As You Like It - 1923 - Broadway Articles Page 6

'Based on a true incident' seems a phrase best reserved for a hardboiled television detective series, circa 1954 - perhaps followed by a title card reading, 'A Quinn Martin Production' (if you're of a certain vintage, you'll get my meaning) - but in the case of Bright Star, the Tony Award-nominated musical by Steve Martin and Edie Brickell now onstage at Cumberland County Playhouse through June 6, it's definitely fitting.

Oregon Shakespeare Festival (OSF) Incoming Artistic Director Nataki Garrett and Artistic Director Bill Rauch announced the Festival's 2020 playbill today. The season celebrates OSF's ongoing commitment to the work of Shakespeare, imaginative adaptations of beloved classics and illuminating new plays in a Jubilee year that includes two world-premiere American Revolutions commissions for only the second time in the Festival's history.

Theater J, the nation's largest and most prominent Jewish theater, continues its signature Yiddish Theater Lab with readings of two plays in May. The plays are The Rented Bridegroom by Rinne Groff (adapted from a play by Osip Dymov) on May 6 at Foundry Church and Yankl the Blacksmith by David Pinski on May 20 at the Goethe-Institut. These readings follow the first full production of the Yiddish Theater Lab,

It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.

Theatrical Outfit, Atlanta's second-oldest professional theatre, proudly announces its 2019-2020 Season, which also marks the final season under the leadership of Artistic Director Tom Key. The season promises to be a powerful representation of the kind of work Key loves to produce at the theatre's home in the heart of downtown Atlanta:

Launching BoHo Theatre's fifteenth season, Steve Martin and Edie Brickell's BRIGHT STAR is an earnest and charming show that wears its heart proudly on its musical sleeve.

INDECENT is a more than decent as good theatre. I'd see it again if only for the beauty of the production. Performances run through April 14th with tickets available at http://bluebarn.org/tickets/ or by calling 402-345-1576.

Indecent is about the power of theater to dazzle and uplift. Playwright Vogel has discussed plays that make the hair stand up on her neck. That is exactly what Indecent does: makes the hairs stand up on the back of the neck, and we may be at a loss to explain.

Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.

This summer's 16th annual Bard SummerScape festival comprises more than seven weeks of music, opera, theater, dance, film, and cabaret, centered around the 30th anniversary season of the Bard Music Festival, 'Korngold and His World.'

This summer's 16th annual Bard SummerScape festival comprises more than seven weeks of music, opera, theater, dance, film, and cabaret, centered around the 30th anniversary season of the Bard Music Festival, 'Korngold and His World.' This intensive examination of the life and times of Erich Wolfgang Korngold

The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.

The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.

The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.

San Francisco Opera General Director Matthew Shilvock today announced repertory and casting for the Company's 97th Season, opening Friday, September 6, 2019, with a gala performance of Charles Gounod's Romeo and Juliet (Rom o et Juliette) starring tenor Bryan Hymel and soprano Nadine Sierra in Op ra de Monte-Carlo Director Jean-Louis Grinda's production. In keeping with the Company's time-honored tradition, the new season will be inaugurated with San Francisco Opera Guild's elegant, signature benefit and celebration, Opera Ball 2019.

Underground Railway Theater is proud to present Bedlam's Pygmalion by George Bernard Shaw. Bedlam's Pygmalion runs from January 31 - March 3, 2019 and is directed by Bedlam Artistic Director Eric Tucker. The press performance is Monday, February 4 at 7:30PM.

Tony Award nominee Sharon McNight stars as legendary vaudeville entertainer Sophie Tucker, 'the last of the red hot mamas' in 'Red Hot Mama: The Sophie Tucker Songbook,' a bravura performance of one of the great performers of the 20th century.

Every role takes an actor on a journey. For Ben Cherry, the role of Lemml in Paula Vogel's play Indecent has taken him from Broadway to Minneapolis' Guthrie Theatre and, starting this week, to Washington's very-own Arena Stage.

I decided to do our Much Ado with a company of women. It's a playful riposte to the numerous all-male productions of Shakespeare's - and indeed our own - time. And a wonderful opportunity to give women - including skilled, experienced 'older' women - a chance to play this rich range of parts.

For the past several summers, I have attended the Festival of Arts and The Pageant of the Masters in Laguna Beach. But this year, I also decided to also visit two other art festivals along Laguna Canyon Road rather than spend any time cruising the town as I had done before. The full-day of exploring all the artistic delights on display this year at all three locations left me dazzled by all the talent on display, while wishing I had lot of extra income to purchase and bring home many of the awe-inspiring items that caught my fancy. But the real highlight of the day was viewing the abundance of 'local color' on display in this summer's 'Under the Sun' themed Pageant of the Masters.

Following a well-received Sarasota Festival of New Plays this past spring, Florida Studio Theatre (FST) announces an addition to its New Play Development program. Three new works will be staged throughout the month of August featuring some of the latest work by George Brant, Barry Harman and Keith Herrmann, and Sandy Rustin. "Good comedies with exciting stories are hard to find and we have found three well-crafted tales from various eras, points of view, and comedic angles," shared FST Associate Artist Catherine Randazzo. Talkbacks will follow each reading, giving audiences the chance to engage with each piece more deeply, while also giving playwrights valuable feedback. These readings are free and open to the public, though reservations are required.

Nadim Naaman is best known for playing Raoul in The Phantom of the Opera in the West End, though he has also appeared in shows like Sweeney Todd, Titanic and Chess. He has released a solo album, Sides, and has just co-written his first musical with Qatari composer Dana Al Farden. Broken Wings is based on a poetic novel by Khalil Gibran about forbidden love, gender equality and religion in 1912 Lebanon.

Lantern Theater Company concludes its record-smashing 2017/18 season with the regional premiere of Don't Dress for Dinner by French playwright Marc Camoletti. Lantern Resident Director Kathryn MacMillan will direct a cast that includes some of Philadelphia's finest comedic actors: Chris Anthony, Jessica Bedford, Marc LeVasseur, Lee Minora, Karen Peakes, and William Zielinski. Theater critics and members of the press are invited to request tickets for opening night on Wednesday, May 30 at 7 p.m. by contacting Anne Shuff at ashuff@lanterntheater.org. Performances run Thursday, May 24 through Sunday, June 24, 2018; a full schedule is included in the fact sheet below.

Goodman Theatre revives Having Our Say: The Delany Sisters' First 100 Years, Emily Mann's 'warming theatrical event' (Variety)that celebrates the lives of 'two strong, vibrant women dispensing joy and wisdom' (Chicago Tribune). Goodman Theatre Resident Director Chuck Smith's production features Ella Joyce and Marie Thomas as the Delany centenarians, Bessie (1891 - 1995) and Sadie (1889 -1999), respectively, as they trace their lives in a heartfelt reflection of their family history and triumphs over prejudices in times of social unrest.