Pianist Yulianna Avdeeva traces the evolution of keyboard repertoire over two centuries. Her program includes Bach's Italian Concerto in F Major BWV 971, Beethoven's Fantasy in G minor Op. 77 and Piano Sonata No. 23 in F minor Op. 57 Appassionata, and Ravel works inspired by...
The Isidore String Quartet reunites with American composer and Pulitzer Prize finalist Billy Childs to perform his String Quartet No. 4, American Mosaic, written for the Quartet. The piece explores the past and present state of race relations in the United States and presents...
The Ehnes Quartet joins violist Jonathan Vinocour for a program featuring both of Brahms's String Quintets, No. 1 in F Major Op. 88 and No. 2 in G Major Op. 111. The Ehnes Quartet was founded at Seattle Chamber Music Society, and its musicians have played chamber music together...
Marc-André Hamelin joins the Balourdet Quartet for a program featuring Dvořák's Piano Quintet No. 2 in A Major, one of the most beloved works in chamber music. The concert also includes a new commission by composer Hannah Ishizaki, the current Composer-in-Residence of Young...
Pianist Orion Weiss, violinist Amy Schwartz Moretti, and cellist Edward Arron present an all-piano-trio program featuring works by Dvořák, Mozart, and Schumann. The program includes Dvořák's Piano Trio in F minor Op. 65, widely considered one of his major achievements in chamber...
James Ehnes joins the New Orford String Quartet for a program featuring Beethoven's String Quintet in C Major Op. 29, known as the Storm, the composer's only original composition for string quintet. The concert also includes Kelly-Marie Murphy's Dark Energy, a quartet inspired...
James Ehnes and Orion Weiss close the 2026–27 Signature Series with a program exploring pivotal moments in the lives of three composers. The program includes Schubert's Rondo in B minor D. 895, Strauss's Sonata in Eb Major Op. 18, and Prokofiev's Sonata in F minor Op. 80, a...
In Washington Ensemble Theatre’s Blood/Sucker, there’s something lurking in the shadows of the public high school, something that wants to suck the life out of all who roam the halls, teachers and students alike. Is it gun violence? Internet trolls? Bullying? Racism? Transphobia? Food insecurity…
Dear Readers, when discussing the play “Harry Potter and the Cursed Child”, currently playing at the Paramount Theatre, we need to consider things in two time frames, B.C. and A.C., Before Covid and After Covid. B.C. the show was only in select places such as New York, London, and San Francisco…
Dear Readers, shows about overcoming adversity are not a new thing. It’s pretty much a staple of many storylines. But what has been coming up more and more are the shows about overcoming a physical adversity. Of course there’s one of my favorites, “Hairspray” dealing with racism and body …
Alicia Keys can write the hell out of a song. Her catalog has been the soundtrack to heartbreaks and first loves for more than two decades. Hell's Kitchen, the Grammy winner's semi-autobiographical musical now at the Paramount Theatre, is a welcome reminder of just how singular her music really is. …
William Shakespeare’s work, undoubtedly, is an acquired taste. Shakespeare’s poetry of language can turn people off (the Elizabethan language can be hard to follow). Would you believe me if I told you that one way to make his work more approachable is by folding in layers of randomness and cha…
When I think of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat, I don't think of camp. It's content and presentation are really earnest. But the Taproot Theatre’s latest production leans into ‘camp’ in every sense of the word. Set in a children’s summer camp talent show…
Xian’s performance was a joyful representation of Schiller’s text, ending the rousing evening with an affirmation of much-needed hope for us all. The performance was transcendent in every way.…
One-person productions are typically autobiographical: the performer teaches the audience about themself, as themself. But this seemingly “direct” approach is often not actually revealing, where an artist performs a ritualized series of autobiographical anecdotes that fit into the form’s genre…
There’s a reason Blue Man Group has been beloved for nearly 40 years: their show is pure fun. Packed with electrifying percussion performances, inventive visual storytelling, and laugh-out-loud-worthy comedy, the group's North American tour continues to delight audiences, and their stop at The Par…
Dear Readers, the bio-musical is a tricky thing. Some love them, some hate them. For me, it all depends on if you have an affinity for the music of the subjects, plus it needs a strong book. And then there’s the current show from Village Theatre, “We Ain’t Ever Gonna Break Up: The Hymon and Pa…
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Barefoot in the Park State Theater (8/21-9/06) |
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Freak The Mighty Seattle Repertory Theatre (7/30-9/06) |
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Table 17 Union Arts Center (10/24-11/15) |
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The Velvet Tropicana Intiman Theatre (4/01-4/04) |
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Hamlet Union Arts Center (9/19-10/11) |
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Beowulf Intiman Theatre (4/04-4/11) |
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Hadestown (Non-Equity) Paramount Theatre (1/19-1/24) |
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Leni's Last Lament Intiman Theatre (10/09-10/18) PHOTOS |
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The Mystery of Edwin Drood Centerstage Theatre (5/21-6/13) |
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Love is Dead Village Theatre (6/01-7/03) |
