Breeding - - West End Articles Page 17

The Sheen Center for Thought & Culture celebrates Black History Month with three special events featuring and representing some of the preeminent Black writers, artists and activists of our time. Tickets/reservations are available online at SheenCenter.org, by phone at 212-925-2812, or in-person at The Sheen Center box office.  

The Marsh San Francisco presents the World Premiere of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, based on his conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds. Hoyle began work on the show after the election of Trump in November 2016; as the American immigration debate has grown more heated, Hoyle has worked with increased urgency to complete the work and bring it to the stage. Border People, directed and co-developed by Charlie Varon, will be presented January 11 - February 23, 2019 (press opening: January 25) with performances at 8:00pm Thursdays, 8:00pm Todays, and 5:00pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($25-$35 sliding scale Thursdays and Todays; $30-$35 sliding scale Saturdays; $55 and $100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Today, 1pm-4pm).

The Marsh San Francisco announces a one-night-only Marsh benefit performance of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America. "In the current political climate, empathy seems to be a lost commodity. By showing people the world through the eyes of a bullied and lonely little African-American boy, I hope they will develop compassion for the demonized 'other,'" says Copeland. The San Francisco Chronicle described the show as "relentlessly introspective and disarmingly honest, Copeland takes apart the false notion that black masculinity is some monolithic concept, in a way that has continued, unfortunately, to be relevant long after the show's 2004 premiere." Not a Genuine Black Man will play as a Marsh benefit performance for one-night-only at 8:00pm, Thursday, January 10, 2019 at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($30-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh San Francisco adds five free performances of Brian Copeland's The Waiting Period, due to ongoing support from a GoFundMe campaign and generous corporate contributions from Fremont Bank and OSIsoft in San Leandro. This deeply moving and surprisingly funny work outlines Copeland's own struggles with depression and suicidal thought, and is presented at no cost to remove all barriers for those who may be struggling with depression themselves. Featuring humorous, poignant, and riveting insights, the solo show written by Copeland and directed by David Ford, will take place January 6 & 20,  February 3, March 3 & 17, 2019 with performances at 5:30pm, Sundays at The Marsh San Francisco, 1062 Valencia Street. General admission for this performance is free, although reservations are recommended. To reserve tickets or for more information, the public may visit the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh Berkeley announces the extension of That Don Reed Show created by acclaimed comedian/playwright, Theatre Bay Area (TBA) 2018 nominee, and 2016 TBA winner Don Reed. Saturday Night Live said Don was "too white," while the network executive for In Living Color said he wasn't "black enough." So Don created That Don Reed Show-his own sketch variety show-bringing Bay Area audiences an evening of irreverent sketches, edgy stand-up, and music.

The Sheen Center for Thought & Culture has announced its 2019 winter/spring season, a rich program of theater, film, music, poetry, art, and talk events featuring artists and thought leaders including Grammy Award-winning singer-songwriter Mary Chapin Carpenter;Tony Award winner Lena Hall; Grammy Award-winning musician and recording artist Eileen Ivers; Pulitzer Prize and Tony Award nomineeAlexander Gemignani;and journalist and former Wall Street Journal columnist Sohrab Ahmari.

The powerhouse team that made the ever popular Pink Lady brand apple a household name is gearing up to make apple history once again, this time with the variety sold under the brand Cosmic Crisp. Proprietary Variety Management (PVM), noted innovators in produce IP, branding and global management, is in the pilot's seat to navigate a $10 million-plus marketing budget, the largest consumer launch in apple history.

The Marsh San Francisco announces the extension of multi award-winning actor/playwright and Theatre Rhinoceros Artistic Director John Fisher's acclaimed solo show A History of World War II: The D-Day Invasion to the Fall of Berlin. Offering a compendium of facts about WWII from the bungled plot to assassinate Hitler ("A mess!

Professor and war and peace expert Anthony D'Agostino of San Francisco State University will join actor John Fisher for an insightful, free talkback following the 8:30pm, Saturday, December 8 performance of A History of World War II: The D-Day  Invasion to the Fall of Berlin at The Marsh San Francisco. An expert on the history of Russia - including the Russian Revolution, the Cold War, and the history of Europe during the World Wars - guest speaker Professor D'Agostino will bring a unique perspective on the War for Bay Area audience members following the December 8 performance of Fisher's show. A History of World War II: The D-Day Invasion to the Fall of Berlin is currently playing now through December 15, 2018 with performances 8:00pm Thursdays and 8:30pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh San Francisco announces the extension of Why Would I Mispronounce My Own Name?, Irma Herrera's hit solo show weaving history and comedic insights into stories about names, shedding light and throwing shade on societal prejudices and assumptions.

The Marsh San Francisco presents the World Premiere of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, based on his conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds. Hoyle began work on the show after the election of Trump in November 2016; as the American immigration debate has grown more heated, Hoyle has worked with increased urgency to complete the work and bring it to the stage. Border People, directed and co-developed by Charlie Varon, will be presented January 11 - February 23, 2019 (press opening: January 25) with performances at 8:00pm Thursdays, 8:00pm Fridays, and 5:00pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($25-$35 sliding scale Thursdays and Fridays; $30-$35 sliding scale Saturdays; $55 and $100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

Ho ho ho and Fool La La! It's the most wonderful time of the year as the Bay Area's favorite Clown Prince of Fools, Unique Derique, returns to The Marsh San Francisco in this fifth annual zany circus extravaganza for all ages.

