REVIEW: The Deceptive Power Of Acting On Performers Plays Out With Hilarious Comedy In STAGE KISS
by Jade Kops - Mar 21, 2026
Alice Livingstone (Director) brings Sarah Ruhl’s (Playwright) study of human behaviour and the blurring of acting and actual to the New Theatre stage.
La Jolla Playhouse Sets Lineup for 2026 WOW Festival
by A.A. Cristi - Feb 26, 2026
La Jolla Playhouse has announced full programming for the 2026 WOW Festival of immersive, interactive and site-inspired work, presented in partnership with UC San Diego. The WOW Festival will take place April 23 – 26 on the UC San Diego campus.
Bristol Old Vic Announces Plans for 260th Anniversary Year
by A.A. Cristi - Feb 5, 2026
Bristol Old Vic's executive partnership of Artistic Director NANCY MEDINA and newly appointed Executive Director Rebecca Dawson has outlined the ways Bristol Old Vic is delivering on the organisation's commitment to support theatre-makers of the future, and champion stories from the South West in a string of announcements that coincide with the Theatre's 260th anniversary year.
FRIGID New York Unveils Lineup For 2026 New York City Fringe Festival
by Chloe Rabinowitz - Jan 28, 2026
FRIGID New York will present the 19th annual New York City Fringe Festival across multiple venues in New York City. The festival will feature a diverse array of performances with all box office proceeds directly benefiting the artists.
Free SORPRESIMOVIL RELOADED Shows Come to La Jolla Playhouse
by Stephi Wild - Jan 15, 2026
La Jolla Playhouse has announced a special presentation of SORPRESIMOVIL reloaded, a WOW (Without Walls) Experience created and performed by Poncili Creación. Learn more here!
Review: THE LION KING Reigns Supreme at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Apr 25, 2025
Life's greatest tragedy is the passage of time. It is a lesson we all must learn eventually. Within the proverbial circle of life, there is only a beginning and an end that occurs in the immediacy of our own lifetime. Yet, the cyclical nature of birth, death, and rebirth ensures that our spirit will carry on in legacy rather than in flesh. If we are loved, then we are remembered. And if we are remembered, then we live forever. Disney’s The Lion King transposes this message from screen to stage through an international collaboration of talent that supercedes the strength of the 1994 animated film from which it came.
Review: PETER AND THE STARCATCHER at Great Lakes Theater
by Roy Berko - Feb 10, 2025
Mention author J. M. Barrie, and the immediate thought is Peter Pan. Peter Pan, the tale of a boy who refused to grow up, which has become a cottage industry. Dolls, movies, a musical play, coloring books, cartoons, Halloween costumes, a non-musical play, and books are all available. There is even a psychological condition, “The Peter Pan Syndrome,” which puts the spotlight on men who refuse to assume responsibility for their boyish actions.
Review: THE BOOK OF MORMON at San Jose Center For The Performing Arts
by Linda Hodges - Nov 24, 2022
What did our critic think of THE BOOK OF MORMON at San Jose Center For The Performing Arts?
BWW Interview: Joel Harris Fenster of MURDER ON THE ORIENT EXPRESS at Curtain Call
by Sherry Shameer Cohen - Jan 18, 2022
Even decades after her death, Agatha Christie remains the queen of mysteries. You could curl up in front of the fireplace with one of her 66 novels, or you can brave the cold and see Ken Ludwig's Murder on the Orient Express at Curtain Call's Dressing Room Theatre.
BWW Review: HEIDI DUCKLER DANCE PRESENTS “THE CHANDELIER “ at The Wallis Annenberg
by Valerie-Jean Miller - Aug 28, 2021
They got hit with a double whammy. Not only were they sidelined first by the pandemic for a year and a half, but to now present 'The Chandelier' all this time later, and still under many Covid restrictions, the entire piece, which was to be 'site-specific' had to be reworked and reimagined. Heidi Duckler, the Founder/Artistic Director of Heidi Duckler Dance, and Choreographer of the piece gave a short introduction explaining how this World Premiere presentation came to be. 'The Chandelier' was inspired by a novel of the same name written by Brazilian Clarice Lispector and published originally in 1946. The book was translated recently from Portuguese into English by Magdelena Edwards and Benjamin Moser. The piece was first constructed to be performed at the Wallis Annenberg Center, highlighting different areas and spaces inside and outside of the theatre, different architectural patterns and settings, to tell the story of a young woman, Virginia, through her own musings and ideations. That was the original plan, however with all the Covid rules and restrictions still in place, it was realized it needed to be performed outside, and contained in one space, with the audience socially distanced. What was created was an innovative, stylized space that became different sets/places as the narrative unfolded, magically and mystically bringing her inner imagination to life.
Photo Flash: Porchlight Kicks Off Season With CHICAGO SINGS
by Julie Musbach - Aug 20, 2019
Porchlight Music Theatre's 25th anniversary season began with the 14th Annual Chicago Sings concert: Chicago Sings 25 Years of Porchlight, Monday, Aug. 5 at 7 p.m., at The Museum of Contemporary Art, 220 E. Chicago Ave, directed by Christopher Pazdernik and Artistic Director Michael Weber with music direction by David Fiorello and a band featuring Kelsey Boltz, Cara Hartz, John McCreary, Greg Strauss, Celeste Park and Jake Saleh.
BWW Review: ROMEO & JULIET Inhabits Hollywood at The Hollywood Bowl
by Valerie-Jean Miller - Jul 27, 2019
The Los Angeles Philharmonic Orchestra, conducted by Gustav Dudamel, played magnificently July 16, 2019 as they first featured award-winning Pablo Ferrandez in Antonin Dvorak's Cello Concerto in B minor, Opus 104 in a most passionate and stirring performance. The piece was written by Dvorak about his sister-in-law, who never acknowledged her affection for him, giving this piece an extraordinary range of emotions that Ferrandez fervently played, seeming to feel every note and every nuance with his body and his soul. He is an extraordinary musician, and fully captivated the audience; so much so there were numerous encores of appreciation. It was a moving, heart-felt performance, and I would go anywhere to hear and watch him play again, play anything, as this performance was exalting. Part two of the evening was a reprise, or rather reworking of the performance L. A. Dance Project originally performed at the Walt Disney Concert Hall, which I reviewed, in 2018. (https://www.broadwayworld.com/los-angeles/article/BWW-Review-ROMEO-JULIET-at-Walt-Disney-Concert-Hall-20181106)
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