Dance Theatre of Harlem is a leading dance institution of unparalleled global acclaim, founded in 1969 by Arthur Mitchell and Karel Shook. Now in its sixth decade, the company has grown into a multicultural dance institution with an extraordinary legacy of providing...
Dear Readers, shows about overcoming adversity are not a new thing. It’s pretty much a staple of many storylines. But what has been coming up more and more are the shows about overcoming a physical adversity. Of course there’s one of my favorites, “Hairspray” dealing with racism and body …
Alicia Keys can write the hell out of a song. Her catalog has been the soundtrack to heartbreaks and first loves for more than two decades. Hell's Kitchen, the Grammy winner's semi-autobiographical musical now at the Paramount Theatre, is a welcome reminder of just how singular her music really is. …
William Shakespeare’s work, undoubtedly, is an acquired taste. Shakespeare’s poetry of language can turn people off (the Elizabethan language can be hard to follow). Would you believe me if I told you that one way to make his work more approachable is by folding in layers of randomness and cha…
When I think of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat, I don't think of camp. It's content and presentation are really earnest. But the Taproot Theatre’s latest production leans into ‘camp’ in every sense of the word. Set in a children’s summer camp talent show…
Xian’s performance was a joyful representation of Schiller’s text, ending the rousing evening with an affirmation of much-needed hope for us all. The performance was transcendent in every way.…
One-person productions are typically autobiographical: the performer teaches the audience about themself, as themself. But this seemingly “direct” approach is often not actually revealing, where an artist performs a ritualized series of autobiographical anecdotes that fit into the form’s genre…
There’s a reason Blue Man Group has been beloved for nearly 40 years: their show is pure fun. Packed with electrifying percussion performances, inventive visual storytelling, and laugh-out-loud-worthy comedy, the group's North American tour continues to delight audiences, and their stop at The Par…
Dear Readers, the bio-musical is a tricky thing. Some love them, some hate them. For me, it all depends on if you have an affinity for the music of the subjects, plus it needs a strong book. And then there’s the current show from Village Theatre, “We Ain’t Ever Gonna Break Up: The Hymon and Pa…
It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chillin…
The production, with its flamboyantly portrayed characters and colorful background, fulfilled the most crowd-pleasing elements of the work…
|
Barefoot in the Park State Theater (8/21-9/06) |
|
Freak The Mighty Seattle Repertory Theatre (7/30-9/06) |
|
Harry Potter and the Cursed Child Paramount Theatre (8/22-9/12) |
|
The Docent Lakewood Playhouse (10/09-10/25) |
|
Where Blooming Flowers Meet The Sky Lakewood Playhouse (12/04-12/19) |
|
Professor Brian Cox Moore Theatre (1/16-1/16) |
|
Clue Washington Center for the Performing Arts (3/01-3/01) |
|
SIX (Boleyn Tour) Paramount Theatre (4/20-4/25) |
|
Come From Away Lakewood Playhouse (6/04-6/20) |
|
Luchadora! Lakewood Playhouse (12/05-12/20) |
