Review: GODDESS at Berkeley Repertory
Our critic reviews the World Premiere of Saheem Ali's production of Goddess by Jocelyn Bioh.
The first thing the audience sees is Arnulfo Maldonado's incredible two- story Moorish influenced set representing Moto Moto, the hip Mombasa night spot for music and dance. A jazzy overture gets the audience hyped, then BAM - the World Premiere and much anticipated Goddess ensemble powers into its opening number. The audience nearly blew the roof off the Roda Theatre and the high energy and excitement level never wavered throughout the evening. Sensational it was - brilliant, athletic choreography by Darrell Grand Moultrie introducing us to the hip nightclub Moto Moto that will act as the main location of the show.
The creators of this show is A-list pedigree of New York heavyweights across both technical and acting aspects. And from the look of the production, much attention and energy has been spent in hopes of critical and audience approval. Done and done. Kenyan born Saheem Ali has been working on this concept since the early 2000's based on the African myth of Marimba, the goddess of music, who escapes from on high to earth where she pursues true love in the guise of Narida, a jazz lounge singer.
The creative team of Ali, Thurber and Bioh have spent many years together on this project and have struck gold. The score is an exuberant mix of modern Afrobeat, R&B, and both American and African jazz. Combined with the choreography, Bradley King's excellent lighting and the mythic yet humanistic style of Bioh's book and you have a widely appealing piece of theatre.
There are three plotlines to Goddess - the love triangle between Nadira (Amber Iman) and both her persistent pursuer Madongo (Lawrence Stallings), owner of Moto Moto and the engaged Mayoral candidate Omari (Philip Johnson Richardson), the comic relief romance of club MC Ahmed (Rodrick Covington) and the disinterested Rashida (Abena), and the struggle Omari has over following his family's legacy (parent's Kecia Lewis and Kingsley Leggs) and marrying his fiancée CheChe (Destinee Rea).
The ensemble acting is superb across the board with a stellar performance by Iman in the lead role. There are elements of light comedy, and the storytelling and stage direction are outstanding. Goddess has everything you'd expect of great theatre, all executed at a ridiculously high level. What began as a short, ancient myth is now a fully-fledged musical experience.
.jpg?format=auto&width=1400)
Goddess runs through September 25th, 2022. $30-$138. Berkeley Repertory Theatre, 2025 Addison St., Berkeley. 510-647-2949. www.berkeleyrep.org
Photo Credit: Kevin Berne and Alessandra Mello
|
Julius Caesar Marin Shakespeare Company (8/14-9/13) |
|
Pickleball Hillbarn Theatre (8/20-9/13) |
|
Dream Hou$e City Lights Theater Company (5/13-6/06) |
|
Mamma Mia! San Jose Center for the Performing Arts (6/08-6/13) |
|
Hannah Gould’s Divorced: The Musical! The Marsh Berkeley (8/27-8/29) |
|
Elizabeth Du Val’s For When Things Fall Apart The Marsh (8/15-8/16) |
|
"Next Time" Potrero Stage (8/09-8/15) VIDEOS |
|
Arsenic and Old Lace City Lights Theater Company (3/11-4/11) |
|
Private Lives by Noel Coward Santa Cruz Shakespeare (9/04-10/04) |
|
Hamilton (Angelica Company) San Jose Center for the Performing Arts (7/07-7/18) |
Reader Reviews
To post a comment, you must register and login.