazarian Center for the Performing Arts' 2018-19 Season, which features four world premieres, two American premieres, several of the world's greatest orchestras, innovative jazz programs, two tributes to Hollywood legends, Broadway classics plus artists from 18 different nations who will appear on stage at The Soraya next season.  New Subscription Series tickets will go on sale May 1, 2018.

Tony Award nominee Bryce Pinkham (Holiday Inn, A Gentleman's Guide To Love and Murder) and Drama Desk Award winner Jim Brochu (Character Man, Zero Hour) will join forces as an odd couple of writers in 1931 Hollywood in the new play PAGE COUNT by Kerr Lockhart. An industry reading is scheduled for Monday, May 14 at 1:00 PM and 5:30 PM at 353 Studios (353 West 48th Street, Studio 3).

The San Francisco Gay Men's Chorus(SFGMC)-under the leadership of Dr. Tim Seelig, Artistic Director andChristopher Verdugo, Executive Director-concludes Season 40: Unstoppablewith UNBREAKABLE, a groundbreaking world premiere work by Tony Award-nominated composer Andrew Lippa (I Am Harvey Milk, The Addams Family, Big Fish, The Wild Party), on Friday, June 22 (8 p.m.) and Saturday, June 23 (2:30 p.m. & 8 p.m.) at San Francisco's Nourse Theater (275 Hayes Street).

On Friday, May 4 TheatreWorks New Milford will premiere Mel Brooks' Zany movie-turned-musical musical, Young Frankenstein.The curtain rises at 8:00 p.m. every Friday and Saturday and 2:00pm on some Sundays through June 2.

The Warner Stage Company will hold auditions for a Main Stage Musical Production of Disney's THE LITTLE MERMAID on Sunday, May 6th and Monday, May 7th beginning at 7:00pm. The production is directed by Richard McKenna with music director Jim Luurtsema and choreographer Sharon A. Wilcox. It will be presented on the Warner's Main Stage beginning July 28, 2018

Theater (Jonathan Bank, Producing Artistic Director) will present the New York Premiere of Miles Malleson's political love story Conflict. Performances will begin May 25th and continue through July 21st at Theatre Row (410 West 42nd Street). Opening Night is set for June 21st.

We're going back to a sexier time - the Reagan Era - when Palo Alto Players presents the smash-hit jukebox musical ROCK OF AGES, featuring the greatest rock music of the 1980s. 

It's not just a youth orchestra, it's PYP! Locally-grown since 1924, Portland Youth Philharmonic caps off an astonishing 94th concert season with Mussorgsky's Pictures at an Exhibition on Sunday, May 6, 2018. The 4:00 PM performance in the Arlene Schnitzer Concert Hall celebrates Musical Director David Hattner's tenth anniversary with the return of former Musical Director Huw Edwards as guest conductor.

Northern Kentucky University | School of the Arts | Program of Theatre and Dance is excited to announce our 2018-19 academic season. An exact schedule of performances will be released in August 2018.

It's Not Just a Movie…It's a Movie at the Warner! The Warner Theater will show THE SANDLOT on our big screen Friday, April 14 at 8 pm, sponsored by Elevator Service Company. Tickets are just $5!

There is ofttimes a quality difference from non-equity versus equity tours. The former is comprised of young actors earning their stripes. For many it is their first tour. Any deviation from a highly professional, class A production was not evident with CABARET, at The Playhouse through March 18. This is a great, glamorous and gripping show.

Rubicon Theatre presents a timely and trenchant production of Shakespeare's tragedy KING LEAR as the centerpiece of the company's 20th Anniversary Season. Directed by Co-Founder James O'Neil, the production features a 20-member cast led by acclaimed actor and company memberGeorge Ball, who has starred in previous Rubicon productions of All My Sons, Man of La Mancha, and Jacques Brel… (New York, L.A., and international companies of the latter).

The Warner Theatre is excited to welcome BRIAN REGAN to the Main Stage on October 19 at 8 pm. Tickets go on sale to Warner Members on Tuesday, March 13 at 10 am and to the General Public on Friday, March 16 at 10 am. Critics, fans and fellow comedians agree: Brian Regan is one of the most respected comedians in the country with Vanity Fair calling Brian, "The funniest stand-up alive," and Entertainment Weekly calling him, "Your favorite comedian's favorite comedian."

2018 marks the 200th Anniversary of Frankenstein's publication. Mary Shelley was just 18 years old when she started writing it, and all of 20 by the time the first edition came out. Never out of print since, this enthralling tale of a mad scientist, who creates a grotesque but intelligent creature from assembled body parts is not only a seminal work of gothic horror, but also one of the earliest examples of science fiction literature. British author, Brian Aldiss (who would later write an unauthorised sequel - Frankenstein Unbound), is one of many literary luminaries to make the case that Shelley's book should be considered the very first science fiction novel, because it 'turns to modern experiments in the laboratory' to inspire and rationalise its fantastic events. Giving rise to countless imitators, Frankenstein has also spawned hundreds of stage and screen adaptations over the years - probably the most well-known being James Whale's haunting 1931 movie version starring Boris Karloff in what would become an iconic interpretation of The Creature, and Kenneth Branagh's flashy 1994 film, which featured a sensitive 'method' interpretation of Frankenstein's tragic creation from Robert De Niro.

With its vision focused squarely on the future, Nashville Children's Theatre (NCT) - the nation's oldest professional theatre for young audiences - last night revealed its upcoming "Season of Discovery," a slate of six challenging productions, along with an updated rendering of the company's iconic dragon logo.

The Shed's Artistic Director and CEO Alex Poots today unveiled the first group of commissions for the 2019 inaugural season in its future home on Manhattan's west side, and provided major updates about the organization's leadership, program, and capital campaign. New York City's first arts center dedicated to commissioning, producing, and presenting new work across the performing arts, visual arts, and popular culture, The Shed will open to the public in spring 2019 with commissioned programs filling its iconic and expansive multi-use hall, two floors of column-free galleries, and versatile and intimate theater.

The UK and English language premiere of Death of a Hunter opens at the Finborough Theatre on Sunday, 1 April 2018 for nine Sunday and Monday evenings and Tuesday matinees including a performance in German on Tuesday, 10 April 2018 (Press Night: Monday, 2 April 2018 at 7.30pm).

The legendary jazz musician Bix Beiderbecke will be celebrated by cornetist Mike Davis and his all-star group, the New Wonders, with the Bickford Theatre's popular Bix Beiderbecke Birthday Bash on Monday, March 12, at 7:30 p.m. Joining Davis will be Dan Levinson on clarinet, Joe McDonough on trombone, Jared Engel on banjo, Dalton Ridenhour on piano, Jay Rattman on bass saxophone, and Jay Lepley on drums.

Final cast is today announced for Charles Court Opera's smart, stylish, sparkling fresh version of the most loved of Gilbert and Sullivan's comic masterpieces, The Mikado.