Ibsen's A Doll's House adapted by Thornton Wilder, which premiered on Broadway in 1937, plays alongside August Strindberg's The Father, in a new version in English by Scottish author David Greig (Strindberg's Creditors at BAM) commissioned by TFANA. Writing The Father in response to A Doll’s House, Strindberg offers his own startling vision of marriage and the battle of the sexes.
Pittsburgh Public Theater is honored to welcome back Ted Pappas to direct Lucas Hnath's Broadway hit, A Doll's House, Part, 2. Ted was The Public's leader for 18 years before retiring last fall.
The Case Western Reserve University/Cleveland Play House MFA Acting Program is proud to present Noel Coward's classic comedy Hay Fever. This madcap play about a weekend with the eccentric Bliss family will star the MFA Class of 2020 and a guest performer. Director Jerrold Scott's production will take the audience back to the 1920's and remind them of the joy of life and fear of boredom. The show will run from February 27th-March 9th in Helen Theatre at Playhouse Square.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.
American Repertory Theater (A.R.T.) at Harvard University announces February and March 2019 programming at OBERON, its club-style theater space for cutting-edge performance and a thriving incubator for local and emerging artists. Upcoming events include A.R.T Breakout, Live @ OBERON, and Afterglow @ OBERON series, A.R.T. presentations, and independently produced events.
The Citizens Theatre has announced the cast and creative team for Nora: A Doll's House, a bold adaptation of Ibsen's classic text by Stef Smith.
2017 Broadway smash-hit A Doll's House, Part 2 is set to hit Aurora Theatre's mainstage from January 10 - February 10. Based on the characters of the Henrik Ibsen classic play, this follow-up story imagines what would happen if Nora Helmer returned home, 15 years after she slams the door on her husband and family. Audiences don't need to be familiar with the original story to enjoy this "Part 2," as playwright Lucas Hnath juxtaposes contemporary and classic sensibilities to create a thought-provoking and sharp-witted comedy.
Steppenwolf Theatre Company presents the world premiere production of La Ruta by acclaimed Chicago playwright Isaac Gomez, directed by ensemble member Sandra Marquez and featuring ensemble member Karen Rodriguez along with an eight-member all female Latinx cast. Inspired by the lives of Mexican women who live, work-and disappear-along a Ciudad Juarez bus route, La Ruta weaves live music through a story of resilience in the wake of loss.
Bid to win 2 tickets to Harry Potter and the Cursed Child plus a cast meet & greet hosted by Angela Reed!
One year after the sold-out run of Asking For It, playwright Ellie Moon returns to Crow's Theatre with her sophomore play What I call her, directed by Sarah Kitz (winner of Crow's Theatre's 2017 RBC Emerging Director Prize).
One year after the sold-out run of Asking For It, playwright Ellie Moon returns to Crow's Theatre with her sophomore play What I call her, directed by Sarah Kitz (winner of Crow's Theatre's 2017 RBC Emerging Director Prize).
One year after the sold-out run of Asking For It, playwright Ellie Moon returns to Crow's Theatre with her sophomore play What I call her, directed by Sarah Kitz (winner of Crow's Theatre's 2017 RBC Emerging Director Prize).
This December, Steppenwolf Theatre Company is proud to present the world premiere production of La Ruta by acclaimed Chicago playwright Isaac Gomez, directed by ensemble member Sandra Marquez. Featuring ensemble member Karen Rodriguez along with an eight-member all female Latinx cast, La Ruta is inspired by the lives of Mexican women who live, work-and disappear-along a Ciudad Juarez bus route. La Ruta weaves live music through a story of resilience in the wake of loss.
The House Theatre of Chicago brings back the hit holiday production with its annual engagement of The Nutcracker, an all-original, ballet-free and family-friendly production playing at The Chopin Theatre upstairs theatre, 1543 W. Division, November 8 - December 30.
Stage West presents the regional premiere of Lucas Hnath's A Doll's House, Part 2.
