A Never Ending Line 2017 - Articles Page 5

Opened: August 3, 2017
Closing: September 17, 2017

A Never Ending Line - 2017 - Off-Broadway History , Info & More

Inspired by his upbringing in a strong matriarchy, Lozano conceived the show as a tribute to the women in his life. The songs, performed by a company of four (Kat Blackwood, Florencia Cuenca, Emily Esposito and Erica Wilpon) explore the unique challenges women face in society today on the journey to find happiness, love, and meaning in their lives. The themes of acceptance, hope, and friendship are universal reminders that no matter who we are or where we come from, our lives are all connected through the shared experience of womanhood.


A Never Ending Line - 2017 - Off-Broadway Cast

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A Never Ending Line - 2017 - Off-Broadway Articles Page 5

New Conservatory Theatre Center Announces 2018-2019 Season
by A.A. Cristi - Mar 27, 2018


New Conservatory Theatre Center Founder & Artistic Director Ed Decker announced the line-up for NCTC's 2018-19 subscription season last night at NCTC's annual Season Announcement Party for subscribers, donors and artists.

DOWN THE RABBIT HOLE LIVE: ZAC BROWN BAND 2018 Tour Coming To Hersheypark Stadium
by Julie Musbach - Jan 12, 2018


Zac Brown Band will be returning to Hersheypark Stadium on Friday, June 22, 2018, with their new Down The Rabbit Hole Live: Zac Brown Band 2018 Tour.

Full Casting Announced For The World Premiere Of Howard Brenton's THE SHADOW FACTORY
by Stephi Wild - Jan 5, 2018


Director of Nuffield Southampton Theatres, Samuel Hodges, today announces the full cast for the company's inaugural production at NST City the world premi re of Howard Brenton's The Shadow Factory, which Hodges directs. Veteran of stage and screen Anita Dobson joins the cast as Lady Cooper/Ma (Wicked, Apollo Victoria Theatre; The Merry Wives of Windsor, RSC; Frozen, National Theatre) along with Shala Nyx who plays Polly. Dobson, known for playing the iconic role of Angie Watts in EastEnders, and Nyx join David Birrell (Fred/Hugh), Catherine Cusack (Lil/Sylvia), Lorna Fitzgerald (Jackie Dimmock), Hilton McRae (Lord Beaverbrook) and Daniel York (Len Gooch) to complete the company. The Shadow Factory opens on 15 February, with previews from 7 February, and runs until 3 March.

The Public Theater's UNDER THE RADAR 2018 Begins Today
by BWW News Desk - Jan 4, 2018


The Public Theater announced the exciting national and international line-up today for the 14th annual UNDER THE RADAR FESTIVAL, running January 4-15, 2018.

California Pops Welcomes the New Year With Broadway Meets Hollywood
by Stephi Wild - Dec 30, 2017


California Pops Orchestra, the country's only all-request pops orchestra, greets the New Year with songs spanning the Great White Way and the Silver Screen in Broadway Meets Hollywood at Cupertino's Flint Center. Packed full of songs from Tony and Oscar Award winners, Broadway Meets Hollywood performs one time only on Sunday, January 28, 2018, at 3 p.m. For tickets ($20-$55, standard ticket service fees apply), the public can visit www.ticketmaster.com or call (650) 856-8432.

Review Roundup: Did Critics Roar For The Rock & Kevin Hart-Led JUMANJI: WELCOME TO THE JUNGLE?
by Emily Bruno - Dec 19, 2017


For two decades it went untouched. But the game always finds a way. JUMANJI: WELCOME TO THE JUNGLE hits theaters tomorrow December 20th. See what critics have to say about the film below!

BWW Review: THE DROWSY CHAPERONE A Delightfully Near Perfect Musical Treat
by Frank Benge - Dec 8, 2017


THE DROWSY CHAPERONE is a parody of 20's musicals with a book by Bob Martin and Don McKellar and music and lyrics by Lisa Lambert and Greg Morrison. It is a show within a show told by a middle-aged, asocial Broadway musical fan, known only as Man in Chair (Scott Shipman). Seeking to cure his 'non-specific sadness', he listens to a rare recording of the fictitious 1928 musical comedy, The Drowsy Chaperone. As he listens to this cast recording, the characters appear in his crowded, tiny apartment, and it is transformed into an impressive Broadway set with footlights, period furniture, painted backdrops, shiny drapes and glitzy costumes. Man in Chair provides a running commentary throughout the show from the stage, and although he is onstage with the characters, he is invisible to the players. THE DROWSY CHAPERONE debuted in 1998 in Toronto and opened on Broadway in 2006. The show won five Tony Awards and seven Drama Desk Awards. It is a loving valentine to a time when shows had only the barest of plots serving to showcase the songs.

