Based on the screenplay be Steve Gordon
King Arthur, the famous semi-opera in five acts by Henry Purcell, brings together theatre, dance and opera to give pride of place to love and the motherland. The original libretto by the English poet, John Dryden, tells of the quest of Arthur, king of the Britons, to rescue his fiancée, the princess Emmeline, abducted by his sworn enemy, Oswald, king of the Saxons. Our great Belgian novelist and poet, Peter Verhelst, has brought this passionate warrior’s legend up-to-date and re-written the spoken parts, injecting the plot with the originality of his own colourful imagination. Moreover, this production will be part of the commemoration to mark the centenary of the start of the First World War. There can be no doubt that this modern rewriting, carried by the musical energy of the Ghent orchestra, B’Rock, will revive the political impact and theatrical strength of Purcell’s masterpiece.
On May 6th, 1882 – on the eve of the greatest wave of immigration in American history – President Chester A. Arthur signed into law a unique piece of federal legislation. Called the Chinese Exclusion Act, it singled out by name and race a single nationality for special treatment: making it illegal for Chinese laborers to enter America on pain of imprisonment and for Chinese nationals ever to become citizens of the United States.
Theater Resources Unlimited (TRU) offers an important conversation on Thursday, April 26, 2018: Stream It and They Will Come: How Digital Capture Builds Audience Awareness at 7:30pm (doors open for networking at 7pm) at The Playroom Theatre, 151 W. 46th Street, 8th fl., NYC.
Theater Resources Unlimited (TRU) offers an important conversation onThursday, April 26, 2018: Stream It and They Will Come: How Digital Capture Builds Audience Awareness at 7:30pm (doors open for networking at 7pm) at The Playroom Theatre, 151 W. 46th Street, 8th fl., NYC.
In 1920, the Russian writer Isaac Babel reports on a Red Cavalry campaign in Poland. In 1936, Stalin's NKVD chief Nicolai Yezhov unleashes the Great Purge. In 1989, a mysterious KGB agent spying on a woman in Dresden falls in love. In 2010, an aircraft carrying most of the Polish government crashes near the Russian city of Smolensk…
The Golden Girls at Roxy's Downtown Wichita Kansas television parody of the original comedy series through March 18, 2018. A nostalgic romp through one of the favorite all-time television shows with a few twists!
Cincinnati Music Theatre (CMT), a resident company of the Aronoff Center for the Arts, returns to the intimate Jarson-Kaplan Theater from May 11-19 with seven performances of the Broadway triumph Camelot.
REPRISE 2.0 is now announced, presenting a season of three classic American musicals at UCLA's Freud Playhouse, by Marcia Seligson, Producing Artistic Director of the new performing arts organization. REPRISE 2.0 is partnering with the UCLA School of Theater, Film and Television's Department of Theater (UCLA TFT), chaired by Brian Kite.
In the spring of 2018, choral conducting superstar (Time Out New York) Kent Tritle leads two programs featuring world premieres of works with American themes that are resonating especially strongly today: with the Oratorio Society of New York, Sanctuary Road, an oratorio about the Underground Railroad with music by Paul Moravec and text by Mark Campbell (commissioned by the OSNY) based upon the accounts of William Still, as well as Behzad Ranjbaran's We Are One (commissioned by the Los Angeles Chamber Orchestra) on May 7; and a program at the Cathedral Choir of St. John the Divine celebrating the immigrant history of New York in collaboration with early/world music group Rose of the Compass that includes the world premiere of a commissioned work by Robert Sirota, text by Reverend Victoria Sirota, on April 9.
During their John Guare Festival and the World Premiere of Guare's epic Lydie Breeze Trilogy, EgoPo Classic Theater is collaborating with Drexel University's Performing Arts Department for an evening symposium, Future of American Playwriting, Saturday, February 3 at 4 p.m. The panel will feature John Guare and local playwrights Jacqueline Goldfinger, Bruce Graham, and James Ijames. The panel is moderated by Broad Street Review Editor in Chief Wendy Rosenfield. The symposium will be held in the Stein Auditorium in Nesbitt Hall at Drexel University, 3215 Market Street. Tickets cost $10 and are available on www.egopo.org or by phone at 267-273-1414.
Pianist Igor Levit has been named the recipient of the 2018 Gilmore Artist Award. The Award was announced today by Daniel R. Gustin, Director of the Irving S. Gilmore International Keyboard Festival. One of the most prestigious honors in music, the Gilmore Artist Award is presented every four years on a non-competitive basis to an exceptional pianist who, regardless of age or nationality, is a superb performing artist and a profound musician with both charisma and breadth of musicianship; who desires and can sustain a performing career as a major international concert artist and can make a real impact on music; and whose developing career can benefit from the enhancement the Award's money and prestige provide.
Cutting Ball Theater's 2017-18 Season continues next year with THE CUTTING BALL VARIETY PACK, a two-week festival featuring four short, fully staged experimental works, readings of two brand new plays by New York-based playwrights, and more. The Variety Pack runs February 2 13, 2018. Single event tickets are $15; a festival pass with admission to any three events is a bargain at $30; and all tickets include a complimentary drink. Tickets may be purchased online at cuttingball.com or by phone at 415-525-1205.