The House Theatre of Chicago brings back the hit holiday production with its annual engagement of The Nutcracker, an all-original, ballet-free and family-friendly production playing at The Chopin Theatre upstairs theatre, 1543 W. Division, November 8 - December 30. Company Members Jake Minton, Phillip Klapperich, Kevin O'Donnell and Tommy Rapley created the adaptation based on E.T.A. Hoffmann's story with original direction and choreography by Tommy Rapley. Previews take place Thursdays, November 8 and 15, Friday, Nov. 10 and Saturday, Nov. 11 at 7 p.m. and Sunday, Nov. 9 at 6 p.m. The press opening is Friday, Nov. 16 at 7:30 p.m. The regular performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 p.m. and 7:30 p.m., and Sundays at 2 p.m. with an added Sunday 6 p.m. performance on December 9, 16 and 23. Note: There are no performances on Nov. 9 or 17 and there are additional added performances on Friday, Nov. 23 at 3 p.m., and Wednesday, Dec. 19.
WaterTower Theatre Artistic Director Joanie Schultz announced today the naming of "The Terry Martin Main Stage." The dedication ceremony is set for Opening Night of the company's first show of the 2018-2019 Season, A Doll's House.
Hampstead Theatre announces a new version of Anton Chekhov's Uncle Vanya by Terry Johnson and casting for the world premiere of The Hoes.
A Doll's House, Part 2 continues The Repertory Theatre of St. Louis' Mainstage season, October 10 - November 4. Written by Lucas Hnath and directed by Timothy Near, it's a period comedy with a modern attitude.
Classical Theatre Company returns to the great Arthur Conan Doyle for the first time since the 2014-15 season's smash hit, The Speckled Band: An Adventure of Sherlock Holmes. Engaged to reprise their roles as the detective and Dr. Watson are CTC Executive Artistic Director John Johnston and CTC company artist Andrew Love. "I've been in many plays over my career, but I've never had the chance to play the same character in different plays," says Love. "I'm really looking forward to this challenge."
The Public Theater announces complete for the New York premiere of MOTHER OF THE MAID, written by Emmy Award winner Jane Anderson.
Actors' Equity Association has announced that Once on This Island will receive the eleventh annual Extraordinary Excellence in Diversity on Broadway Award for the 2017-2018 season. Presented by Equity's National Equal Employment Opportunity Committee, the Extraordinary Excellence in Diversity on Broadway Award honors shows that exemplify and promote the union's founding principles of diversity, inclusion, non-traditional casting and equal opportunity for all who work in the theatre.
With Holy Sh!t - the inaugural production in the newly refurbished theatre - in rehearsals, Artistic Director Indhu Rubasingham today announces the full cast for the world premiere of Stephen Sharkey's adaptation of Zadie Smith's White Teeth - Ayesha Antoine (Irie Jones), Michele Austin (Mad Mary), Philip Bird (Des/Marc Perret/Marcus Chalfen), Ayesha Dharker (Alsana Iqbal), Naomi Frederick (Ruth/Poppy/Joyce Chalfen), Tony Jayawardena (Samad Iqbal), Richard Lumsden (Archie Jones), Karl Queensborough (Anthony /Denise/Josh Chalfen), Sid Sagar (Magid Iqbal), Amanda Wilkin (Rosie Jones), Assad Zaman (Millat Iqbal), and actor-musicians Matthew Churcher, Nenda Neurer (also Clara Jones) and Zoe West. The production opens on 5 November, with previews from 26 October, and runs until 22 December.
Kicking off with two shows in September, Artists Rep's 2018/19 season features seven compelling contemporary plays in their subscription series, plus two bonus shows. These plays are highly entertaining theatrical experiences, written by some of the nation's most acclaimed playwrights.
Westport Country Playhouse will stage the recent Off-Broadway hit, "The Understudy," a backstage comedy about a Hollywood action star rehearsing for a role on Broadway amid tensions with his understudy.
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