A Language of Their Own - 1995 - Off-Broadway Articles Page 7

Sophisticated Sephardi Sounds at 2nd American Sephardi Music Festival Featuring Yemen Blues, Laura Bello, NY Andalus Ensemble, and Renowned Turkish Pianist Renan Koen!

This October, 1,000 singers from across New York City's five boroughs will come together on the High Line for the premiere performances of The Mile-Long Opera: a biography of 7 o'clock. Due to overwhelming demand for tickets to the previously announced performances (October 3-7), an encore performance will be added on October 8.Tickets for this additional night will be made available first to members of the public currently on the waitlist, on a first come, first served basis, beginning Thursday, September 27, at noon. Those interested in accessing these tickets may join the waitlist at milelongopera.com. Tickets for The Mile-Long Opera are free, but advance registration is required. A standby line will open 30 minutes prior to the 7:00pm time slot on all performance dates.

Lantern Theater Company kicks off its 2018/19 season with the regional premiere of Hapgood by Tom Stoppard. Longtime Lantern artistic collaborator Peter DeLaurier will direct a cast that includes McKenna Kerrigan as MI5 spymaster Elizabeth Hapgood, with Damon Bonetti, Kirk Wendell Brown, Trevor William Fayle, Christopher Patrick Mullen, Adam Phelan, David Pica, William Zielinski, and young actors Charles LaMonaca and Will Zielinski, who will share the role of Hapgood's son Joe. Theater critics and members of the press are invited to request tickets for opening night on Wednesday, September 12 at 7 p.m. by contacting Anne Shuff at ashuff@lanterntheater.org. Performances run Thursday, September 6 through Sunday, October 14, 2018; a full schedule of performances and related special events is included in the fact sheet below.

From October 6 to 27 at the Upper East Side's Bohemian National Hall and Jan Hus Church, GOH Productions will present a Centennial Heritage Festival, featuring mainstage marionette theater productions for adults and kids and musical concerts for audiences of all ages. The festival celebrates two auspicious anniversaries: the Centennial Anniversary of the founding of Czechoslovakia (1918) and the Millennial Anniversary of the unification of the Lands of the Czech Crown, under Duke Oldrich (1018).

Jacob's Pillow announces the second season of residencies offered through the Pillow Lab, a year-round incubator of new work that encompasses a robust series of customized artist residencies. Built from the Jacob's Pillow mission as an integral component of Vision '22-the organization's five-year strategic plan which drives the Pillow's transition into a year-round institution-the Pillow Lab strengthens the artistic core of Jacob's Pillow by increasing resources that nurture the process of choreography and proactively investing in the development of new work.

"A Tempo, Il Soldato & Friends" global benefit tour will make a special stop in Raleigh for a memorable evening in support of the Columbus Children Foundation. Proceeds from the Nov. 7 concert will benefit the organization's mission to advance effective therapies to help children suffering from ultra-rare and life-threatening neurodegenerative diseases.

Theater Resources Unlimited (TRU) announces How To Write a Musical That Works feedback workshop #3: Reckoning and Resolution onSunday, August 5, 2018 from 10am-6pm at Studios 150, 150 W. 46th Street, 7th floor Studio 7.5. Submission deadline is extended to July 27, 2018.

A screen door allows circulation-of air, light, conversation. It is a porous boundary, used to mark the transition between inside and out, the personal and public. In the South and beyond, the screen door, like the porch, is a social mediator. It exposes the home to the neighborhood, while still maintaining a veil of privacy. In summer's heavy heat, it is of the utmost importance. The four painters in this exhibition have set up a screen, a scrim, a partition in their paintings that allows them to operate within the exterior, coaxing out the mercurial habits of painting behind a seemingly sound surface.

A screen door allows circulation-of air, light, conversation. It is a porous boundary, used to mark the transition between inside and out, the personal and public. In the South and beyond, the screen door, like the porch, is a social mediator. It exposes the home to the neighborhood, while still maintaining a veil of privacy. In summer's heavy heat, it is of the utmost importance. The four painters in this exhibition have set up a screen, a scrim, a partition in their paintings that allows them to operate within the exterior, coaxing out the mercurial habits of painting behind a seemingly sound surface.

The Peace Center has added five dance events to the schedule:

The City Parks Foundation SummerStage Concert Series presents over 100 shows in all 5 NYC Boroughs throughout the Summer. The best part? Almost every show is free and curated specifically for the neighborhood it's presented in. Throughout July, can't miss shows from Latin artists like Gabriel Garzón Montano, Jorge Drexler, Systema Solar, Tito Rojas, Charlie Aponte and more will be hitting stages across the city. 

Irondale is proud to present the New York premiere of Sea of Common Catastrophe, a surreal multimedia theater work that grapples with complicity in the face of rapid urban change. Designed and directed by Jeff Becker, who leads a team of fellow New Orleans-based artists, Sea of Common Catastrophe follows three long-time residents of a tiny seaside town whose lives are uprooted when a compelling stranger arrives. Inspired by a passage from Gabriel Garcia Marquez's novella Sea of Lost Time-where a town drowns on a Sunday afternoon but persists, submerged, in its daily life, as if the deluge had never occurred-Sea of Common Catastrophe uses spectacular lighting and video, live music, and an innovative two-story set to evoke a changing landscape of upscale living and chic restaurants that suddenly transforms into a magical sunken world.

