Beg, Borrow, or Steal - 1960 Broadway History , Info & More
Beg, Borrow, or Steal - 1960 - Broadway Articles Page 9
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by Chloe Rabinowitz - May 20, 2026
FRIGID New York will present the 12th annual Queerly Festival at UNDER St. Marks in New York City, featuring in-person and livestream performances themed around queer identity across time.
by Stephi Wild - May 20, 2026
Burning Coal Theatre Company will present WAIT TIL YOU SEE THIS! 2026, featuring three plays in repertory by emerging artists, including works by Roné Sargent, Lucius Robinson, and Liza Birkenmeier, at its Raleigh, NC venue.
by Chloe Rabinowitz - May 19, 2026
The Old Globe is celebrating its 2026 Holiday Season with the 29th annual production of the beloved musical, Dr. Seuss’s How the Grinch Stole Christmas!; the Dickens comedic send-up, Ebenezer Scrooge’s BIG San Diego Christmas Show and more.
by Jennifer Ashley Tepper - May 31, 2026
What is a pro-shot and how is it different than an adapted film? Pro-shot is an abbreviation for professionally shot, denoting a stage play that was captured in its native habitat: a theatre. In general, a pro-shot seeks to film the exact experience that audience members would have at a live performance of the show, in contrast with a feature film which actually adapts the piece into a new form, including different locations, the removal of theatrical aesthetic, and changes to make the script work as a film as opposed to as a live theatrical show.
by Dan Marois - May 18, 2026
Jukebox musicals are practically a summer tradition at the Ogunquit Playhouse. In recent years, we’ve seen everything from Jersey Boys and Million Dollar Quartet to The Cher Show, On Your Feet!-The Story of Emilio and Gloria Estefan, Heartbreak Hotel, Beautiful: The Carole King Musical, and last year’s world premiere of When Elvis Met the Beatles.
by Shelley Dean - May 18, 2026
It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chilling in the best way possible. From the chandelier drop to the monumental set pieces, the show truly lives up to its legendary reputation. The 2026 tour, directed by Harold Prince, serves as a revitalized version of the original production, featuring Maria Björnson’s iconic designs, musical staging, and choreography by Gillian Lynne. It is absolutely ravishing, and Seattle audiences are lining up hours early to witness the spectacle for themselves.
by R. Scott Reedy - May 17, 2026
What did our critic think of JON BATISTE BRINGS HIS MUSICAL GENIUS TO BOSTON POPS at Symphony Hall?
by Andrew Child - May 17, 2026
Puck Bunnies, a musical from the minds of Kyra Brown and Christian Leonard lovingly lampoons the ludicrousness of this love story through heightened impersonations, witty pop culture needle drops, and a boatload of silliness.
by Steve Murray - May 18, 2026
This production is a touch bittersweet – it’s NCTC Founder Ed Decker’s last programed show after passing the baton to new Artistic Director Ben Villegas Randle. His choice to present Hedwig is extremely prescient in a time where sexual identity is being both vilified and explored.
by A.A. Cristi - May 15, 2026
World Stage Theatre Company will present TO KILL A MOCKINGBIRD, Harper Lee's story dramatized by Christopher Sergel, for a limited run in Oklahoma.
by A.A. Cristi - May 15, 2026
San Francisco's newest play festival, PLAY SPACE, will stage four world premiere one-act plays in a single evening at Eclectic Box Theatre, featuring local writers, directors, and performers.
by Stephi Wild - May 15, 2026
The Royal Ballet will present Frederick Ashton's LA FILLE MAL GARDÉE for ten performances at the Royal Opera House, featuring notable debuts and a new wooden automata replacing the production's live pony.
by Josh Sharpe - May 14, 2026
Jordan Fisher is moving from Skid Row to the ballroom for I Won't Dance, a new YA dance-themed romantic comedy starring and executive produced by the Broadway performer.
by Josh Sharpe - May 14, 2026
Reviews are in for Is God Is, Aleshea Harris's new film adaptation of her play starring two-time Tony-winner Kara Young and Mallori Johnson. Find out what critics think of the film in our review roundup.
by Chloe Rabinowitz - May 12, 2026
Yachtley Crew, the seven-piece Yacht Rock band signed to Jimmy Buffett's Mailboat label, will perform at Patchogue Theatre for the Performing Arts on Long Island.
by Natalie O'Donoghue - May 12, 2026
Stephen Webb on touring with The Rocky Horror Picture Show which comes to Glasgow's Pavilion Theatre in June.
by Audrey Liebross - May 12, 2026
The Bent, the Coachella Valley’s LGBTQ+ theatre company, is presenting its first musical, A MAN OF NO IMPORTANCE, written by Terrence McNally (book), Stephen Flaherty (music), and Lynn Ahrens (lyrics). The writers and composer have put together a moving book, lyrics, and score that create a deeply affecting and emotional story, with just enough hilarity to soften the upsetting moments. The brilliant acting, singing, directing, and design make this show a must-see.
by Spencer Glass - May 16, 2026
Actor and coach Spencer Glass guides actors to stop tying their self worth to booking jobs and start building grounded, lasting careers rooted in artistry and self trust.
by Peter Nason - May 10, 2026
Imagine a rustic musical episode of The Waltons merged with The Twilight Zone.
by David Sousa Lopes - May 9, 2026
Verdi’s Nabucco arrived at the Grand Théâtre of Luxembourg in a production that combined vocal force, visual ambition and a striking sense of immersion
by Ayaka Ozaki - May 9, 2026
This stage production is directed by Keiko Miyata, known for her work across a wide range of genres. Drawing on the “Ripley” series, which has inspired numerous screen adaptations over the years, including the 1960 film “Purple Noon (Plein Soleil).'
by Ayaka Ozaki - May 9, 2026
リプリー:数々のジャンルを横断してきた演出家・宮田慶子が手がける舞台作品である。1960年公開の『太陽がいっぱい(原題『Purple Noon/Plein Soleil』)をはじめ、長年にわたり映像化されてきた『リプリー』シリーズを新たな演出で日本初舞台化。
主人公トム・リプリーを演じるのは、映像と舞台の両分野で活動を重ねてきた上田竜也。狡猾で冷酷な一面を持ちながら、人を引き寄せる人物像に挑む。彼と出会い運命を大きく変えていくリチャード・グリーンリーフには木村了。さらに、トムに対して警戒心を見せるマージ・シャーウッドを潤花が、リチャードの友人フレディ・マイルズを板倉武志、イタリアで暮らす少年ファウストを長友郁真が演じる。また、リチャードの両親役として川上麻衣子と鶴見辰吾が出演する。トムとリチャード以外の登場人物を複数の俳優が兼ねるという構成も特徴である。
by Harker Jones - May 7, 2026
This marks the second triumph for co-creator-director-choreographer Scott Thompson, following his sensational “One For My Baby” at the same venue last year.
by Stephi Wild - May 7, 2026
The St. Charles Singers will perform 'Sacred Spaces,' an a cappella program of sacred works at venues in Wheaton and St. Charles, before embarking on a concert tour of Italy, including St. Peter's Basilica.
by Stephi Wild - May 5, 2026
The Muny announced the principal cast for MEET ME IN ST. LOUIS, with Patti Murin, Colin Donnell, Katerina McCrimmon and others joining previously announced Beth Leavel in the production's return to Forest Park.
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