The Critics' Circle Theatre Awards 2017 will take place at 1pm on Tuesday 30 January 2018 at the Prince of Wales Theatre in London's West End, hosted by Critics' Circle Drama Section Chairman Mark Shenton, with regular guest speaker Arthur Smith introducing the prestigious awards in much-loved tradition.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presented the Original Broadway cast in Legs Diamond 30th Anniversary Reunion Concert on Sunday, December 3 at 7:00 pm and 9:30 pm. The concert is being produced and directed by original cast member Jonathan Cerullo and associate producer Carol Baxter. BroadwayWorld was there when the cast met the press, and you can check out photo coverage below!
Alfred Uhry's 1987 Pulitzer-Prize winning play Driving Miss Daisy is receiving a rare and outstanding revival at the Colony Theatre starring Donna Mills. It originally played off-Broadway and was filmed in 1989 with Jessica Tandy. The play recounts the relationship between Daisy Werthan (Mills) a white Southern Jewish woman and her African-American chauffeur Hoke Colburn (Arthur Richardson). This current production plays the Colony through December 10 only.
Today's subject Kimberly Schraf is currently living her theatre life at Ford's Theatre portraying one of the best known female roles in the American Theatre. Not only does Kimberly give a superb performance as Linda Loman in Arthur Miller's Death of a Salesman, she does so with Craig Wallace as Willy Loman. Wallece is her partner in life as well as onstage. Her once-in-a-lifetime performance can be seen through October 22nd.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents the Original Broadway cast in Legs Diamond 30th Anniversary Reunion Concert on Sunday, December 3 at 7:00 pm and 9:30 pm. The concert is being produced and directed by original cast member Jonathan Cerullo and associate producer Carol Baxter.
BroadwayWorld continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Charles Morrow, Cataloger of the Theatre on Film and Tape Archive at The New York Public Library for the Performing Arts, on: 'Sing out, Louise!'
Leonard Bernstein was born in Lawrence, Massachusetts. He took piano lessons as a boy and attended the Garrison and Boston Latin Schools. At Harvard University, he studied with Walter Piston, Edward Burlingame-Hill, and A. Tillman Merritt, among others. Before graduating in 1939, he made an unofficial conducting debut with his own incidental music to 'The Birds,' and directed and performed in Marc Blitzstein's 'The Cradle Will Rock.' Then at the Curtis Institute of Music in Philadelphia, he studied piano with Isabella Vengerova, conducting with Fritz Reiner, and orchestration with Randall Thompson.
Skylight Music Theatre opens the 2017-18 season with Hot Mikado, a swinging version of Gilbert & Sullivan's comic masterpiece The Mikado, running Friday, September 29 through Sunday, October 15, 2017 in the Cabot Theatre at the Broadway Theatre Center, 158 N. Broadway, Historic Third Ward, Milwaukee.
New York City's Gorilla Rep (www.gorillareptheater.org), has taken the giant leap across the Pond to the Edinburgh during the famous Fringe. The UK will now have a taste of the renowned Gorilla Rep's unique showcase of immersive and interactive theatrical productions.
PW Productions are delighted to announce that from Tuesday 29 August 2017, Susan Hill's THE WOMAN IN BLACK at The Fortune Theatre, London will star Terence Wilton as 'Arthur Kipps' and James Byng as 'The Actor'.
International Conference Gathers Artists and Scholars Who Explore the History and Legacy of the Groundbreaking Black Mountain College, Where Willem de Kooning, John Cage, Buckminster Fuller, Merce Cunningham, Franz Kline and Robert Rauschenberg Collaborated in the Mid-20th Century
???????As the summer ends and the fall 2017 concert season comes into view, Kent Tritle will be found playing an organ recital at Himmerod Abbey, a Cistercian monastery in Grosslittgen, Germany. From there, it is off and running - the 2017-18 season for "New York's foremost choral conductor" (The New Yorker) is highlighted by the world premieres of two works with the Oratorio Society of New York, Sanctuary Road, an oratorio about the Underground Railroad by Paul Moravec, libretto by Mark Campbell, commissioned by the OSNY, and Behzad Ranjbaran's We Are One; concerts with the Cathedral Choir of St. John the Divine including a program celebrating the immigrant history of New York in collaboration with early/world music group Rose of the Compass that includes the world premiere of a commissioned work by Robert Sirota, and a program of Kodaly, Stravinsky, and Part's Miserere; programs of repertoire ranging from Gregorian chant to Morton Lauridsen with Musica Sacra; and Bach's St. John Passion with ensembles and soloists from the Manhattan School of Music.
GOOD MORNING, THEATERATI! It's Wednesday, June 7, 2017! Kathie Lee and Hoda are in town today to show their Today show audience what's happening in Nashville, which prompts the musical question: What's sights are on your list of places to go when newbies turn to you for advice? Let us know and we'll feature you in an upcoming story!
Roundabout Theatre Company will conclude its new Broadway production of Arthur Miller's The Price, directed by Steppenwolf Theatre Company co-founder, Terry Kinney, on Sunday, May 14.
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