The Drilling Company, Hamilton Clancy Artistic Director, will present 'Hamlet,' directed by Karla Hendrick and starring Jane Bradley, for its 2018 Shakespeare in the Parking Lot production. This popular New York summer institution is now in its 24th year. Its concept--presenting Shakespeare plays with a 'poor theater' aesthetic in a working parking lot--is now widely imitated around the US and around the world, with productions as far away as New Zealand.

Lantern Theater Company concludes its record-smashing 2017/18 season with the regional premiere of Don't Dress for Dinner by French playwright Marc Camoletti. Lantern Resident Director Kathryn MacMillan will direct a cast that includes some of Philadelphia's finest comedic actors: Chris Anthony, Jessica Bedford, Marc LeVasseur, Lee Minora, Karen Peakes, and William Zielinski. Theater critics and members of the press are invited to request tickets for opening night on Wednesday, May 30 at 7 p.m. by contacting Anne Shuff at ashuff@lanterntheater.org. Performances run Thursday, May 24 through Sunday, June 24, 2018; a full schedule is included in the fact sheet below.

Theatrical Outfit, Atlanta's second-oldest continuously-operating professional theatre, proudly announces its dynamic 2018-2019 Season of Beauty, which includes: The Book of Will, America's most-produced living playwright and Georgia native Lauren Gunderson's love letter to theatre's timeless superstar, Will Shakespeare; The Royale, Marco Ramirez's stylized, blazingly theatrical look at the high stakes, segregated world of boxing at the turn of the twentieth century based on the true story of fighter Jack Johnson; the return of our sparkling holiday smash hit Miss Bennet: Christmas at Pemberley by Lauren Gunderson and Margot Melcon; Lee Hall's The Pitmen Painters, a humorous tale of character over class in the British mining community and high society art circles set between the World Wars; I Love to Eat, Pulitzer Prize nominee James Still's salty culinary voyage around the world of love, life, and comfort food starring Atlanta stage vet William S. Murphey as celebrity chef James Beard; Five Guys Named Moe, an exuberant musical overflowing with hit songs by R&B pioneer Louis Jordan; the return of our Unexpected Play Festival; and a jazz concert series from renowned trumpeter and vocalist Joe Gransden with special guest singers. Our 2018-2019 Season of Beauty, featuring five plays, one musical, and special events, offers something for everyone.

Irondale is proud to present the New York premiere of Sea of Common Catastrophe, a surreal multimedia theater work that grapples with complicity in the face of rapid urban change. Designed and directed by Jeff Becker, who leads a team of fellow New Orleans-based artists, Sea of Common Catastrophe follows three long-time residents of a tiny seaside town whose lives are uprooted when a compelling stranger arrives. Inspired by a passage from Gabriel Garc?i?a Ma?rquez's novella Sea of Lost Time-where a town drowns on a Sunday afternoon but persists, submerged, in its daily life, as if the deluge had never occurred-Sea of Common Catastrophe uses spectacular lighting and video, live music, and an innovative two-story set to evoke a changing landscape of upscale living and chic restaurants that suddenly transforms into a magical sunken world.

The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.

Ars Nova is pleased to announce the line-up for its 11th Annual ANT Fest (June 4-28), four non-stop, throw-down weeks of live entertainment mayhem, featuring fresh material from the next wave of dynamic, indie-theater makers. Tickets go on sale today for this festival of new indie theater/music/comedy featuring all new talent, all the time.

American Conservatory Theater (A.C.T.)Conservatory Director Melissa Smith announced today that honorary Master of Fine Arts degrees will be conferred on A.C.T. Artistic Director Carey Perloff, as well as acclaimed actors, directors, and teaching artists Steven Anthony Jones and Gregory Wallace. Perloff, Jones, and Wallace will receive their degrees at the graduation ceremony for the A.C.T. Master of Fine Arts Program class of 2018 on Monday, May 21 at 11 a.m. at A.C.T.'s Geary Theater (415 Geary Street, San Francisco).

Born and raised in Rome, Roberto Campanella trained at the Scuola Italiana di Danza Contemporanea. In 1985, Roberto joined the Compagnia Italiana di Danza Contemporanea and later joined the prestigious Aterballetto. In 1993 he joined The National Ballet of Canada, where he was soon promoted to soloist and was cast in many classical and contemporary roles.

The Segal Centre for Performing Arts announced today an exquisite lineup of programming for its 2018-2019 season and a new name for its mainstage theatre.

The Kitchen, founded in 1971, has continued to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines. In today's landscape, where contemporary artists and arts institutions are collaborating in new ways and generating new contexts for the continuing evolution of multi-disciplinary art, The Kitchen, as a nimble, smaller-scale organization, plays an especially vital role. It provides emerging and established artists a hot-house environment for the presentation and discussion of their work, supporting and seeking to foster a vibrant, living dialogue among artists from every field and area of culture. Engaging both The Kitchen veterans and newcomers who challenge the given formations of art and politics, lifestyle and social structures, the Spring 2018 (March 28-July 27) season probes everything from the police state to the racial imaginary to self-construction and identity, utilizing the flexibility of the institution's spaces for art that itself eludes definition. 

Today's subjects, Bill Largess and Ann Norton, are living their theatre lives as the Artistic Director and Executive Director of one of the gems in our local theatre scene.