Casting Announced for the World Premiere of Howard Brenton's THE SHADOW FACTORY
by Stephi Wild - Dec 7, 2017


Director of Nuffield Southampton Theatres, Samuel Hodges, today announces casting for the theatres inaugural production at NST City the world premi re of Howard Brenton's The Shadow Factory. Hodges directs David Birrell (Fred/Hugh), Catherine Cusack (Lil/Sylvia), Lorna Fitzgerald (Jackie Dimmock), Hilton McRae (Lord Beaverbrook) and Daniel York (Len Gooch). Further casting to be announced. The Shadow Factory opens on 15 February, with previews from 7 February, and runs until 3 March.

WICKED Day-of-Show Drawing to Return to Windy City
by BWW News Desk - Dec 4, 2017


Broadway In Chicago has announced that a WICKED day-of-show drawing for a limited number of seats will take place inside Block 37.

Review Roundup: Critics Weigh In on Uma Thurman, Phillipa Soo, and More in THE PARISIAN WOMAN
by A.A. Cristi - Nov 30, 2017


The Parisian Woman, the electrifying new play by 'House of Cards' creator Beau Willimon, directed by Tony Award winner Pam MacKinnon (Who's Afraid of Virginia Woolf?, Clybourne Park), starring Academy Award nominee Uma Thurman in her Broadway debut, opens on Broadway tonight!

#HEARHERE 2018 Season Announced at AT&T Performing Arts Center
by A.A. Cristi - Nov 27, 2017


The nonprofit AT&T Performing Arts Center announced the 2018 season of its distinctive speakers series #hearhere. From poetry to performance and beyond with #hearhere you'll experience the radical imaginations, passion, humor and knowledge of iconic personalities who shape the way we experience our world and each other.

BWW Interview: Insights with Director David McMahon on his 1960's version of THE TAMING OF THE SHREW at Virginia Samford Theatre
by David Edward Perry - Nov 24, 2017


If ever there was a time to challenge the ugly face of male chauvinism, it is now. Lets be honest, dating is rough these days. Courting in 2017 is far more complicated when compared to those in the 1500's. In today world, a line of cleverly arranged emoji's has replaced a heartfelt, handwritten sonnet composed on rose scented parchment paper. The thrilling anticipation once found from seeing a suitors initials imprinted over a wax seal is now applied to receiving a text message of 'WYD?' Complexities found in matching personalities are still a difficult factor in any relationship. William Shakespeare's 'The Taming of the Shrew' is one of the notable vintage comedy tropes about the fella trying to get the girl. But like wine, some comedy flavor becomes bitter with time. The core of 'The Taming of the Shrew' holds a tone of accepted abuse and manipulation of women. The comedy structure of an arrogant wealthy man psychologically berating a woman into submission was in the past seen as a blueprint of male behavior. Thankfully, now it is viewed as a reminder of chauvinistic dynamics in society that must be challenged.

New York Composer Adam Overett Returns to Paris to Present MY LIFE IS A MUSICAL in Concert Tonight
by Stephi Wild - Nov 14, 2017


Don't miss My Life is a Musical at the Com die Nation TONIGHT (Tuesday November 14th) at 19h30 and Friday November 17th at 21h. Fresh off of his success with The Double-Threat Trio, created in Paris July 2017, Broadway au Carr welcomes back to France one of New York musical theatre's rising stars: Adam Overett. The composer will be presenting, for the first time in Europe, his work 'My Life is a Musical'.

CircusFest 2018 Slates Spring Lineup at The Roundhouse
by BWW News Desk - Nov 13, 2017


In the 250th anniversary year of the invention of modern circus, the Roundhouse's CircusFest 2018 focuses on the future of circus: daring and diverse, punky and poetic, subversive and socially aware. From the spectacular to the intimate, the festival showcases the point where circus collides with theatre, dance, live art, film and even virtual reality.

