Batter Up: A Review of “A Soldier’s Play” at Broadway in Chicago
8 / 10
When “A Soldier’s Play” was first staged in the 1980s, playwright Charles Fuller took heat for highlighting how racism-at-large infected relations among his Black characters. Some critics charged that the play perpetuated stereotypes that needed burying. Fuller argued that all communities suffer from a wide range of emotions and behaviors and that his characters also lived in a context where the dynamics of hate, self-hatred and resistance demanded exploration. Four decades later, with the help of a strong production and fantastic cast, Fuller (who died last year) seems on firmer ground than ever. This is a story about Black soldiers in a certain time and place, but the issues for Blacks and whites still manifest. The ousting of two African American legislators from the Tennessee Statehouse was unfolding the night I saw this show. Black people certainly are not the only ones who must mediate complicated power relations that can work against what others might see as common cause. Kindred stories can be told of prisoners, refugees, concentration camp populations and many others. Indeed, “A Soldier’s Play,” is adapted, in part, from Herman Melville’s unfinished classic “Billy Budd,” set in the class-riven British Navy of the eighteenth century. “A Soldier’s Play” has a depth all its own, however.
