Breeding - - West End Articles Page 15

Los Angeles artist and producer Hana Vu released her debut EP How Many Times Have You Driven By last year via Luminelle, and today she announces a new self-produced double EP Nicole Kidman / Anne Hathaway. These two absurdly named but masterfully crafted complementary releases showcase incredible sonic maturity for a nineteen year-old who only just moved out of the house she grew up in, graduated high school, and turned down a college acceptance to make music full time. Nicole Kidman / Anne Hathaway will be released on October 25th, 2019 viaLuminelle - pre-order it HERE.

Season 5 Opens with 'A Night of Female Composers' featuring works by Clara Schumann, Ellen Reid, Emma O'Halloran, Mary Lou Williams, Missy Mazzoli, Meredith Monk, and Paola Prestini Lara Downes' 'Holes in the Sky' concert marks the 200th birthday of Clara Schumann with a tribute to influential female composers

Following a successful World Premiere run at The Marsh San Francisco, Who Killed Sylvia Plath, written by award-winning playwright Lynne Kaufman and starring Lorri Holt, will transfer to The Marsh Berkeley this Fall.

Today, Nashville duo, 17 Memphis release their debut album Forever. Felix Snow and Chelsea Todd are both successful musicians separately.  Snow is an accomplished producer who has worked with artists such as SZA, Kiiara, Icona Pop and he has also written and produced for Christina Aguilera, among others. Chelsea Todd fronts the electropop outfit, TYSM, who has had mega hits such as 'Honeymoon Phase.' 

The Marsh Berkeley announces the extension of That Don Reed Show created by acclaimed comedian/playwright, Theatre Bay Area (TBA) 2018, 2017 nominee, and 2016 TBA winner Don Reed. Saturday Night Live said Don was a?oetoo white,a?? while the network executive for In Living Color said he wasn't a?oeblack enough.a??

The Marsh San Francisco announces an extension of Not a Genuine Black Man, the longest running solo show in San Francisco theater history. This funny, honest, and harrowing piece by award-winning actor, playwright, and talk show host Brian Copeland recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America

The summer sunshine has finally arrived, and excitement is heating up as Hale Barns Carnival 2019 fast approaches.

The last time a well-known actor not especially noted for singing graced a major New York stage with a one-person autobiographical musical that focused on personal tragedy, it was Suzanne Somer's unmissably jaw-dropping narcissistic spectacle, THE BLONDE IN THE THUNDERBIRD.  But fear not, playgoers, for while David Cale does provide quite a few original ditties to augment his childhood memoir, WE'RE ONLY ALIVE FOR A SHORT AMOUNT OF TIME, his not-quite-Sinatra-level vocals are way more suited for this captivating presentation than a more elegant songbird's trill.

After a successful run at The Marsh San Francisco, multi award-winning actorplaywright and Theatre Rhinoceros Artistic Director John Fisher's acclaimed solo show A History of World War II: The D-Day Invasion to the Fall of Berlin will transfer to The Marsh Berkeley. Offering a compendium of facts about WWII from the bungled plot to assassinate Hitler ("A mess! Organized by a bunch of loser bureaucrats!") to the big secret - how the Russians won the war for us ("They did all the work!"), this lauded production also surveys the best books on the topic, as well as the most attractive generals who fought the battles and the hottest actors who played them in the movies. Capturing the Best Actor award from the 2017 United Solo Festival, this highly entertaining work also demonstrates how WWII helped Fisher win boyhood battles with his older brother.

With its extension run virtually sold out, The Marsh San Francisco announces an additional extension of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, into August 2019.

The Marsh San Francisco adds five free performances of Brian Copeland's The Waiting Period, due to ongoing support from a GoFundMe campaign and generous corporate contributions from Summit Bank, Clint Reilly Associates, The Handlery Hotel Union Square in San Francisco, and Fremont Bank, OSIsoft, and Galvan and Associates in San Leandro.

The Houston Symphony announced today the four finalists for the Houston Symphony's annual Ima Hogg Competition, one of the world's greatest multi-instrument competitions founded more than four decades ago to honor the memory of Ima Hogg, a co-founder of the Houston Symphony.

Organisers of the Hale Barns Carnival 2019 have revealed its exciting weekend programme of free family fun.

