A solo performance written and co-created by Julieta Vitullo and performed and co-created by Iveliz Martel, exploring what remains after loss through objects, inside jokes, and mistranslations between Spanish and English. Told using analog technologies like a tape recorder, an...
Dear Readers, shows about overcoming adversity are not a new thing. It’s pretty much a staple of many storylines. But what has been coming up more and more are the shows about overcoming a physical adversity. Of course there’s one of my favorites, “Hairspray” dealing with racism and body …
Alicia Keys can write the hell out of a song. Her catalog has been the soundtrack to heartbreaks and first loves for more than two decades. Hell's Kitchen, the Grammy winner's semi-autobiographical musical now at the Paramount Theatre, is a welcome reminder of just how singular her music really is. …
William Shakespeare’s work, undoubtedly, is an acquired taste. Shakespeare’s poetry of language can turn people off (the Elizabethan language can be hard to follow). Would you believe me if I told you that one way to make his work more approachable is by folding in layers of randomness and cha…
When I think of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat, I don't think of camp. It's content and presentation are really earnest. But the Taproot Theatre’s latest production leans into ‘camp’ in every sense of the word. Set in a children’s summer camp talent show…
Xian’s performance was a joyful representation of Schiller’s text, ending the rousing evening with an affirmation of much-needed hope for us all. The performance was transcendent in every way.…
One-person productions are typically autobiographical: the performer teaches the audience about themself, as themself. But this seemingly “direct” approach is often not actually revealing, where an artist performs a ritualized series of autobiographical anecdotes that fit into the form’s genre…
There’s a reason Blue Man Group has been beloved for nearly 40 years: their show is pure fun. Packed with electrifying percussion performances, inventive visual storytelling, and laugh-out-loud-worthy comedy, the group's North American tour continues to delight audiences, and their stop at The Par…
Dear Readers, the bio-musical is a tricky thing. Some love them, some hate them. For me, it all depends on if you have an affinity for the music of the subjects, plus it needs a strong book. And then there’s the current show from Village Theatre, “We Ain’t Ever Gonna Break Up: The Hymon and Pa…
It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chillin…
The production, with its flamboyantly portrayed characters and colorful background, fulfilled the most crowd-pleasing elements of the work…
Is this your theatre? Claim it to manage listings and submit updates.
|
Barefoot in the Park State Theater (8/21-9/06) |
|
Freak The Mighty Seattle Repertory Theatre (7/30-9/06) |
|
And Then There Were None Village Theatre (1/12-2/14) |
|
Dear Evan Hansen Village Theatre (5/15-6/06) |
|
Kiss Of The Spider Woman Lakewood Playhouse (9/04-9/20) |
|
Love is Dead Village Theatre (7/10-8/01) |
|
disPLACE Theatre Off Jackson (8/21-8/22) |
|
The Rocky Horror Picture Show Spooktacular Tour with Patricia Quinn The 5th Avenue Theatre (10/15-10/15) |
|
ARSENIC AND OLD LACE at Tacoma Little Theatre Tacoma Little Theatre (10/16-11/01) |
|
RAGTIME Village Theatre (9/15-10/18) |