BWW Review: Spellbinding, Soul Searching Priestly Thriller at Good Theater
by Carla Maria Verdino-Süllwold - Nov 6, 2017


The sold out house in Portland's Good Theater sat riveted in their seats throughout as the tense, soul-searching drama of J. B. Priestly's An Inspector Calls as its twists and hairpin turns, its emotional revelations and its jarring ending played itself out with a combination of subtlety and punch. Director Brian P. Allen, his cast and creative team have created a mesmerizing theatrical experience that does complete justice to Priestly's passionate and ever-relevant 1945 play.

Review Roundup: Do Laurie Metcalf, Saoirse Ronan & Company Soar in LADY BIRD?
by Emily Bruno - Nov 2, 2017


From writer/director Greta Gerwig comes LADY BIRD, in theaters November 10th. The all-star cast includes Broadway vets Saoirse Ronan (THE CRUCIBLE), Laurie Metcalf (A DOLL'S HOUSE PART 2, MISERY), Tracy Letts (WHO'S AFRAID OF VIRGINIA WOOLF?) The film also stars Lucas Hedges (YEN), Timoth e Chalamet, Beanie Feldstein (HELLO, DOLLY!), Stephen McKinley Henderson and Lois Smith.

The Second City Slates 2017 John Candy Box Series
by BWW News Desk - Nov 2, 2017


The Second City Toronto has announced The John Candy Box Series, a new initiative recognizing outstanding work in Toronto's comedy community, running November 2 - 12, 2017.

The Public Theater Announces Lineup for UNDER THE RADAR 2018
by BWW News Desk - Oct 31, 2017


The Public Theater announced the exciting national and international line-up today for the 14th annual UNDER THE RADAR FESTIVAL, running January 4-15, 2018.

BWW Review: THE LITTLE FOXES at Palm Beach Dramaworks
by John Lariviere - Oct 30, 2017


Palm Beach Dramaworks presents Lillian Hellman's The Little Foxes. Considered by many to be Hellman's masterpiece, this classic play about greed and the path of destruction it leaves in it's wake is as timely now as when it was written in 1939.

Review Roundup: Did Critics Salute THANK YOU FOR YOUR SERVICE?
by Emily Bruno - Oct 26, 2017


DreamWorks Pictures' Thank You for Your Service follows a group of U.S. soldiers returning from Iraq who struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they've left the battlefield.

BWW Interview: UCF's Kyle Laing on OF THEE I SING
by Kimberly Moy - Oct 23, 2017


UCF Senior Kyle Laing recently appeared in Theatre UCF's OF THEE I SING. We had a moment to chat with Kyle and his experience at UCF.

Review Roundup: Andrew Garfield Stars in True Love Story BREATHE
by Emily Bruno - Oct 13, 2017


An inspiring true story of love, courage, and determination in the face of harrowing fortunes, the directorial debut of British actor Andy Serkis stars Oscar nominee Andrew Garfield as Robin Cavendish, the activist and innovator who helped make the world a more navigable place for the disabled.

FEARnyc Horror Film Festival Announces Most Terrfying Line-Up
by Caryn Robbins - Oct 13, 2017


FEARnyc, New York City's most terrifying horror film festival, has announced the lineup for the 2017 festival. Sponsored by Bloody Disgusting and Dread Central, FEARnyc will be held October 27-29, 2017 at The Producer's Club Sonnet Theater in Times Square.

The Second City Slates 2017 John Candy Box Series
by BWW News Desk - Oct 4, 2017


The Second City Toronto has announced The John Candy Box Series, a new initiative recognizing outstanding work in Toronto's comedy community, running November 2 - 12, 2017.

Interview: Soprano Erin Wall Prepares for COC's ARABELLA
by Taylor Long - Sep 29, 2017


Soprano Erin Wall is one busy woman. Luckily, the talented (and funny!) singer had some time to sit down with BroadwayWorld's Taylor Long to talk about singing, joke about her composer boyfriends, and share some of the preparation involved in mounting a large-scale opera like ARABELLA.

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