Review Roundup: DAD DON'T READ THIS Transfers to the Greenwich House Theater
Following its run at St. Luke's Theatre, Eliya Smith's Dad Don't Read This transferred to Greenwich House Theater. Read the reviews for Dad Don't Read This here!
Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
Following its run at St. Luke's Theatre, Eliya Smith's Dad Don't Read This transferred to Greenwich House Theater. Read the reviews for Dad Don't Read This here!
Rounding out the 2026 New York City Center Encores! season is La Cage Aux Folles, which just opened on June 17. This final production of this Encores! season will run for 15 performances through June 28. The production is led by Director Robert O’Hara and Guest Music Director Joseph Joubert with choreography by Edgar Godineaux and tap choreography by Dormeshia. Check out what the critics are saying!
The reviews are in for Label•less, the new musical experience created by Lea and Drew Lachey that officially opened Off-Broadway on June 18. Featuring a cast of young performers sharing real-life stories through music, movement, and personal testimony, the production is now running at The Duke on 42nd Street through August 29.
The world premiere stage adaptation of Black Swan, directed and choreographed by Tony Award winner Sonya Tayeh, has officially opened at American Repertory Theatre. Read the reviews here!
Performances are underway for The Public Theater’s Free Shakespeare in the Park production of Romeo & Juliet. Learn more about the show and read the reviews here!
See what the critics are saying about Julia May Jonas's A Woman Among Women, now playing Off-Broadway at Lincoln Center Theater. Read the reviews in BroadwayWorld's Review Roundup here.
This high-spirited golden age musical comedy wowed Wichita audiences
Less Orientalism, and less passion too, but the music sustains
A first solo concert in France that felt anything but: David Marino brought Michel Legrand's greatest film songs to the Bal Blomet on Thursday with warmth, authority, and an all-star band that once played these melodies with the composer himself. A very special evening.
The perennial favorite Stephen Sondheim and James Lapine Brothers Grimm-inspired musical, INTO THE WOODS, was beautifully brought to life by Director Bruce Gotlieb and his incredible cast and crew!
The team at Unhinged Productions brings this show to life at Hanover Little Theatre in a performance that is simultaneously funny, unsettling, and may leave the audience wondering what the heck just happened, but in a good way.
Arendelle has once again transformed Sacramento into a wintry wonderland, this time in the round at Broadway at Music Circus. Frozen the Broadway Musical is a dazzling stage adaptation of Disney's beloved 2013 animated film. It opened on Broadway in 2018 with additional songs by Kristen Anderson-Lopez and Robert Lopez and earned three Tony Award nominations: Best Musical, Best Book of a Musical, and Best Original Score. Director Glenn Casale has assembled a star-studded cast for this adaptation, and his signature touch elevates the joy and magic that Disney represents.
GREASE, Porthouse-style, is a nostalgic reminder of the era of mid-1900’s and left those of a certain-age satisfied and maybe those of the Information Age/Digital Age asking “what was the attitude, grease and angst” all about.
In this vivid piece, the company explores the condition of young life in the age of social media, where individuality is constantly performed, consumed, imitated, and discarded.
Fortressed, Sharianne Greer's original medieval comedy, returns to the stage at Theatre 29 in a lively production filled with physical comedy, memorable performances, and an infectious ensemble spirit.
What did our critic think of GODSPELL at Prologue Players?
Vengeance and manipulation are at the heart of The Wasp, the latest offering from Albion Theater. A contemporary thriller by Morgan Lloyd Malcolm, this intense drama, presented without intermission, is filled with twists, turns, and psychological angst.
Stephanie Nakasian brought warmth, wit, and deep jazz chops to Chelsea Table + Stage, blending swinging standards, personal stories, and guest appearances by Meri Ziev and mouth trumpeter Robert Gurland.
THE ZIONISTS; A Family Storm represents a tremendous new piece of theater. One that, like a gemstone, sparkles on many facets. You don’t have to possess any particular element, characteristic, or trait, this play will make you think. It continues at Barrington Stage Company’s Boyd-Quinson Theater 30 Union Street in Pittsfield through July 2, and I highly recommend it!
If The Golden Girls and Steel Magnolias had a theatrical love child, it would be The Hallelujah Girls, now playing at Twin Lakes Playhouse in Mountain Home through Sunday, June 28. Written by Jones Hope Wooten and directed by Dianne Pankau, this laugh-out-loud Southern comedy celebrates friendship, second chances, and the realization that life doesn't stop because you've reached a certain age. Packed with colorful personalities and quick wit, it is the kind of show that will have you laughing through the whole show.
Swell shows full of songs of FRANK SINATRA and Broadway hits, performed by some strong singers, hosted by Scott Siegel, are sprinkled through the summer at 54 Below. FRANK SINATRA-THE CONCERT is a worthy entry. It returns 7/19, 9/1 and 12/26
What did our critic Natalie O'Donoghue think of ALLEGRA at Theatre Royal?
Featuring the timeless hits of the world-renowned pop group ABBA, “MAMMA MIA!” is a feel-good musical that has captivated audiences around the globe. Beloved songs including “Dancing Queen,” “Mamma Mia,” and “The Winner Takes It All” are seamlessly woven into the story, creating a heartwarming and uplifting theatrical experience filled with laughter, romance, and emotion. Since its Japanese premiere in 2002, the production has remained a favorite among theatergoers, leaving audiences energized and inspired long after the curtain falls.
What did our critic think of Cirque du Soleil's ECHO?
What did our critic think of HAPPY BIRTHDAY MARS ROVER at Sandbox Theatre Collective?