The Menier Chocolate Factory today announces a major revival of David Hare's The Bay at Nice. Richard Eyre directs Martin Hutson, Ophelia Lovibond, David Rintoul and Penelope Wilton. The production opens on 19 March, with previews from 14 March, and runs until 4 May. Tickets go on sale to supporters of the Menier on 21 January, with public booking opening at 9am on 28 January.
I have been a huge fan of both Wil Love and Carl Schurr for many years. They are currently both performing in Everyman Theatre's THE IMPORTANCE OF BEING EARNEST which ends its run Dec. 30, 2018. They have become two patriarchs of the Baltimore theatre scene. Since their meeting at Center Stage in 1971, they have performed, produced, and adapted hundreds of performances both regionally and nationally. Now in their 10th year as Resident Company Members at Everyman Theatre, Wil and Carl have plenty of war stories and advice to share. I connected with these two venerable performances to learn more about their story.
Already in previews at the Audrey Skirball Kenis Theater of the Geffen Playhouse, HUGHIE & KRAPP'S LAST TAPE (by Eugene O'Neill & Samuel Beckett, respectively), a double bill starring Brian Dennehy, will open November 14, 2018. I had the chance to chat with director Steven Robman, a frequent collaborator of Brian, as he was driving to a mid-day appointment.
San Francisco's 42nd Street Moon (Daren A.C. Carollo and Daniel Thomas, Co-Executive Directors) has announced the full cast and creative team for the opening production of its 2018-2019 season, THE BEST LITTLE WHOREHOUSE IN TEXAS (nominated for seven Tony Awards). THE BEST LITTLE WHOREHOUSE IN TEXAS features a book by Larry L. King and Peter Masterson, and music and lyrics by Carol Hall. 42nd Street Moon's production runs from October 3 - 21, 2018 and will perform at San Francisco's Gateway Theatre (formerly the Eureka Theatre). The press opening will take place on Saturday, October 6 at 6:00 p.m. Tickets range from $30 - $75 and can be purchased through the Box Office at (415) 255-8207 or online at www.42ndstmoon.org.
San Francisco's 42nd Street Moon (Daren A.C. Carollo and Daniel Thomas, Co-Executive Directors) has announced the full cast and creative team for the opening production of its 2018-2019 season, THE BEST LITTLE WHOREHOUSE IN TEXAS (nominated for seven Tony Awards).
Mint Theater will open Days to Come by Lillian Hellman on Sunday August 26th. Performances have been extended through October 6th at Theatre Row (410 West 42nd Street).
Mint Theater presents a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin August 2nd and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.
Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin this Today, August 2nd, and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.
Minnesota Jewish Theatre Company (MJTC) opens its 24th season with What I Thought I Knew by Alice Eve Cohen. Jennie Ward returns to MJTC to direct (Collected Stories).
Mint Theater presents a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin August 2nd and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.
Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin this Thursday, August 2nd, and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.
Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, 'one of the most important playwrights of the American theater' (New York Times). Performances will begin August 2nd and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.
The Museum of Arts and Design (MAD) is pleased to present the first institutional solo exhibition of works by Los Angeles-based artist and designer Tanya Aguiñiga. Craft & Care highlights Aguiñiga's practice at the intersection of fiber art, design, social practice, and activism, with a focus on motherhood, care, border issues, and the creation of community-themes that run throughout the artist's work. On view through October 2, the exhibition spotlights AMBOS Project (Art Made Between Opposite Sides), Aguiñiga's ongoing activation of the US-Mexico border.
This production, just like the Greased Lightning car, could use some fine tuning
With 60+ Events Across New York City, the United States' Leading International Literary Festival, Curated by Chip Rolley, Turns Its Global Lens on Its Home Country
Theater Resources Unlimited (TRU) announces the workshop Raising Money for Theater: Who, How, and When to Ask, part of TRU Boot Camps on February 4, 2018 from 10am - 6pm at 151 W. 46th St., 8th Floor, NYC. Basic pricing is $175 for non-members, $150 for TRU members with $25 off for early birds, thru 1/26. Discount codes available for anyone who has applied to any of the upcoming festivals, as well as students. Email TRUStaff1@gmail.com with proof of a festival application, or a student ID, and TRU will provide you with a code for $40 or $60 off (for a Festival price of $135 or Student price of $115).
Theater Resources Unlimited (TRU) announces the workshop Raising Money for Theater: Who, How and When to Ask, part of TRU Boot Camps on February 4, 2018 from 10am - 6pm at 151 W. 46th St., 8th Floor, NYC.
It is an incredibly fascinating experience watching EVITA in South Africa at this time, particularly given the events that have transpired in Zimbabwe over the last month. This musical will speak to the world for as long as the struggle against colonialism and its legacy of inequality continues.
Long Wharf Theatre presents The Chosen, adapted by Aaron Posner and Chaim Potok from the novel by Potok, directed by Artistic Director Gordon Edelstein, from November 22 through December 17.
Long Wharf Theatre presents The Chosen, adapted by Aaron Posner and Chaim Potok from the novel by Potok, directed by Artistic Director Gordon Edelstein, from November 22 through December 17.
Stage Door Theatre presents the musical Saturday Night Fever featuring music and lyrics by the Bee Gees, and a book by Nan Knighton (in collaboration with Arlene Phillips, Paul Nicholas, and Robert Stigwood). The musical is based on both Nik Cohn's 1975 New York Magazine article 'Tribal Rites of the New Saturday Night', and the block-buster film that rocketed John Travolta to fame it inspired in 1977, Saturday Night Fever.
Shakespeare & Company announces casting for Miss Bennet: Christmas at Pemberley, written by Lauren Gunderson and Margot Melcon, and directed by longtime Company member and Producing Associate Ariel Bock. This funny, warm-hearted holiday story, will have a special limited run from December 15 - 17 in the Elayne P. Bernstein Theatre. The show will feature Company actors Kate Abbruzzese, Lydia Barnett-Mulligan, David Joseph, Zo Laiz, and Ryan Winkles.
Mimi Beck, Dance Curator of acclaimed presenter DanceWorks, announces that subscriptions and single tickets are currently on sale for the 2017-18 season featuring eight Toronto-based artists/companies and one Indigenous company from Vancouver. From Flamenco, Kathak, Indigenous and Hip-Hop to world premieres and remounts from its storied past, the 40th anniversary DanceWorks Mainstage season promises to be full of surprises and surreal experiences.
The work of Czech playwright and later on president Vaclav Havel and the history of Czech dissent is the inspiration for the site-specific immersive show The Vanek Trilogy: Living Room Soirees.
1978 | Off-Broadway |
Off-Broadway |
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