Discover a club like no other… a place beneath the city lights where sequins sparkle, seduction shimmers, and a life can change in the flick of a feather boa.
When Ali heads to New York City in search of her mother, she finds herself drawn into a dazzling underground world of music and dance that will change her life forever. A scintillating journey of self-discovery that absolutely sizzles with songs by Christina Aguilera, Sia and Diane Warren, alongside additional songs by Todrick Hall and Jess Folley.
For all the dramas on stage and off, Burlesque is an upbeat, sassy story packed with astounding vocals – extensively from Folley and Orfeh – and some genuinely exciting dance routines choreographed by Hall. Antin’s script flips the dynamic of the story, pitching classic burlesque against the new wave, while engendering a sense of family, solidarity and equality within the workplace.
Burlesque The Musical does feel like a production that has so much potential, but just isn’t quite ready for the West End, at least for those who want to see a musical that is impeccably polished and refined from its book through to the opening curtain. However, it is still a very fun evening out. The music is strong, the dancers are undeniably impressive, and the cast is bursting with talent. It's clear the production has substantial backing in terms of budget and support. However, it might benefit from redirecting some of that time, energy, and funding toward refining the show from the ground up.
| 2025 | West End |
West End |
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