Baruch Performing Arts Center (BPAC) presents Penny Arcade's The Faghag & Her Friends in The Summer of Love, a new work in development, December 6-8, 2018, at 7:30 pm. Tickets range from $11 - $46 and can be purchased here. Baruch Performing Arts Center is located at 55 Lexington Ave. (enter 25th Street between 3rd & Lexington Avenues), NYC.  

Broadway In Chicago today announced their plans to honor the late James M. Nederlander, the legendary Broadway theatre owner and producer, patriarch of Broadway and champion of Chicago's Downtown Theatre District, by renaming the Oriental Theatre as the JAMES M. NEDERLANDER THEATRE. 

Multi award-winning actor/playwright and Theatre Rhinoceros Artistic Director John Fisher will take audiences on a whirlwind tour of the past with his acclaimed solo show A History of World War II: The D-Day Invasion to the Fall of Berlin at The Marsh San Francisco. Offering a compendium of facts about WWII from the bungled plot to assassinate Hitler ("A mess! Organized by a bunch of loser bureaucrats!") to the big secret - how the Russians won the war for us ("They did all the work!"), this lauded production also surveys the best books on the topic, as well as the most attractive generals who fought the battles and the hottest actors who played them in the movies. Capturing the Best Actor award from the 2017 United Solo Festival, this highly entertaining work also demonstrates how WWII helped Fisher win boyhood battles with his older brother.  A History of World War II: The D-Day Invasion to the Fall of Berlin  will be presented November 8-December 15, 2018 (press opening: November 17) with performances 8:00pm Todays and 8:30pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh San Francisco presents Irma Herrera's solo show Why Would I Mispronounce My Own Name?, a new work that weaves history and comedic insights into stories about names, shedding light and throwing shade on societal prejudices and assumptions. When giving her name its correct Spanish pronunciation, she often gets the "where are you from?" question. The assumption: that she is a foreigner. Irma's family has been in South Texas for generations, and the award-winning social justice activist, lawyer, and journalist thinks of herself as American as apple pie. Irma's notes from American history and laugh out-loud humor invite audience members to consider what it will take for everyone to get along. Post-show talkbacks, featuring experts in everything from civil liberties to laws related to baby naming, will be offered throughout the run.

Hamill's Pride and Prejudice creates the bridge that connects the nuanced tropes of Austen's 19th-century feminism to the conversations about gender equality happening currently. Westmont's production was a refreshingly fierce look at the symptoms of the gender power imbalance that are still festering in today's culture.

In 1981, Shergar won the Epsom Derby by ten lengths—the longest margin in the race's history. After winning a total of six races, his owner, the Aga Khan IV, chose to syndicate Shergar at Ballymany Stud in Ireland for £10 million, a substantially lower sum than if he had syndicated in the United States. Two years later, just as his second stud season was about to begin, Shergar was stolen from the Ballymany Stud, in County Kildare. The thieves demanded £2 million, what they deemed a reasonable sum given his syndication. The ransom, however, was never paid, the trail was already cold after a lengthy delay in notifying the police, and Shergar was never found. The case, despite speculations from many, remains unsolved.

The Marsh San Francisco presents Irma Herrera's solo show Why Would I Mispronounce My Own Name?, a new work that weaves history and comedic insights into stories about names, shedding light and throwing shade on societal prejudices and assumptions. When giving her name its correct Spanish pronunciation, she often gets the "where are you from?" question. The assumption: that she is a foreigner. Irma's family has been in South Texas for generations, and the award-winning social justice activist, lawyer, and journalist thinks of herself as American as apple pie. Irma's notes from American history and laugh out-loud humor invite audience members to consider what it will take for everyone to get along. Post-show talkbacks, featuring experts in everything from civil liberties to laws related to baby naming, will be offered throughout the run.

Saturday Night Live said Don was "too white," while the network executive for In Living Color said he wasn't "black enough." So Don created That Don Reed Show, his own sketch variety show. Coming to The Marsh Berkeley Cabaret this November, Don brings Bay Area audiences an evening of irreverent sketches, edgy stand-up, short films, and music. That Don Reed Show will be presented November 24-December 23, 2018 with performances 8:30pm Saturdays and 5:30pm Sundays at The Marsh Berkeley Cabaret, 2120 Allston Way, Berkeley. For tickets ($20-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

This November, the family-friendly Bay Area holiday favorite The Jewelry Box returns to The Marsh San Francisco. Performed by Brian Copeland, who has been hailed by the San Francisco Chronicle as "among the Bay Area's most honest, thoughtful and eloquent storytellers," and directed by David Ford, this hilariously heartwarming story follows a young Brian as he heads to the "mean streets" of Oakland to buy his mom a Christmas present. When he finds the perfect gift - a jewelry box in the White Front Department store - six-year-old Brian sets out to earn the required $11.97 by Christmas. Rife with references to 1970s Oakland,

This November, The Marsh San Francisco presents C.W. Nevius' The Oakland Raiders, True Crime & Coming of Age in SF. Thirty-eight years ago, Nevius came to San Francisco from a small newspaper in Colorado Springs, to work at the San Francisco Chronicle. Assigned to cover the Oakland Raiders, Nevius was taken along for the ride of his life to the Super Bowl. He was also involved in covering the story of a shocking sexual assault case at the University of San Francisco, featuring an All-American basketball player. Throughout these experiences, many lessons were learned, many from a crusty, chain-smoking editor from - of all places - Oklahoma. Directed by David Ford and written and performed by Nevius, The Oakland Raiders, True Crime & Coming of Age in SF will be presented November 16-December 15, 2018 (press opening: November 30) with performances 8:00pm Fridays and 8:30pm Saturdays at The Marsh San Francisco Studio, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).