The Greenhouse Theater Center, in association with The Marsh, presents the Chicago premiere of the off-Broadway hit THE MUSHROOM CURE, the true story of one man's attempt to treat his severe OCD with psychedelics.

Now onstage through Mother's Day (Sunday, May 12) in a much anticipated and gleefully subversive production from Nashville Opera, The Cradle Will Rock remains hard to define: It could be described as a work of art whose meaning, its very raison d'etre, can be bent to suit any conceivable justification. Variously, Blitzstein described his 1937 work as a 'play in music' or an 'opera for actors' and its history clearly paints it as either or even as both.

The Marsh Berkeley announces the extension of That Don Reed Show created by acclaimed comedian/playwright, Theatre Bay Area (TBA) 2018, 2017 nominee, and 2016 TBA winner Don Reed. Saturday Night Live said Don was "too white," while the network executive for In Living Color said he wasn't "black enough." So Don created That Don Reed Show-his own sketch variety show-bringing Bay Area audiences an evening of irreverent sketches, edgy stand-up, music, and moving drama.

Based on the true story of Mexican-American author and educator Tomas Rivera, Tomas and the Library Lady - the final offering of Nashville Children's Theatre's 2018-19 season - is told in both Spanish and English, and follows the son of migrant farm workers as he discovers a surprising world of stories inside his local library with support from a special librarian.

The Marsh San Francisco announces additional performances of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

Stage plays are meant to entertain and leave the audiences in complete awe. However, only a few would surely engage the audiences to review their morals and examine their convictions. Such is the Broadway musical 'Spring Awakening,' produced for the second time by the Ateneo Blue Repertory (blueREP).

The Greenhouse Theater Center today announced Adam Strauss has postponed his hit one-man show THE MUSHROOM CURE, originally scheduled for April 4 - May 5, 2019. The engagement has been rescheduled for May 9 - June 9, 2019.

Wayne Harris' award-winning, music-infused, spiritual, and uplifting Mother's Milk will return to The Marsh Berkeley. Original songs, traditional blues, and gospel classics come together to underscore an intricate and uplifting narrative on life, death, and the Baptist Church (not to mention the best recipe ever for banana pudding). Set against the background of the civil rights movement, a losing battle with breast cancer, and a slightly inebriated preacher, Mother's Milk tells the story of a young black man finding his way back home.

The Marsh San Francisco adds four free performances of Brian Copeland's The Waiting Period,due to ongoing support from a GoFundMe campaign and generous corporate contributions from The Handlery Hotel Union Square in San Francisco, and Fremont Bank and OSIsoft in San Leandro.

The Marsh San Francisco presents the World Premiere of Who Killed Sylvia Plath, written by award-winning playwright Lynne Kaufman and starring Lorri Holt. Poet Sylvia Plath returns to her burial place in West Yorkshire, England to view the fourth replacement of her tombstone. The previous ones have been defaced by feminists who chiseled off her married name, claiming it was Ted Hughes who caused Sylvia Plath's death. Did Hughes kill Plath? Was her suicide at age 30 a "good career move"? Would she do it again? And what does it say to us today?

This April, The Marsh San Francisco brings Paul Sussman's The Wrong Kind of Pessimism to The Marsh Discovery Series, a showcase for works under development. Humans have traded up their caves, tripled their life spans, written Ulysses, and gone to the moon. And along the way, melted the ice caps, oppressed the crap out of each other, and elected you-know-who. Are humans getting anywhere? From the first gentrification (sorry, Neanderthals) to the secrets of the genome, Sussman takes on (and smacks down) the big questions of progress, faith, and where it all ends in The Wrong Kind of Pessimism. Directed by Kenny Yun, The Wrong Kind of Pessimism will be presented April 27 -May 18, 2019 with performances at 5:00pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($25-$35 sliding scale Thursdays and Fridays; $30-$35 sliding scale Saturdays; $55 and $100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

With its extension run virtually sold out, The Marsh San Francisco announces an additional extension of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, into June 2019. Based on Hoyle's conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds, the show has been greeted with unanimous critical acclaim, earning the highest rating from the San Francisco Chronicle, noting "This is what it is to witness a master of his craft. Dan Hoyle is one of our theatrical gems," and praised the production as "A testament to the core-to-nerve ending commitment and courage" of those living on borders of any kind.